Name: Zadie Smith reads "Animals" by Frank O'Hara by brainpicker
Duration: 33 s
Description: Poem text and context: https://www.brainpickings.org/2019/04/16/zadie-smith-reads-frank-ohara/

Annotations and transcribed highlights: http://www.brainpickings.org/2015/06/16/neil-gaiman-how-stories-last

Recorded at the Long Now Foundation (http://longnow.org/) on June 9, 2015. 

Follow @https://soundcloud.com/longnow and subscribe to the podcast of their excellent seminars on long-term thinking on iTunes: https://itunes.apple.com/us/podcast/seminars-about-long-term-thinking/id186908455?mt=2

MORE / TRANSCRIPT

Neil Gaiman on how stories last

Cover #22 from the series "Songs I Love" by Piers Faccini
Free download: http://www.unlock.fm/4g7

Given my love of her writing, I really should have already covered a Joni Mitchell song in the series by now. As a lyricist she's in a hallowed place all of her own and I can't think of anyone else who writes with such invention and grace. Little Green almost hurts to sing. It tells the story of the daughter Joni Mitchell gave up for adoption. One can only imagine the torment of a young mother having to give up her child and it's tempting too as the verses unfold to question her for doing so. Perhaps that's what makes it such a moving piece, taking us as listeners, deep into complex and ambiguous emotional waters where compassion, sorrow and forgiveness can mingle? I wonder how Joni's biological daughter feels about the song, would she have preferred it to have remain unwritten, unsung? It makes me think that writers are inevitably selfish beings as nothing is ever off limits for them. Shining a light on events that others might rather hide  is hard for the people that inspire the stories. But despite the sorrow Little Green calls up, I have no doubt the rest us are better off for hearing it.  The beautiful guitar part here was played by my friend the South African Guy Buttery. We met when I toured South Africa in 2008 with Nibs van der Spuy, I've collaborated on a few songs of Guy's over the years,  including one on his next album, I encourage you to discover his amazing music, he has a crowdfunding thing going on for his next album, I hear guitar buffs can even bid for one of his guitars! http://igg.me/at/guybuttery/x

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Franchement, vu comme j’adore ses compositions, il y a longtemps que j’aurais pu inclure une chanson de Joni Mitchell  dans la série!  Comme parolière, elle évolue dans une sorte de sanctuaire qui n’appartient qu’à elle – je cherche en vain quelqu’un qui écrive avec autant de grâce et de sincérité.  ‘Little Green’  est une chanson très sensible, poignante. Elle raconte l’histoire de la fille que Joni Mitchell a dû abandonner et confier à l’adoption. On peut imaginer les tourments d’une jeune mère acculée à laisser son enfant ; mais au fil de l’histoire, on a aussi envie de l’interpeller sur son geste… C’est sans doute ce qui rend ce récit si touchant, et qui plonge ceux qui écoutent dans les hauts fonds des émotions complexes et profondes, là où peuvent se fondre la compassion, la tristesse, et le pardon… Je me demande ce que ressent la fille biologique de Joni à l’écoute de cette chanson : aurait-elle préféré qu’elle demeure non-écrite,  jamais chantée ? Je réalise que les auteurs sont en fait des êtres assez égoïstes, qui ne se posent aucune limite. Porter au jour des événements que d’autres préfèreraient cacher n’est pas sans conséquences douloureuses pour les personnes qui inspirent ces récits. Malgré la tristesse que ‘Little Green’ éveille, je suis convaincu qu’une autre part de nous est heureuse de l’écouter.  
Sur cette reprise, la superbe partition de guitare est jouée par mon ami Sud-Africain Guy Buttery.  Nous nous sommes rencontrés lors de ma tournée là-bas en 2008 avec Nibs van der Spuy. Je vous invite à découvrir son incroyable univers musical. J’ai contribué à quelques chansons de Guy ces dernières années, y compris pour son prochain album. Il y a une campagne de financement participatif en cours sur ce projet, et je crois même qu’il y a des enchères possibles pour une de ses guitares. Avis aux amateurs ! http://igg.me/at/guybuttery/x
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Order book/cd 'Songs I Love' vol.1: http://shop.beatingdrumrecords.com

Also available on:
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http://Google Play: bit.ly/songsiloveplay
__________

Piers Faccini : http://www.facebook.com/PiersFacciniMusic
Beating Drum : http://www.beatingdrumrecords.com

FREE DOWNLOAD

Piers Faccini - Little Green [Joni Mitchell Cover](Songs I Love #22)

Background and poem text: https://www.brainpickings.org/2016/06/28/amanda-palmer-reads-humanity-i-love-you-e-e-cummings/

Join me in supporting Amanda on Patreon: https://www.patreon.com/amandapalmer

BACKGROUND / POEM TEXT

Amanda Palmer reads "Humanity i love you" by e.e. cummings

David Sylvian - Gone To Earth Instrumentals

Poem text and context: https://www.brainpickings.org/2019/02/07/you-cant-have-it-all-barbara-ras-emily-levine/

POEM TEXT / CONTEXT

Emily Levine reads "You Can't Have It All" by Barbara Ras

PRE-ORDER AVAILABLE NOW: ImportantRecords.com 

Anthony Burr and Charles Curtis present this collection of curated compositions from Alvin Lucier and Morton Feldman. Two Lucier pieces, August Moon and Trio For Clarinet, Cello & Tuba are presented here for the first time. Liner notes are excerpted from a lecture on Morton Feldman given by Alvin Lucier. 

“For Feldman, dynamics serve an acoustical function. When he mitigates a piano attack he reduces that spike of noise that’s at the onset of every piano sound leaving only the sinusoidal pure after-sound. It’s as if he invented electronic music with the piano.” Alvin Lucier from liner notes. 

“Lucier manages to hear a layer of acoustical physics in Feldman’s music that perhaps no one else would hear. He’s hearing something in Feldman that is actually coming from his own musical world; in a way, hearing his own music in Feldman’s, and drawing inspiration from that.”

Chamber Music:  Morton Feldman - 3 Clarinets, Cello And Piano (1960) - Anthony Burr/Charles Curtis

Today the world is able to hear the first new music from lo-fi hero Jason Molina since 2009 (1st solo music since '06). The mini-album is called 'Autumn Bird Songs' & is an incredibly moving & powerful work. It was recorded soon before Molina took a leave from the industry a few years back. 'Autumn Bird Songs' consists of 8 songs that were specifically written and recorded to and for William Schaff's artwork in the hopes that one day our music-related art book would be finished. Well due to the overwhelming support on Kickstarter, that became a reality this year and we are very proud of the finished result. The book is 82 pages and begins with an introduction by John Darnielle of The Mountain Goats. On the artwork front, we take you from the old school mixtape covers Schaff would create when he was young to his work for such artists as Okkervil River, Godspeed You Black Emperor, Monster Movie, Mighty Mighty Bosstones, Kid Dakota, Songs: Ohia and many more.

This is a product of love that we began in 2007 so we really hope you enjoy it. The retail version of the book comes with a rainbow center spray black 10" of 'Autumn Bird Songs' which is limited to 350 copies.

We thank you very much for your support,

Ryan Graveface

You can purchase a book/10" here: http://www.graveface.com/graveface-schaff.html

Jason Molina - Heart My Heart

Poem text and context: https://www.brainpickings.org/2019/04/16/zadie-smith-reads-frank-ohara/

Zadie Smith reads "Animals" by Frank O'Hara

The Lighthouse Project - Released June 2013

Kola (Lightouse version)

Poem text and context: https://www.brainpickings.org/2020/12/31/new-years-eve-rebecca-elson/

"Futura Vecchia, New Year's Eve" by Rebecca Elson (read by Maria Popova)

In 1968, Dr. Bernie Krause was leading a booming music career. A prodigiously talented musician and early master of the electronic synthesizer, Krause was busy working with artists like the Doors and the Beach Boys and performing iconic effects for blockbuster films. Then Warner Brothers commissioned him to create an album incorporating the sounds of wild habitats, so he headed into Muir Woods with his recording equipment. What he heard changed his life and triggered a fifty-year odyssey.

Then and there, Krause decided that he wanted spend the rest of his life recording and archiving the music of wild animals and wild places. He quit Hollywood and began traveling the world. The soundscapes he recorded were full of epiphanies about the origin of our own culture and music, about the profound connectedness of creatures, and about the unseen tolls of human activity. Previous wildlife recordings isolated the calls of individual creatures, but Krause recorded habitats as a whole. He soon proposed a new theory of ecosystem functioning: that each species produces unique acoustic signatures, partitioning and occupying sonic niches such that the singing of all of the creatures in a healthy ecosystem can be heard, organized like players in an orchestra. 

Today, Krause’s astonishing archive contains sounds made by more than 15,000 species. It is, as The New Yorker aptly put it, “an auditory Library of Alexandria for everything non-human." Fifty percent of the recorded habitats no longer exist due to habitat destruction, climate change, and human din. We spoke with Krause about the beauty of and perils facing wild music, the extraordinary science of soundscape ecology, and how sound impacts the welfare of animals. The music in this episode is from Wild Sanctuary (www.wildsanctuary.com).

Zadie Smith reads "Animals" by Frank O'Hara

brainpicker

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