a 5ms trigger going into an attenuator then into the klang input. Aperture set to LPG, resonance turned on, q at 50%.  input source is a frequency modulated triangle wave from a sputnik oscillator. i slowly turn the attenuator on the trigger up until about 35 seconds, then i start turning up the cv knob (only to about 25%) wich is turning up an lfo running into the cv input.  i play with the speed of the lfo until 58 seconds then bring the lfo back out. then i turn up the q to about 65%.  at the end i bring up the original signal all the way with the filter opened to reference the original signal coming into the input.

RYO Aperture filter "Klang" ping test with 5ms trigger and LFO

Modular Performer | DJ
Welcome to my House 🏠

electronic, (harsh) noise, drone, ambient: sound artist.

"Acoustic space is where time and space merge as they are articulated by sound." - Dr. Ros Bandt

Experiments in sound, rhythm and generative composition

I'm a lab-rat. gear-head. Composer of sonic explorations. Seeker of tone and frequency. Patcher of modules. Twiddler of knobs. Bender of strings. Programmer of sequences. Lover of all things that oscillate, resonate and reverberate.

My main instrument is a Eurorack Modular synthesizer comprised of approximately 70 modules. My favourites include modules from Frap Tools Instruō, Intellijel, and Xaoc Devices. I use a 16-channel Line converter from nw2s to get modular signals into my DAW.
My main polysynths are an UDO Super6 and a Sequential Prophet Rev2.
Production tools are Bitwig with an Ableton Push 2, with two Universal Audio and Focusrite AD converters; and plugins from GForce/Oberheim, Waldorf, UAD, Valhalla DSP, Plugin Alliance, Eventide, Softube, and Roland.
I also compose with electric guitars and basses, Toontrack Superior Drummer, and various Brazilian samba percussion.

RYO Aperture filter "Klang" ping test with 5ms trigger and LFO

BLogic