Welcome to Now Not Yet Media. 

My name is Jeremy. I am a musician from Kauai. I've been writing and recording my own music for the last 25+ years and decided to create this page to dump all my past recording projects as well as demos for upcoming material. 

Some of it is done now. 

Some of it is not yet finished.

Either way,  I don't mind if you listen to it. Actually, I'd be stoked if you did. 

I've also done a considerable amount of producing, recording & co-writing with other musicians but this page is currently just my stuff. If you dig it and would like my help developing your own material, feel free to reach out.

I make music and write about subjects better left for others to only worry about.

outer-space-farm-boy, dried-flower banjo, trombone transistor xylophone cyborg orchestra from Jupiter.
crafting singer-songwriter orchestral space rock electronic folk tunes with analog and digital instruments, cubase, gasoline and ios apps on ipad
inspired by mathematics, fine and crude arts, people, sounds and colors, physics, nature and technology
-   Profile Photo by Aaron Kraten
http://aaronkratenart.com/


"Like Iggy Pop’s ‘The Passenger’ Alright Spider hold the car door open and invite the listener to explore the dark recesses of a neon soaked metropolis."

Peter Dennis/Pulse Alternative Magazine

"Desolation is one of those albums that is under the radar, but once you listen to it, it becomes apart of your music collection."

Spill Magazine

Dusk is a collection of stories that span a lifetime.  
It’s a travelogue from my younger years - nostalgic episodes of seasick fishing boats, suffocating poverty, and first loves.  It’s a road trip soundtrack from the desert to the coastal forests, stopping at every shitty Greyhound bus station along the way.  It’s the purples and grays that conclude another day; another phase of my life.

Dusk is my fourth LP, and by far the most realized.
In the Spring of 2016 I built a studio at the back of my house in Sonoma, CA (with the help of engineer Eric Ruud) and over the next six months, played and recorded the album on my own.
As the record found it’s final form, long-time collaborators Timothy James Wright and Payam Bavafa added instrumentation to select tracks.

My songs have always been stark and lyric-based, but Dusk is more expansive with rich organs and pianos to go along with the guitars.  

When asked about my influences I’ve always been more apt to cite Richard Brautigan, John Steinbeck or Ernest Hemingway than a contemporary songwriter.  But more recently, I’ve looked back on musicians who were able to combine poignant, dark lyrical content with a melodic backbone like Peter Gabriel, Paul Simon, and Joni Mitchell.

The album has a story arch which benefits from unbroken listening .  The first song begins in the crisp dawn air, and ends with me packing my bags at Dusk.  
In a strange way it feels like a bookend and a beginning at the same time - the way the sunset brings the night, yet the darkness is oftentimes the most exciting part of the day.

GP - Vocals, Guitars, Bass, Piano/Organ, Drums 
Timothy James Wright - Banjo, Drums (Distant Thought); Lap Steel, Guitars, Organ (Enough); Piano, Organ (One Last Breath)
Payam Bavafa - Guitars (Greyhound Song).


frogressive rock pioneer. tragus, pelagic terrors, & stonehenge. 🐌 coffee makes me poop

|   V N S S A    |

California-born artist, producer, and DJ VNSSA has become one of dance music’s most magnetic
forces, fusing house, disco, techno, and a gritty punk edge into a sound that’s unmistakably her own.
What began behind the drum kit in indie bands has evolved into a global, genre-bending project
reshaping club culture from the underground out.
After breakout releases on Dirtybird, Higher Ground, Black Book, and Sweat It Out, VNSSA has
continued to level up with a string of high-impact tracks on Three Six Zero Recordings, including
“Grindhouse” and “Giving You.” Her music has earned major support across Spotify’s Housewerk,
Operator, and Dance Party playlists, as well as Apple Music’s One Mix cementing her as a consistent
tastemaker favorite.
Her recent collaboration with Benson, “Shiny Disco Balls,” exploded across DSPs landing the cover
of Spotify’s Tech House Operator and securing placements across flagship playlists including
Housewerk, New in Dance, Dance Rising, Dance Music Friday, Fresh Dance, Fresh EDM, New Dance
Beats, and New Music Daily. Earlier this year, her standout single “Ring My Bell” with Trixie Mattel hit
viral momentum of its own, earning major playlist support, festival rotation, and fan-fueled traction
across socials, further solidifying VNSSA as one of dance music’s most versatile and in-demand
collaborators.
2025 marked a breakthrough moment: a secret guest appearance at Coachella’s Do LaB as part of
Sara Landry’s Blood Oath, the trailblazing all-female collective pushing the boundaries of heavy club
music. Her collaboration with Walker & Royce, “I Don’t Remember,” has become an international club
weapon, rinsed on festival stages, radio playlists, and peak-time sets worldwide.
When she’s not commanding dance floors, VNSSA hosts Super Creep Radio on Diplo’s Revolution
(Sirius XM) and Insomniac Radio, spotlighting cutting-edge underground artists and showcasing her
ever-evolving sonic world.
This year, VNSSA brings her signature percussive grit and dancefloor magnetism to an even bigger
global stage, with performances at Lightning in a Bottle, Outside Lands, HARD Summer, EDC Las
Vegas, and more.
She is also one half of Girl Math, her newly launched duo with Nala, an electrifying project merging live
vocals, indie dance, analog hardware, and club-ready DJ energy into a raw, punk-femme chaos that’s
already redefining what a back-to-back can be.
Whether behind the decks, in the studio, or building new worlds on the road, VNSSA stands at the
forefront of the next wave of electronic music. She is not simply rising, she is reshaping the landscape.
“VNSSA does not exist in the world of music because it is her choice; she exists in it because it is her
calling.

kid otari is a collaboration of naldo & guillaume
https://soundcloud.com/naldeau/tracks
https://soundcloud.com/guillaumelecompositeur/tracks
our NG-Xp experimental instrumental music here:
https://soundcloud.com/ng-xp/tracks

Kandi Jones is following