I try to make beauty, and make it loud.

chuck@very-good-music.com

Welcome to outsider techno: Chuck Prudence is a clubber but he grew up with rock'n'roll and punk.

When he came to Paris he discovered the hypnotic joy of dancing all night long to minimal techno, and wanted to push the polymer himself. 
He started in vernissages (like pimp my vinyl) providing deep grooves for his friends exhibitions and naturally carried on to later parts of the nights, bringing everybody swinging along. 
After scouting the world for the best records to feed his beloved turntables, he moved to Berlin for a couple of years where he played in many clubs (like the tresor) and now lives in Toulouse, working on his own productions. His sound is not mainstream but his sharp taste and a fondness for long, genre-crossing sets make for nights to remember. 

released on https://soundcloud.com/nerangrecordings, https://soundcloud.com/very_good_music

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

A collection of various projects of mine.
Serious Kids
Dragons in Space
Doktor iGor
feel free to comment
SERIOUS KIDS is a project started in my kitchen, 20 days before i had to leave to N.Y. , i decided to write one song a day ,...
DRAGONS IN SPACE is a cartoonesque electronic experience about Dragons in ....
alternative-rock, rock, electronica, psychedelic, samples,
new collaborations welcome (producers, musicians, ...)
LOOKING FOR A LABEL
Any ideas welcome


DFXRADIO

David Ferret  DJ & Producer. Currently based in France
Influenced and open to all kinds of music.
Electronic music composer & DJ 

Some references:

Moritz von Oswald, Jeff Mills, The Vision, Mike Shommer, Donald Gerald, Mike Banks, Herbie Hancock, Aux 88, Cybotron, Ron Hardy, Fred P, Aybee, Grayscale Records, Tikiman, Maurizio, Legowelt, Kraftwerk, Ron Trent, Terrence Dixon, Russ Gabriel, Dan Curtin, De la Soul, Robag Wruhme, Boards of Canada, Richard D James, Autechre, Square Pusher, Alden Tyrell, Mike Huckaby, James Stinson, Plant 43, Doplereffekt, Laurent Garnier, Ludovic Navarre, Daft Punk, Dreciya, Conforce, Versalife, Regis, Scion, Porter Ricks, Chain Reaction, Deep Chord, Mr G, and 10,000 more...

The Sound of Tomorrow • https://soulection.com

Soulection Radio •  Sundays @ 9AM | 12PM NY | 5PM LDN on Apple Music 1  - Hosted by @JoeKay

Fondateur et animateur du Syndicat du hype (SDH), auteur de CREVARD [baise-sollers] (2005) aux Caméras Animales et DUDE MANIFESTO (2015) chez Denise Labouche. Il poursuit depuis 2013 le projet sonore en 5 actes : « 2000 What The Fuck » et un E.P intitulé « OK MAMA » https://jokarigarage.bandcamp.com

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

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