www.markemusik.se
http://mekkeriet.blogspot.com

Producerad av Leontin
www.leontinproductions.se

Sebbe Bobbo Marke Öris Grizzly - Så jag slugar - mekkeriet.blogspot.com

joined

Full stream of Alex Jann's "Future Funk," taken from his upcoming EP on DMK, sub-label of Dogmatik Records, out November 1.

More: www.orbmag.com/music/premiere/

@dogmatik-records
@alexjann

Future Funk

Orb Premieres

Premiere: Alex Jann - Future Funk

Recorded at @NOPOD-Radio Studios(NRS), Osaka, Japan. 

@nopod
@os_club

October, 25th Dj mix @NOPOD-Radio, Osaka, Japan.

Session 1

Memorymatic - 1st base

Cover by Abdul Qadim Haqq, Bubble Chamber booklet included!

Presale:
https://www.deejay.de/Various_Artists_Bubble_Chamber_2x12_GU002_Vinyl__942894
https://clone.nl/item58566.html
https://www.phonicarecords.com/product/various-artists-bubble-chamber-lp-pre-order-gentrified-underground/164418
https://www.decks.de/track/various_artists-bubble_chamber/cfw-3s

Gentrified Underground presents an interdisciplinary project
tackling the sonic fiction & afrofuturism of Drexciya. 
Thought as an extension to the Bubble Chamber exhibition happening at Mikro & UP STATE Zürich, GU releases a 2x12 vinyl compilation and a booklet with contributions by Abdul Qadim Haqq, Charlie Mills, chukwumaa, Dominiqueh White, Gentrified Underground, Maïté Chéniere and tracks by Xor Gate (Gerald Donald), Shawescape Renegade, DJ Dijital, Plant43, The Exaltics, Kuldaboli, Iko, Tom Ware, Luz1e and Sansibar.

The goal of this compilation is to showcase the reach and influence which Drexciya had through generations of electronic music producers and also link them together with compositorial predecessors from the early 80s. The musical timeline on this compilation starts from 1982 and reaches its contemporary end in 2019.

"More than twenty years after their first release, the sonic
fictions produced by Drexciya, the Detroit based electronic
duo founded by James Stinson and Gerald Donald at the
start of the 1990s, continues to enthral contemporary
cultural practitioners. By reimagining the Transatlantic
Slave Trade as a fiction of enforced mutation, the Drexciya
mythos opened, and continues to open, a speculative space
for the reimagining of the posthuman condition, and for
questions of becoming, origin and mutation in relation
to capitalism, finance and futurity." - Kodwo Eshun

The booklet contains unseen and unreleased Drexcyan drafts by Abdul Qadim Haqq, an interview between him and GU, contemporary art contributions by chukwumaa, Dominiqueh White and Maïté Chéniere and an academic essay by Charlie Mills.

005

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