Evolution

Punching energy meets emotional release. Rattling beats and intense synth pulses build to soaring vocals - this is what it sounds like when you finally ask for what you need.

From the "system crash" album - pop music as digital confession for a generation running on low battery. Made for dancing with your headphones on at the edge of a breakdown.

Music for the overstimulated, the ones whose tabs never close, who can't remember when they last did nothing.

softer plz

Elemental Vol. 1 moves through earth, air, fire, and water not as metaphors but as emotional states. The songs drift like weather systems, mixing tenderness with atmosphere - acoustic guitars and field-warm vocals meeting the pulse of understated techno rhythms. The production is deliberately porous: wood and wire breathing alongside soft synths and spectral drum-machine traces. It's an "acoustic techno" album in the sense that rhythm and resonance share the same dirt. The songs carry the physical textures of wind in rafters, gravel underfoot, or rain on a roof, yet they shimmer with digital light. This meeting of folk intimacy and electronic timbres gives the album its peculiar gravity - part back-porch confession, part after-hours heartbeat.

Lyrically, Elemental Vol. 1 abandons conventional pop architecture. Instead of verse–chorus–bridge repetition, each piece unfolds as a field poem - free-form, continuous, and responsive to its own inner weather. The writing treats structure as tide rather than grid: refrains return when they need to, not when they're told to. This openness lets the language breathe in sync with the natural imagery that drives it - storms, light, stone, silence - and invites listeners to inhabit the songs as evolving spaces rather than predictable forms. Across the various mixes of its six song poems - We Learn the Sky, Don't Sightsee This Heart, Be a Storm in Me, Til the Heat Is Gone, You Happen Like Weather, and Wild Gifts - the album traces the cycles of intimacy and impermanence, finding in their motion the same quiet power that turns seasons, wheels, and hearts.

Be a Storm in Me (III)

Lyrics   ▾

“Never Mine” is an atmospheric vocal trance track exploring impermanence and acceptance and the quiet beauty in letting go.

Lyrics & Production: Richard Porteous (Bakobiibizo)
Produced, mixed, and mastered in 2025.

License: Creative Commons Attribution–NonCommercial–ShareAlike 4.0 International (CC BY-NC-SA 4.0)
https://creativecommons.org/licenses/by-nc-sa/4.0/

Feel free to share, remix, or use non-commercially, just credit the artist. 
For commercial use inquiries, please contact directly.

Lyrics:

Sun sinks low, color fades,
Our time drifts to yesterday.
I hold on to what’s not mine,
Cling to what leaves in time.

Close my eyes, the moment stays,
A ghost of warmth that won’t remain.
I whisper soft, to no reply-
"All we love will one day die."

Drift, the moment flies,
Fading before my eyes.
But I still can see,
To love completely,
You must let go.
You must let go.
Let go.
Let go.

Dawn breaks through silver rain,
I find my peace inside the pain.
It fades away but leaves a sign,
I'm not alone in this loss of mine.

Let it go, it’s so beautiful.
Even the fall is wonderful.
As time drifts by I realize-
It was never mine.

Never mine

Drift, the moment flies,
Fading before my eyes.
But I still can see,
To love completely,
You must let go.
You must let go.
Let go.
Let go.

Just drift.
In this moment in time.
That was never mine.
It was never mine.
Never mine...

Never Mine

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Snap Like This feat. Artifakts & Jesus Coomes

“Driftin” ft. @SonLittle

From my new album “Good Will Prevail” 

You can also listen to it here…
iTunes: http://geni.us/GWPitunes
Spotify: http://geni.us/GRiZspotify
Amazon: http://geni.us/GWPamazon
Google Play: http://geni.us/GWPgoogleplay

Free Download Coming Very Soon :) 

We’re going on tour!! Don’t miss the party.
Get Tickets: www.goodwillprevailtour.com

 Follow GRiZ:
Facebook: https://www.facebook.com/mynameisgriz
Twitter: https://twitter.com/mynameisGRiZ
Instagram: https://instagram.com/mynameisgriz

Via @AllGoodRecs

Buy on iTunes

Driftin' Ft. Son Little

Butt Rock

Minds Rising is available NOW at the following digital retailers:

Spotify: http://spoti.fi/2pKWjQZ
iTunes: http://apple.co/2pZnVkB
Apple Music: http://apple.co/2oc5OeE
Google Play: https://goo.gl/vSGcDn

Rage Fits Perfect feat. The MFin' Band

Float (Featuring Zion I) off my new EP, "Altered States". Avalible for free download with the rest of the EP here: 
http://www.minnesotadubstep.com/

This is a new version of the song, and is also remastered. 

FACEBOOK: https://www.facebook.com/DJMinnesota

Free Download

Float (Featuring Zion I)

Cruise Control

Cruise Control (feat. Raquel Rodriguez)

Follow Marvel Years on Spotify: spoti.fi/2PjpQkZ
Follow my #TurnItLoose Spotify Playlist: spoti.fi/2uSHKNA

Follow Marvel Years at::
Web:: http://marvelyearsmusic.com
FaceBook:: fb.com/marvelyears
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Make 'Em Move

Pioneers of Colorado’s electronic music explosion, Break Science soars ahead of the curve, with a decade-plus trendsetting the game. Steeped in filial traditions of East Coast hip hop, and futuristic soundwaves of the now, the Denver-based duo continues to scale creative mountains. Comprised of keyboardist/producer/jazz pianist Borahm Lee (Pretty Lights Live Band) and funk/hip-hop drummer extraordinaire Adam Deitch (Lettuce), Break Science traces roots to the embryonic seeds that flowered the electro-soul movement. The pair have consistently ascended the cutting edge of live dance music culture with an array of blistering live performances in any number of settings or configurations.

Borahm Lee’s masterful use of Ableton Live and prowess atop an assortment of analog synths, Fender Rhodes, and digital plug-ins propel Break Science’s towards the new frontier. Lee has worked with cultural icons like Kanye West and The Fugees, he is well versed in reggae/dub vibrations. Adam Deitch keeps it thorough with classic boom-bap, and inventive patterns that employ his rhythmic wizardry, be it electronic drum programming or a traditional trap-kit. Deitch has worked with hip-hop legends like Redman, Pharoahe Monch and members of the Wu-Tang Clan, he’s manned the drum seat for jazz luminaries like John Scofield (Uberjam). Both members of Break Science bring classic hip-hop, dub, drum n’ bass, dancehall, jazz, funk, and genre-defying elements to coalesce in modern electronic soundscapes.

The sum of these parts has evolved Break Science into an amalgam of styles authentic, and an artistic aesthetic wholly their own, heard in the highest of definition on their titanic 2018 full-length LP Grid of Souls. For ever-further explorations in sound, the duo will form like Voltron, combining with several members of Lettuce for the wildly-kinetic Break Science Live Band. Whether the essential dynamic duo or a full-fledged ensemble, they continue to break down the science & move the arena, one gridlocked soul at a time.