Rainbows & Waterfalls

Parallels Pt. 1 & Pt. 2, released earlier this year via Gravitas Music, guided listeners to peer through two sides of the looking glass. Psymbionic’s “Parallels Remixed” aims to expand upon the original, adding further dimension to an already potent selection. The producer’s signature style of multi-genre bass music is accurately reflected by the album’s diverse cast of remixers, and when viewed as a whole, fully demonstrates the dynamic quality of the original LP.

From smooth nu-disco melodies to militant dubstep basslines, the well-rounded compilation showcases a multitude of talent from the likes of Amp Live (of Zion I), ill-esha, VibeSquad, D.V.S*, Zebbler Encanti Experience, Schlang, Of The Trees, The OriGinALz, and Flavours, as well as remix contest winners Jorts and ORBiTE. The sultry “One Thing”, featuring vocalist Cristina Soto, finds itself reimagined most; even after receiving numerous reworkings, each new version of the track continues to demonstrate the original’s depth and versatility. All parts of the Parallels project are available as a pay-what-you-want download, affirming the artist’s dedication to his music.

Follow Amp Live:
Soundcloud: https://soundcloud.com/amplive
Facebook: https://www.facebook.com/amplive
Twitter: https://twitter.com/amplive

Follow Cristina Soto:
Soundcloud: @thesotosinger
Facebook: www.facebook.com/pages/Cristina-S…/124170090950834
Twitter: twitter.com/thesotosinger

Follow Psymbionic:
Soundcloud: @psymbionic
Facebook: www.facebook.com/Psymbionic
Twitter: twitter.com/Psymbionic

Follow Gravitas:
Soundcloud: @Gravitas-recordings
Facebook: www.facebook.com/gravitasrecordings
Twitter: twitter.com/gravitasmusic

Parallels Remixed

One Thing (feat. Cristina Soto)

Donate & Download

Psymbionic - One Thing Ft. Cristina Soto (Amp Live Remix)

Mad Liberation

Fall in Love Too Fast

Rebel Era

How It Ends (feat. Dominic Lalli)

Starbreaker Theory is a collision of cosmic atmosphere and industrial grit—an album built from starfield static, metallic rhythm, and gravity-breaking riffs. These tracks move like machines drifting through deep space: heavy, radiant, pulsing with quiet danger.

It’s the sound of a dying sun humming its last melody… of solar debris orbiting a forgotten station… of a mind pushed past the event horizon.
A soundtrack for the moment you realize the universe is far bigger—and far darker—than you imagined.

Cold cosmos. Hot engines.
Steel and stardust fused into one.
This is Starbreaker Theory.

Starbreaker Theory

SIGNALBORN

Please Don't Go

Drifting Through the Clouds is a blissful, weightless trance journey at 124 BPM in D major. It begins slow and atmospheric—lush pads and soft wind textures with no kick or bass—then gradually introduces filtered percussion as the tension builds. Dreamy, breathy ethereal female vocals float in like sunlight through mist, while warm bass and shimmering arpeggios fade up into a full groove around the one-minute mark. Smooth transitions, long reverb tails, gentle sidechain movement, and an extended airy outro keep it serene, euphoric, and transcendent—like rising through clouds into clear light.

Drifting Through The Clouds

World Gone Crazy: The Russ Liquid Test

Rise

Cruise Control

Cruise Control (feat. Raquel Rodriguez)

Stream/Download: https://westwood.fanlink.to/therush

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Follow Maddy O’Neal:
https://www.facebook.com/MaddyONealMusic/
https://www.instagram.com/maddy_oneal/
https://twitter.com/Maddy_ONeal
https://soundcloud.com/maddy-oneal

Follow Westwood Recordings:
https://westwoodrecordings.com
https://www.facebook.com/westwoodrecordings
https://www.instagram.com/westwoodrecordings/
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https://soundcloud.com/westwoodrecordings
https://www.youtube.com/user/westwoodrecordings

The Rush EP

⬇ STREAM / DOWNLOAD

Maddy O'Neal - After Glow feat. Dominic Lalli

Tell Your Mother

Love, Sex, And Fancy Things

Pioneers of Colorado’s electronic music explosion, Break Science soars ahead of the curve, with a decade-plus trendsetting the game. Steeped in filial traditions of East Coast hip hop, and futuristic soundwaves of the now, the Denver-based duo continues to scale creative mountains. Comprised of keyboardist/producer/jazz pianist Borahm Lee (Pretty Lights Live Band) and funk/hip-hop drummer extraordinaire Adam Deitch (Lettuce), Break Science traces roots to the embryonic seeds that flowered the electro-soul movement. The pair have consistently ascended the cutting edge of live dance music culture with an array of blistering live performances in any number of settings or configurations.

Borahm Lee’s masterful use of Ableton Live and prowess atop an assortment of analog synths, Fender Rhodes, and digital plug-ins propel Break Science’s towards the new frontier. Lee has worked with cultural icons like Kanye West and The Fugees, he is well versed in reggae/dub vibrations. Adam Deitch keeps it thorough with classic boom-bap, and inventive patterns that employ his rhythmic wizardry, be it electronic drum programming or a traditional trap-kit. Deitch has worked with hip-hop legends like Redman, Pharoahe Monch and members of the Wu-Tang Clan, he’s manned the drum seat for jazz luminaries like John Scofield (Uberjam). Both members of Break Science bring classic hip-hop, dub, drum n’ bass, dancehall, jazz, funk, and genre-defying elements to coalesce in modern electronic soundscapes.

The sum of these parts has evolved Break Science into an amalgam of styles authentic, and an artistic aesthetic wholly their own, heard in the highest of definition on their titanic 2018 full-length LP Grid of Souls. For ever-further explorations in sound, the duo will form like Voltron, combining with several members of Lettuce for the wildly-kinetic Break Science Live Band. Whether the essential dynamic duo or a full-fledged ensemble, they continue to break down the science & move the arena, one gridlocked soul at a time.