	Over the last two years Lee Curtiss has made a name for himself creating primal, exquisitely deep and emotional dance tracks that pulse with life, sex, and humour, incorporating countless influences and genres but beholden to none. With his broad shoulders, even wider grin and keen sense of humour, Lee may give off the straight-shooting air of a Midwestern woodsman, but he’s got the ear, plain and simple. Lee Curtiss is an eccentric, an original, an innovator, a ten-year veteran of the electronic-music scene. His love of his craft shines through in his tracks’ every bump and shudder. From last year’s Visionquest remix of Kiki’s ‘Good Voodoo’, sighted by many as the underground smash of the year, to his ‘Black Door EP’ on Spectral (Mixmag’s techno ‘Tune of the Month’, October 09), Lee has an innate ability to create instantly memorable lead riffs that will stand the test of time.



Lee grew up in Western Michigan and eventually moved to Detroit, living the guitars-to-turntables, concerts-to-underground-parties arc shared by so many other children of the electronic music revolution. The similarities end there though. Lee displayed an immediate knack and passion for dance music that translated his love of Prince, Quincy Jones, and good old underground disco into a production and DJ style noted for its sensuality and effortlessness. Recently back in Detroit after an extended stay in Berlin (where he swapped ideas and lived with his close friends and partners-in-crime Seth Troxler, Ryan Crosson and Shaun Reeves), Lee continues to produce vital releases and remixes on labels including Spectral Sound, Get Physical, Dumb-Unit, Wolf+Lamb, Esperanza, and Mothership, and play DJ gigs the world over.



Lee’s previous trans-Atlantic tours have seen him play at some of Europe’s most important clubbing institutions including, Fabric in London, Watergate in Berlin, City Fox in Zurich, Kiss Klub in Nurnberg and the UK’s Bloc Weekender Festival. He tore up the Toilets in East London for Kubicle, supported long standing friends Wolf+Lamb in Paris and look his, as Resident Advisor described it, ‘libidinous tech funk’ to Bristol, Leeds, Cardiff and Aberdeen.



Lee’s live debut at Fabric earlier this year was met with universal praise and Matthew Dear was so impressed with his live show at the Spectral party at the Miami WMC that, he immediately invited Lee to join him as the live face of Spectral Sound, touring alongside Matt over the coming months. In June Lee is set to follow up his Beatport chart topping ‘Love In The Key of Freak’ EP on Get Physical with ‘I Can Hear You Arthur’, his tribute to Arthur Russel on Guy Gerber’s Supplemental Facts label which is set to be one of the summer’s biggest underground anthems.

Electronic music obsessive.
Husband. 
Cat dad.

Curator of The Void — digging through the weird, the leftfield, and the beautifully wonky.
Music addict serving selections for late nights, early mornings, and everything in between.

If it’s trippy, textured, or just plain different… it’s fair game.

Currently part of the resident DJ roster at ProgressiveHouseUK and Subcode, also featuring on forward thinking, left of centre electronic shows across the solar system.

The culmination of being exposed to an eclectic range of musical genres from an early age came in the form of Christian Maiden taking to the decks at the age of 19. After playing at bars and house parties in his home town of Birmingham he realized he wished to carve out a musical path in house and techno. In 2003 he moved to Leeds and was thus exposed to the underground sounds at such nights as Technique and Back2Basics. This formed the catalyst for him to start up his own night, Twaddle. Now in its fourth year Twaddle provided Christian with an initial platform to showcase his impressive technical ability and his creative take on deep through to tech house. The night has seen him play alongside Audio Werner, Daniel Bell, Guillaume and The Cotu Dumonts, Matt Tolfrey, Lauhaus, Ekkohaus, Martinez and Mathew Styles to name a few.

Twaddle became the springboard that resulted in him being asked to take up residency at Mind the Gap and Soapbox in 2007. In addition he has caught the attention of many other nights in Leeds particularly Asylum, Back2Basics, Mono_cult, Dirty Disco and Birmingham’s Below where he has played most recently at their 2009 Christmas event.

Christian’s appeal and increased profile is also reflected in the range of places he has played at over the last few summers ranging from the Like Minded festival in Croatia and rooftop parties at Sonar to intimate local festivals such as Cloud 9. This summer has also seen him began to establish himself in London with gigs at T/bar and Roadtrip.

He currently holds residency at one of the biggest nights in the UK, Technique. This has seen him play with a plethora of high profile artists including, Nic Fanculli, Charles Webster, Anja Schneider, Clive Henry, Karotte, Italoboyz, Thomas Melchoir, Christian Burkhardt, Magda and Raresh. Most recently Christian has warmed up for Marco Carola, Seuil, The Revenge, Carl Craig and Miss Fitz. His knowledge and experience in the field has also lead him to becoming the label manager for Leftroom Records. 


DARIUS SYROSSIAN  (MOXY MUZIK)
TO BOOK > luke@nge-booking.com 
UK & Spain & Rest of World
———————
Management + Remix Enquires
Shino > Shino@motionartistmusic.com
———————
Italy Bookings
Grillo@beatoflife.it
———————

￼Dante Costantini has been involved in various forms of music production since he began playing records in a local FM station at the age of 17 and from then onwards he never look back. Constantly traveling across the country where he is from (Argentina) playing gigs in clubs and bars.
In the year 2006 he tour throughout Mexico and stayed there for one year. By the time of his return to Argentina in 2007, Santos already had release his first 12" in the German label Gluckskind Schallplatten, which open doors for him to explore new lands.
In 2008 Santos Resiak traveled to Europe for the first time to tour the old continent and made Berlin his home for the past 6 years. During that period he discovered new ways of engaging with the profession he loves, and while his reputation as an up and coming young artist grew, the aquired experience lead him to play at presigious clubs and festivals such as Fabric (London), Fusion Festival (Germany) , Time Warp (Argentina edition), OFF Sonar events (Barcelona) ADE in Amsterdam , Bar 25 (Berlin) and Sullivan 's Room and The Bunker in New York , while having regular apparences at AM Local and Rioma in Mexico City.
Since then, he had several releases on labels such as Gluckskind Schallplatten, Immigrant Records, Soweso, One Records, Deep Series,, Supernature and other various remixes contributions and compilations appearances in labels such as Flumo Recordings, Apparel Music, Leftroom, and Mothership. In addition to single releases, Santos has been involved in projects such as Human Interaction (Berlin based live jam session which include another 5 members) and a duet call "Barrio Weedwagon"
The 2010 release of his track "Saully" on Lauhaus Soweso records, is to this date one of his most memorable tunes and gave him widespread exposure on the international press, and made him an on demand producer and remixer. In the following years remixes like the one for Sarp Yilmaz "My Baby Got To Go" on Apparel Music and T.W.I.C.E ́s "Time To Freak" on Flumo Recordings, have shown that Santos has a distinctive taste on music and a keen sense of re invinting his sound project after project.

Leeds based DEPRIVED residents Adam Parker and Craigh Oaten collaborate on some tracks, enjoy x

Circus Recordings / Circus Events 







What more can be said about Yousef…

A leading figurehead in dance music. A man who has lived and breathed house music since he was a teenager, with over 20 years of dedication to the global electronic music scene, his contribution can’t be over exaggerated. Yousef, constantly pushing his own creative and artistic boundaries, while he is considered one of the best, most skilful and most respected UK DJs of all time. 

Yousef has now completed his 5th artist album, the truly accomplished “I Operate in Purple”.
The project has invited a series of world class musicians and singers to help Yousef realise his ambition to release a 14-track legacy project that leans upon his two decades in at the forefront of house music and plans to stand up next to the great dance music albums of our time. IOP eloquently manoeuvrers through original vocals, radio ready crossover and the emotive underground. Each track comes with its own individual and original 3D video that reveals the narrative Yousef has created. This is easily Yousef most unforgettable work he has ever created. 

Yousef’s powerhouse record label Circus Recordings has released music from many of the world’s most significant names, from Carl Cox to Kerri Chandler to Green Velvet to Jamie Jones, all while breaking completely new artists from all over the world directly to give them a much-needed platform. The record label runs parallel his equally globally respected Circus Events, where Yousef holds one of the longest and most important DJ residencies in the history of UK club culture. 

Circus at Blackstone Warehouse is the UK’s most cutting-edge warehouse venue. In term of sound, lights and staging there is nothing like it in the UK. Circus has invited names from Peggy Gou to Pawsa, Bicep to Ewan McVicker, Chris Stussy to Micheal Bibi and literally every major name in electronic music to join Yousef at his two decades long party… 

Yousef’s prolific music output consistently sees his music in the boxes of every major DJ from Joseph Capriati, Marco Carola, Carl Cox, Fisher, The Blessed Madonna, Seth Troxler, Honey Dijon and everyone. 
in-between 

Yousef has released more music on the world’s best record labels than almost any other artist in his field. Seminal releases on Crosstown Rebels, Desolat, Cocoon, Moon Harbour, Knee Deep in Sound, Defected, Hard Times, Renaissance and of course his own legendary Circus Recordings.

Yousef’s trusted voice led him to be requested to represent electronic music community for a private meeting with ‘HRH Prince William’ the future King of England, and later with many leading MP’s, to relay the difficulties dance music is facing through before and since covid. These efforts helped pave the way for Yousef’s Circus event to be asked to take on the colossal task to organise ‘The First Dance’, the world’s first sanctioned music test event since covid struck… The monumental event captured the attention of the entire world and its major media, with 7 billion online and news engagements, and is now cited as ‘one of the most significant moments in electronic music history”’. Yousef & Circus were given the BBC “Impact Award” on Radio One for all the work done to help the music industry in 2021

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

https://linktr.ee/Detlef

🌎 Diego@oasis-bookings.com
🇮🇹 grillo@beatoflife.it
🇺🇸 valdano@thebullittagency.com
✉️ Maria@detlefmusic.com

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