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CLASSIC

Classic

arab-german

Converted By http://soundiiz.com, Spotify To Soundcloud

Classical Essentials

Perfect Concentration (Spotify)

I Don't Care

MSM Philharmonia

David Gilbert, Conductor
DVOŘÁK Czech Suite, B. 93, op. 39, IV. Romanze, Andante con moto

October 25, 2012

MSM Philharmonia - DVORAK Czech Suite, B. 93, Op. 39 - IV. Romanze Andante Con Moto

All material © &  ℗ by Unseen Music.  To license material please contact Keith Kenniff via http://www.unseen-music.com/contact

Helios - The Obeisant Vine

When You're Gone

Romanza De Amor (Anonimo)

Thank God

Thank God (Spring Symphony Instrumental)

À quoi rêvent les jeunes filles, vol. 2

Lyric Pieces, Book V, Op. 54: No. 4, Notturno

The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie.

The melodies of the pieces use deliberate, but mild, dissonances against the harmony, producing a piquant, melancholy effect that matches the performance instructions, which are to play each piece "painfully", "sadly" or "gravely".

Audius Classical Music
https://audius.co/classicalmusic

Best of Satie
https://music.apple.com/gb/album/gymnopedie-no-1-single/847714522

Satie on Spotify
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Satie Album on Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Erik Satie - The Essential Collection

Classical Music - The Essential Collection

ᯤ Spotify

Erik Satie - Gymnopédie No.1

Love Is In Beauty And Chaos

Released 4th May - Preorder 'Live in Riga' http://thomasgould.bandcamp.com/

THOMAS GOULD Live in Riga
Sinfonietta Riga

1-3 VIOLIN CONCERTO IN D, OP. 61 - LUDWIG VAN BEETHOVEN 
I. Allegro ma non troppo 
II. Larghetto 
III. Rondo (Allegro)

4 THE LARK ASCENDING - RALPH VAUGHAN WILLIAMS

‘Violinist Thomas Gould is one of a new generation of classical musicians who refuses to be defined by a single genre’. GUARDIAN

‘One of the most talented and charismatic British violinists of the younger generation’. LONDON EVENING STANDARD

‘The young British violinist Thomas Gould seems intent on becoming the Nigel Kennedy of his generation… Scythingly scintillating playing from a young virtuoso with a magpie mind’. THE TIMES

‘Live in Riga’ is the major new album from the celebrated 31 year old British violinist Thomas Gould.  Recorded live in concert with Sinfonietta Riga on April 11th 2014 at the Great Guild Hall in Riga, Latvia, it confirms Gould’s enormous potential as one of the most inventive and colourful instrumentalists of his generation.  Gould is no ordinary classical musician but one of a new generation who refuse to be defined by a single genre.  He has developed impressive jazz credentials, but it is in this environment as soloist/director of classical repertoire where he really excels.  The Times recently described Gould as “intent on becoming the Nigel Kennedy of his generation”.  Gould, however, is incomparably his own musician.  Bold and courageous enough to forge his own path and follow his singular vision, he steps outside the footsteps of the greats.

‘Live in Riga’ is a defining album for Gould, his first disc of a three-album deal with forward-thinking British jazz and classical record label Edition Classics.  Over the last decade he has been in demand as a soloist with major orchestras worldwide, including the Royal Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Hallé Orchestra and LA Phil New Music Group.  He is also much in demand as a leader/director, working with Britten Sinfonia, Aurora Orchestra, Mahler Chamber Orchestra and the Australian Chamber Orchestra’s ACO2, but it’s when he brings these disciplines together that the magic happens.  As Gould explains, “It means that everyone plays in a more engaged way. There is a group commitment to making it work, so the process is much more collaborative than when working with conductor.”

Sinfonietta Riga is an orchestra with a story to tell.  Formed in 2006, their vision is as bold as Gould’s.  Equally happy to play in concert dress or T-shirts they are intent on building new audiences for the music while reaching for the highest artistic standards.  Their collaboration is a perfect match and a unique experience for both the orchestra and for Gould.  This live concert recording bears witness to this special musical symbiosis.

To release an album featuring Beethoven’s Violin Concerto and Vaughan Williams’s The Lark Ascending is a bold decision.  As two cornerstones of the violin repertoire, there are plenty of performances to compare, but Gould’s versions demonstrate a brilliance of tone and colour that demands attention.  His flexibility and breadth of musical interests is fully evident.  Gould’s playing has the clarity you would expect from any major performer but radiates a freedom in its expression as though improvised with an immediate elegance and poise.

For Gould it’s all about achieving the right balance.  Whether it’s jazz or classical, written or improvised, as soloist or director, Gould is right in the eye of the storm.  If the dark clouds gathering in the wider music world imply that the days of the single-minded virtuoso are coming to an end; if to succeed in that brave new world we need to attract more diversity and brighter colours, then in Thomas Gould we may have found the lightning conductor to spark a new generation.


THOMAS GOULD Vaughan Williams - The Lark Ascending

illustration: James Abbott McNeill Whistler - 'Nocturne in black and gold - The Falling Rocket', 1872-1877, Detroit Institute of Arts, Detroit

Frédéric Chopin - Nocturne in C sharp minor no. 20 'Lento con gran espressione' op. posth.

Johann Sebastian Bach - Aria from Goldberg Variations, BWV 988

Gabriel FAURE (1845-1924)

Pavane Op.50

DUO CORD'EOLE
Fanny MAYNE, Querflöte
Nicolas FAURE, Violoncello
www.duocordeole.com

Gabriel FAURE (1845-1924) -  Pavane Op.50

Johann Sebastian Bach - Aria Da Capo,  Goldberg Variations, BWV 988 (Fine Classical Music)

Hey 👋 Making classical music is thirsty work, I could sure use a beer right now! Buy me a pint if you can! Cheers!

https://buymeacoffee.com/classical

🍺 Buy me a Beer! 🍺

Audius

Piano Sonata No.15 in F-Major, K. 533: III. Rondo Allegretto

   Demo songs regorded by me from internal memory of my Yamaha Arius YDP-S31 digital piano. Plus "Moonlight Sonata, 3rd Movement" hand played MIDI (from opensource), uploaded to the piano.
   "YAMAHA" and "Arius" are registered trademarks of Yamaha Corporation.

6 - Debussy - Two Arabesques, L. 66: Arabesque No. 1. Andantino con moto

"3. Allegro" from "Violin Concerto in E major BWV 1042" by Johann Sebastian Bach

Arrange for 5 tubas of the finale of the overture from the Wagner's opera Tannhäuser.

I played the five tuba parts

Finale from Tannhauser Overture (Richard Wagner)

Herbert von Karajan - Adagio

J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String"

Klassik Wunderland - Klassische Musik für Kinder

Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"

Numb / Encore: MTV Ultimate Mash-Ups Presents Collision Course

Numb / Encore (Instrumental)

Songs from the Arc of Life

The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano)

The Gift of Soothing Piano

Johann Sebastian Bach – Well-Tempered Clavier, Book 1 - Prelude No. 1 in C Major, BWV 846

Ward, Tanisha, "September," Richard Strauss, Vier Letzte Lieder

Johann Sebastian Bach - Prelude & Fugue No. 6 In D Minor BWV 875

Vivaldi Four Seasons

Four Seasons Winter I Allegro Non Molto feat. Vlastimil Kobrie

Baroque Adagios

Vivaldi: Nisi Dominus (Psalm 126), R.608: 4. "Cum dederit" (Andante)

Relaxing Classics

Canon and Gigue for Three Violins and Continuo in D Major: Canon (Orchestral Version)

Performer: 't Muziek Frascati, May 14th, 2009, Concert Hall Leuven 
Conductor: Kris Stroobants

http://www.tmuziekfrascati.be/concert/5

--

"Prince Igor is an opera in four acts with a prologue. It was composed by Alexander Borodin. The composer adapted the libretto from the East Slavic epic The Lay of Igor's Host, which recounts the campaign of Russian prince Igor Svyatoslavich against the invading Polovtsian tribes in 1185. The opera was left unfinished upon the composer's death in 1887 and was edited and completed by Nikolai Rimsky-Korsakov and Alexander Glazunov. It was first performed in St. Petersburg, Russia, in 1890." (source: Wikipedia)

'Polovtsian Dances' from 'Prince Igor' (Alexander Borodin)

J.S. Bach: The Well-Tempered Clavier, Book 1, BWV 846-869 / Prelude & Fugue in C Major, BWV 846: I. Prelude

J.S. Bach: The Well-Tempered Clavier I, Prelude & Fugue No. 1 in C Major, BWV 846: I. Prelude

Colburn School - Junior Solo Recital - February 2012

11 Robert Schumann  Kinderszenen, Op. 15 - 7. Träumerei

Classical Hip-Hop

Hip-Hop Waltz in G Flat Minor

In The Steppes Of Central Asia, Alexander Borodin arr. by Timothy Brown

Breitkopf & Härtel, founded in 1719, is the oldest music publishing company in the world. Already dealing with leading composers in the 18th century, Breitkopf continues this tradition today.
Discover our history on www.first-in-music.com

"3. Allegro" from "Violin Concerto in E major BWV 1042" by Johann Sebastian Bach

Breitkopf & Haertel