Live Orchestra

Local Composers

Un cuore in inverno 
Composed and orchestrated by Franco Forconi
©2021 All rights reserved

Un Cuore In Inverno

sonderhouse

I Sogni Non Si Possono Distruggere
Dreams cannot be destroyed
Music composed and orchestrated by Franco Forconi
©2021 All rights reserved 

Sole è una bambina come tante se non fosse per la presenza nella sua vita di un mostro, MitoKondr, che quando meno se l'aspetta la tormenta. Sole sogna di poter giocare con gli altri bimbi, ma quando MitoKondr si manifesta il sogno si infrange e per lei si aprono le porte dell’ospedale. Ma ecco l’inaspettato: la carezza di una fata fa sparire il dolore e fa tornare i sogni, più reali che mai. Ora Sole è felice perché ha la certezza che nessuno, nemmeno MitoKondr, potrà distruggere i suoi sogni.

Sole is just an ordinary child if it weren't for the presence in her life of a monster, MitoKondr, who torments her when she least expects it. Sole dreams of being able to play with the other children, but when MitoKondr shows up, the dream is shattered and the doors of the hospital open for her. But here's the unexpected: a fairy's caress makes the pain disappear and dreams come back, more real than ever. Now Sole is happy because she is sure that nobody, not even MitoKondr, will be able to destroy her dreams.

I Sogni Non Si Possono Distruggere

This is the final two cues from Bradley McNaughton's stop-motion animation short film "Do Us Part".  I left them as a single track because it flows well from one to the next.  

Recorded at Studio X in Seattle.

Do Us Part

I recently took the time to come back to this piece and give it a much-needed remixing and mastering.  (4/1/2015) 

Original Notes:

A sci-fi action cue for 52-piece orchestra.

Composed, Orchestrated, and Conducted by Brendon Williams

Nebulous

The score to the depressing final act of the short film, "Sam Roy."  

Composed, Orchestrated, and Conducted by Brendon Williams at Studio X.

The End Of Hope

A Theme and Variations, as the name would suggest, for two B-flat Clarinets and a Bassoon.
Theme (starting at 0:00)
Variation 1: Antiphony (starting at 0:41)
Varation 2: Short Canon (starting at 1:57)
Variation 3: Dance (starting at 3:11)
Variation 4: Dirge (starting at 3:43)
Variation 5: Canon (starting at 5:03)
Variation 6: Accompanied Solo (starting at 6:15)

Musicians:
Clarinets: Aleks Maricq and Isabel Christy
Bassoon: Lily Gibbs
Performed at Whitman College, Spring 2014

Copyright 2014 by Erik Feldman. All Rights Reserved.

Chamber Variations on an Original Theme

"Across A Crowded Room"
Composed by Erik Feldman
A love theme, written in December 2014 as part of the Master's of Music in Film Composition at the Pacific Northwest Film Scoring Program.

Strings: 4-3-3-2-1
WW: Soprano Saxophone
Conductor: Hummie Mann

Recorded December 19, 2014 at Avast! Recording Co. in Seattle WA
Copyright 2015 by PNWFS. All Rights Reserved. Used with permission.

Across A Crowded Room (Love Theme)

My original score for the game, "Buried Dead", written during the Global Game Jam, 2015. The game can be found at www.shovelware.com/buried_dead

Super fun tetris-like multiplayer action! Grab a friend or three and go at it! (It's extra fun with a controller)

Buried Dead (OST)

La Lunga Strada 
Composed by Franco Forconi
2018 All rights reserved

La Lunga Strada

The Force

Sospesi

pinky (pain1993)

ripscrew

Out everywhere

a lil birthday upload even though my birthday was yesterday

thanks to @ericastro for the help on the solo 
& 
thanks to @prodbygatts for additional production help ♫oh yeah yeah♫
more music on the way once i get a new computer !

ig: www.instagram.com/tehseen_sounds/
twitter: twitter.com/prodtehseen

19.wav

scottie beaming

Brendon is Seattle-based composer and has contributed music to major video game titles including Destiny 2: Forsaken, Guild Wars 2: Path of Fire, and Call of Duty: WWII. In 2019, he was nominated for a Game Audio Network Guild (G.A.N.G.) Award for “Best Original Choral Composition” for his work on Forsaken.

Brendon has a Master’s of Music in film scoring from the Seattle Film Institute’s Pacific Northwest Film Scoring Program, which he received in 2014, following his Bachelor’s of Music in Jazz Composition from Cornish College of the Arts.  He has also received critical acclaim across the world with his progressive metal band A Sense of Gravity and has been featured in major publications such as Metal Hammer and Prog Magazine.

The End Of Hope

Brendon Williams Music