The Enduring Mystery of Jack the Ripper

Resonance

Through the Shadows

The Ghost Pirate Ship

The Murdered Dancer

A Walk in the Rain

Dark Water

Written and produced by Nebojša Bogdanović and Goran Simonoski 
Saxophone by Jamal Al Kiswani
Mixed and Mastered at La Plant Studio (https://laplantstudio.com)

insta: @tapan_bg
          @laplant_mix_and_master
          @schwabe.dj

Sinovi

Recorded at Tresor Berlin for Tresor Meets Surgeon Klubnacht

2300 - 0300

3x CDJs + Allen & Heath Xone 92

Full tracklist on my substack: https://jurango.substack.com/p/opening-tresor-double-radio-sharing

Jurango @ Tresor Meets Surgeon - 23032024

Taken from Torn - Immortal [SMDELP11]

The sophomore LP from Torn for Samurai Music is now available to pre-order now from voidvinyl.eu and Bandcamp

Immortal is released on a Collectors Special (50) edition or Marbled 3xLP and Digital.

Torn descends into the subterranean with unmatched precision. Each track on Immortal is an intricate collage of raw, sinewy textures and eerie melodies, meticulously woven to create an intensely intoxicating experience. 

For aficionados of deep, shadowy atmospheric drum and bass, Torn’s Immortal is indispensable, a tenebrous soundscape that is equal parts innovative, disquieting and enthralling ⚔️

https://soundcloud.com/torn170



Immortal

Torn - Into The Abyss [SMDELP11]

rRoxymore @ The Lot Radio 12-06-2024

An exploration of microscopic textures across the dub continuum.

https://www.instagram.com/__k_wata



Micro Dubs with K Wata @ The Lot Radio 03-06-2025

"Slow, smoking cadence. A spiral of textures, layers, and loops that form an intricate, singular magnetic field - perpetually intriguing. An introspective and one-of-a-kind work of art."

ENA (@ena-iai) is a music producer from and based in Tokyo. He is a major player in the Japanese underground dance music scene for more than a decade. Taking influences from early drum & bass productions, rave sound and abstract hip hop, ENA is recognized for his tight production techniques and massive audio dynamics. Uncompromising, forward thinking and unique, his releases on 7even Recordings, Horo and Latency brought international attention and have led to collaborations with like-minded virtuosos such as Felix K and Rashad Becker which were both invited to perform on the main stage of Berlin Atonal festival (in 2016 and 2017 respectively.) As a DJ, he has been playing regularly in the main clubs in Tokyo such as Unit, Contact, WWW and Club Asia as well as underground haunts like Forestlimit and Soup for many years. His expert music selection and technical excellence continues to impress the audience in and outside of Japan. Having toured Asia and Europe numerous times and appearing in wide range of prominent international festivals such as Berlin Atonal, rural, Fibre, Mapping and Sun and Bass in the past few years, he is establishing himself as a singular performer fitted to deliver a primetime rave set to a gritty basement fix to abstracted sonic experiments.

Mostra (@mostrabcn) is an independent, small-format festival of avant-garde and experimental electronic music which emerged by the end of 2021 as a counterpoint to the macro-festivals and the overcrowded, commercial and impersonal offerings of other large events held in Barcelona. Mostra will be celebrating its fourth edition from 17 to 20 April in 2025.

HOCast #234 x Mostra - ENA

dispari – this time with a soothing ninety minutes by Workshop's Even Tuell. 

🌐 "Outsiders" is our pre-recorded series hosted by labels, collectives, agencies, venues, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com


Outsiders: dispari w/ Even Tuell @ Kiosk Radio 06.04.2025

slow paced electronics by konduku and mattikk.

https://www.instagram.com/konduku
https://www.soundcloud.com/kondukukonduku

Konduku & Mattikk @ The Lot Radio 04-18-2025

The mastermind behind Basic Channel, Hard Wax and Rhythm & Sound doesn't do mixes. For RA.1000, he made an exception.

Trace Mark Ernestus's path, and you trace the evolution of electronic sound itself. The timeline of contemporary Berlin is unimaginable without him. At first, that meant Hard Wax, the crucial hub that shaped the early era of the city's techno revolution. Carl Craig once said it plainly: "Mark was ground zero."

From there, Ernestus never stopped. There's the birth of dub techno and the near-flawless catalogue that followed through Basic Channel and Rhythm & Sound. There's his immersion in Senegalese mbalax with Ndagga Rhythm Force. Lately, that means Open Ground the Wuppertal bunker that's letting people hear music as never before.

As part three of RA.1000, Ernestus has kindly supplied his first studio DJ mix. As you might expect, it's technically immaculate, but more than that, it feels like a substantial and generous conduit to one of the world's most vital genres.

Amapiano remains underexplored in music media. Publications like our own are still learning to keep pace with the South African sound's global pull, animating millions across the globe. 

You'll hear the range and richness of the genre across the near two-hour mix, from the gothic, percussive stomp of Caltetonic's "Bambela"  to the devotional glow of GemValleyMusiq's "Something Spiritual."

Through all of this, Ernestus has remained understated. He lets the music speak for him, with a quiet honesty that lies in decades of opening doors—creating the conditions for new sounds and scenes to flourish and carry the culture forward.

@opengroundclub @hardwax 

Find the tracklist and interview at ra.co/podcast/1011. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Mark Ernestus

Some collaborations feel orchestrated. This one felt inevitable. Reeko and Mostra share a certain DNA - innovative, uncompromising, with an appetite for risk. One’s a festival, the other a force of nature, but both operate outside the usual margins. So when Reeko stepped into the cavernous Pavelló Olímpic on the final day of Mostra 2025, the match didn’t need explaining. After three days of sonic overstimulation, the crowd could’ve easily slipped into post-peak autopilot. Instead, something sparked.

Reeko played with the confidence of someone who doesn’t need to raise his voice to be heard. He didn’t grab attention, instead he tuned the room to his frequency. No spectacle, just sustained pressure. The kind that doesn’t shout, but hums somewhere in your bones. From the first mix, he had total control, not just over tempo, but over tension, perception, direction. It wasn’t peak-time euphoria. It was something colder, sharper, more elemental.

What happened on that floor wasn’t mystical, and it wasn’t romantic. It was human circuitry, bodies moving like they’d been rewired. A dance floor fully switched on. In a festival stacked with standout sets, this one kept floating to the surface in post-Mostra conversations. We’re proud to share this recording. It was special. Now it’s permanent.

https://soundcloud.com/reeko-music
https://www.instagram.com/reeko_mentaldisorder/

www.mostra.barcelona
www.instagram.com/mostrabcn/
@mostrabcn

Write up by @gilleswasserman

Follow us on social media:
@itsdelayed
linktr.ee/delayed
www.delayed.nyc
www.facebook.com/itsdelayed
www.instagram.com/_____delayed
www.youtube.com/@_____delayed
Contact us: 
info@delayed.nyc

Delayed x Mostra: Reeko

Frayed Skies

Light Through Prison Bars

The Stakeout

Ghosting

Brendon Moeller is a boundary-pushing producer whose sound is rooted in dub and techno and incorporates subtle undertones of jazz, shoegaze and afrobeat.

Brendon grew up in Johannesburg, South Africa. Throughout his childhood and teenage years, he learned piano and drums, finding particular inspiration in the music of artists such as Fela Kuti, My Bloody Valentine, De La Soul and Kraftwerk.

However, it was not until 1993, when Brendon moved to New York City, that his own individual style began to develop. With NYC as his base, he has worked with several prominent labels and collaborated with artists like Mikey Dread, Speedy J, Mutabaruka and MATRiXXMAN.

With dozens of EPs, singles and albums to his name, Brendon’s love for experimenting with sound has created an endless source of inspiration to continuously self-reflect and advance his music. Brendon is consistently striving to reinvent himself and skillfully influence the dub scene in the process.

“I’m incredibly blessed and fortunate. Without my wife, none of this would be possible.”

Through the Shadows

brendonmoeller/echologist/beatpharmacy

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