Parday

the time

EDM , Trap , ...

Rock/Soul

Podcast - Funk

mixid

Heavy

Ultra Music Featival

DJ set

http://www.popyourfunk.com/2011/11/jgm-78-m50/
http://m50.net/playlists/2011.11.30.html

m50 @ JGM 78, Pop Your Funk 2011.11.30

Next up for the Grime 2.0 mix series is Tokyo's UKG don Prettybwoy (on his birthday!), dropping a 50 minute selection featuring one of his own tracks - "The Unseen" - forthcoming 31st July, fellow Japan residents 100mado, DD Black, Sivarider and BD1982, plus a whole lot of grime!!

Buy Grime 2.0 now at:

Big Dada: bit.ly/XJuYJr
iTunes: smarturl.it/Grime20iTunes
Amazon: smarturl.it/Grime20Amazon

bigdada.com/grime/

Tracklist -
1. City Boy - Prettybwoy
2. Diamond Cut - BD1982
3. Tesla (Instrumental) - Faze Miyake
4. Jwala Dub - Gumnaam
5. 2 Little 2 Late (VIP Devil) - Juzlo
6. In Time - Major Grave
7. Sonicdoon - Pakin (Prettybwoy remix)
8. Jackpines - Slackk
9. The Unseen - Prettybwoy
10. Algiers - Slackk
11. Sandwave - Sivarider
12. Asia - 100mado
13. Lik Off Ya - Arctic & Juzlo
14. Trapdance - Royal-T x N*E*R*D
15. Harajuku Riddim - TC4
16. Hi Grade (DVA Hi Emotions remix) - Shox
17. Tales From The Darkside - DJ Haus x Matrixxman
18. Eski Clicks - Slackk
19. Conflict (Extended mix) - DD Black
20. High-Humidity Ranges - Prettybwoy
21. Blue Forest - Slackk
22. Dam E - Prettybwoy
23. Image 10 - BD1982
24. Do It 2 - Prettybwoy
25. Atomosphere - Prettybwoy
26. Tango - Prettybwoy
27. States - Major Grave
28. Prototype01 - Prettybwoy

Prettybwoy Birthday Mix

Remixed by Spider / 2013 / NYC
Plan B Recordings

http://spidermusic.net/

A2 - Drone Warz - DJ Spider Remix

Live @ The Do-Over 2011

Full live recording from Festival No.6 in Portmeirion, North Wales, 14.09.13.

Accompanying blog post here:
http://www.gregwilson.co.uk/2013/09/festival-season-comes-to-a-close/

Check out my label's music at: https://superweirdsubstance.bandcamp.com

FESTIVAL NO.6 PORTMEIRION 14.09.13 (greg wilson live mix)

full broadcast

http://m50.net/playlists/2013.09.20.html

Searchl1te + Striz + Jeekoos @ etc, WNUR 2013.09.20

Recorded Live at The Do-Over Tokyo on October 13th, 2013.

The Do-Over has taken place every Sunday afternoon during the summer in Los Angeles, California since 2005. We also like to travel around the world to other fine cities when the sun is shining.

For more info on The Do-Over: www.thedoover.net

DJ Kiyo at The Do-Over Tokyo (October 13, 2013)

Edition #23 of Early 80’s Floorfillers takes a look back to November 83. 
You can see the Top 10, complete with label or record sleeve scans and individual track credits, here: 
http://www.electrofunkroots.co.uk/greg-wilsons-top-10-floorfillers-november-83/ 
Greg Wilson – November 2013

GREG WILSON’S EARLY 80’S FLOORFILLERS: 
A fascinating insight on how the fading Jazz-Funk scene gave way to the emerging Electro-Funk movement in the early 80’s, ‘Greg Wilson’s Early 80’s Floorfillers’, marks the 30th anniversary of when these tracks first appeared. Compiled from his record lists of the time, and unfolding month by month, Greg Wilson counts down the Top 10 Floorfillers played at his venues during the key years of ’82 and ’83. Featured, most notably, on his Tuesday sessions at Wigan Pier and Wednesday gatherings at Legend in Manchester, the most cutting-edge weekly black music nights of the era, these were the clubs most associated with the evolving Electro-Funk sound.

The majority of music played on the black scene in the UK was initially only available on import, mainly out of New York during this period, with the club nights described as ‘upfront’, meaning that the DJ’s were way ahead of the curve – what they played now, others played later, or not at all. Without these DJ’s, many now classic dance tracks would never have become UK hits (many without enjoying similar crossover success in the US) – the reason they were released here in the first place was because these specialist DJ’s were breaking them via the underground.

Things would change in a big way during those 2 years; we were entering the hybrid age for dance music, and the oncoming House and Techno and Hip Hop directions would all owe a huge debt to this era of dance alchemy and groove experimentation.

This podcast is also available on iPhone, iPod touch and iPad via the Radio ditto app, which is downloadable for free from iTunes: http://itunes.apple.com/app/id464200632?mt=8

Check out my label's music at: https://superweirdsubstance.bandcamp.com

GREG WILSON'S EARLY 80's FLOORFILLERS - NOVEMBER 1983

Recorded Live at The New-Over Los Angeles on January 1st, 2014.

The Do-Over has taken place every Sunday afternoon during the summer in Los Angeles, California since 2005. We also like to travel around the world to other fine cities when the sun is shining.

For more info on The Do-Over: www.thedoover.net
For more from Morse Code: https://soundcloud.com/djmorsecode

Morse Code at The New-Over Los Angeles (January 1, 2014)

Next up in the Nü World Order Mixtape Series (20 of them already, dang!) is our February guest artist, the one like https://soundcloud.com/ghostsofvenice — this mix is just oozing with goodness, and we are super stoked for this little sneak preview of what's in store when he plays for us at Nü: The Outer Space Disco Dancing Society of Chicago alongside Marty Mars on Friday, February 7th at Neo here in Chicago! Get in to it. 

Hi there!

Nü World Order Mixtape Series Vol 20: Ghosts Of Venice

Jake Crawford - Computer Blue (Prince)

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

J.C. + K.L.

Download: https://hucci.bandcamp.com/track/forbidden-fruit-rmx

FREE DOWNLOAD

Hucci - Forbidden Fruit (Remix)

Recorded Live at The Do-Over Palm Springs on April 20th, 2014 at Ace Hotel and Swim Club.

Established in 2005, The Do-Over takes place on select summer Sundays in Los Angeles, California. We also like to travel around the world to other fine cities when the sun is shining.

For more info on The Do-Over: www.thedoover.net
For more from J.Rocc: https://soundcloud.com/jrocc

J.Rocc at The Do-Over Palm Springs (April 20, 2014)

Recorded Live at The Do-Over Los Angeles on June 29th, 2014.

Established in 2005, The Do-Over takes place on select summer Sundays in Los Angeles, California. We also like to travel around the world to other fine cities when the sun is shining.

For more info on The Do-Over: www.thedoover.net
For more from SoSuperSam: @sosupersam

SoSuperSam at The Do-Over Los Angeles (June 29, 2014)

08 08 Computer Blue (Full Version - Previously Uncirculating).MP3

The second volume of my Better Wild mix series...dusted off personal stash 80s favs heavy wit' thump'n bass, ill synths & wild guitars...curated for the Frequency Overload mixshow...broadcast @ antirobotradio.us every Sunday @ 1pm est...now dig...

Introductions
The Time - Wild and Loose
Cameo - Cameo's Dance
Ozone - Li'l Suzy
Mandre' - Freakin's Fine
Jak - Do You Want It
Big Bundy - Sex
Jerry Knight - Perfect Fit
Ready For The World - Ceramic Girl
Rick James - Somebody (The Girl's Got)
Brownmark - Put A Smile On Your Face
Steve Arrington - Why
Brass Construction - It's A Shame
Madame X - Flirt
Blake and Hines - When I'm With You
Jesse Johnson's Revue - She's A Doll
ecnirP - ydaL baC revirD
Endtro

Artfunk by B1.


DJ Brett Eclectic - Better Wild v2: Wild Cool (Frequency Overload mixshow 4)

Skrillex and Diplo Present Jack Ü 
iTunes: http://smarturl.it/PresentingJackU
Spotify: smarturl.it/S_PresentingJackU
Beatport: http://smarturl.it/B_PresentingJackU

Follow Jack Ü Online
http://fb.com/jackuofficial
http://soundcloud.com/jacku
http://jackuofficial.com 

Skrillex and Diplo present Jack Ü

Don't Do Drugs Just Take Some Jack Ü

pre-save my next single w/ K.Flay: vanic.ffm.to/soslow

NOW ON TOUR! TICKETS: https://goo.gl/r3ld0d

Stream, Share, Comment & Dance.

Heart on Hype Machine: http://awe.sm/hMYmv

Feel free to click the [↻ Repost] button!
Management: sebastian@stndrdgrp.com 

@ToveStyrke //
facebook || facebook.com/tovestyrke
twitter || twitter.com/tovestyrke

Vanic // 
facebook || facebook.com/djvanic
twitter || twitter.com/djvanic

Borderline

SPOTIFY

Vanic X Tove Styrke - Borderline

Official ITAPII Remix - 

Listen on Spotify:
https://open.spotify.com/album/2GnVkbKayfooUDbcXd8Hk0

Download on iTunes:
http://smarturl.it/TheTruthRemixes

Listen on Apple Music :
http://smarturl.it/amTheTruthRemixes

Now! 26

I Took A Pill In Ibiza (Seeb Remix)

The 3rd installment of my Zone series. This time the focus is on the instrumental side of MPLS Funk.  Personal favorites of mine. All vinyl except cuts 11, 15 & 16. Dig if u will. B1.

The Revolution - Computer Blue (Prpl Rn Vrs)
The Time - Tricky
Madhouse -13
The Family - Yes
Sheila E. - Shortberry Strawcake
The Family - Susannah's Pajamas
Mazarati - Champagne Saturday
Brownmark - Stakeout
Wendy & Lisa - White
Sheila E. - Merci For The Speed Of A Mad Clown In Summer
Ecnirp - 2 Nigs United 4 West Compton
Da Krash - Tu Madre
Madhouse - 6 (End Of The World Mix)
Sheila E. - Too Sexy
Andre Cymone - Anything
Ecnirp - PS I Love U
Ecnirp - Letitgo (Sherm Stick Edit Inst)
Ta Mara and The Seen - Lonely Heart (45 vrs)
Ecnirp and The Revolution - Alexa De Paris

*THIS RADIO SHOW IS FOR PROMOTIONAL USE ONLY*
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

DJ Brett Eclectic - Zone v3: Purpstrumentals (Instrumental Directions In MPLS Funk)

Free Download: https://music.lowceiling.com/styline/rollin-deep
Listen on Spotify: https://open.spotify.com/track/0FRyH4DmAOtePuX2OT5UA1


Styline continues his international “Power House”-Trend, setting an all-out statement with his massive take on Seany B’s chock-full vocal “Rollin Deep”.

Dominating the track with his signature sound of grooving lows, slapping mids and distinctive highs, Styline rolls out his deep vibe to some of the sickest places all around the globe!

“We Rollin’ Deep!”

⚡ Free Download ⚡

D.O.N.S. & Shahin ft. Seany B - Rollin Deep (Styline Remix)

Free Download: https://music.lowceiling.com/styline/shake-that

Styline is announcing yet another stage of his famous “Power House” wireframe - repackaging Dansson & Marlon Hoffstadt’s renowned “Shake That”  in a punchy instrumental craving to be played.

Mixing cascading synths and propulsive beats together into a potent concoction, Styline showcases a brand-new silhouette of his production renaissance.

“Shake That!”

Dansson & Marlon Hoffstadt - Shake That (Styline Remix)

Follow Marshmello:
www.facebook.com/marshmellomusic
twitter.com/marshmellomusic

Follow Jack Ü:
jackuofficial.com
www.facebook.com/jackuofficial

owsla.com
maddecent.com

Skrillex & Diplo - Where Are Ü Now with Justin Bieber (Marshmello Remix)[Skrillex Flip]

Empia
https://soundcloud.com/empiamusic
https://www.facebook.com/empiamusic
https://twitter.com/empiamusic

Deorro
https://soundcloud.com/deorro
https://www.facebook.com/Deorro
http://www.deorro.com/
https://twitter.com/deorro

Artwork by Hangmoon
http://fav.me/d8ot9e0

Sheepy on Spotify
http://bit.ly/MrSuicideSheepSpotify

Download

Deorro - Five Hours (Empia Remix)

Prince - Dirty Mind (Late Night Bootleg)

Live recording from Monarch, San Francisco 27.04.12.

Check out my label's music at: https://superweirdsubstance.bandcamp.com

MONARCH SAN FRANCISCO 27.04.12 (greg wilson live mix)

Este canto, es un canto de fe, esperanza, causa y amor. Nosotros somos músicos y perseguimos nuestros sueños, pero también perseguimos la felicidad de un país que necesita ser manejado con amor. 

Por un México mejor, por un México que lo vale, por un México que puede brillar tan fuerte como el sol. 

Nosotros tenemos el poder de crear esos cambios que nos harán respirar un aire mejor y nos llenen de alivio, luz y amor. 

El movimiento somos todos.  
#Músicosconyosoy132 

<b>Baja la canción gratuitamente</b>

Letra:

Voy a crear un canto para poder existir.
Para mover la tierra, a los hombres y sobrevivir.
Para curar mi corazón y a la mente dejarla fluir.
Para el espíritu elevar y dejarlo llegar al fin.

Yo no nací sin causa
Yo no nací sin fe
Mi corazón pega fuerte para gritar a los que no sienten 
Y así perseguir a la felicidad.

Voy a crear un canto para al cielo respetar
Para mover las raices de este campo y hacerlo brotar
Para mover las aguas el veneno verde que hay por ahí.
Para el espíritu elevara y dejarlo vivir en paz.

Yo no nací sin causa.
Yo no nací sin fe
Mi corazón pega fuerte para gritar a los que nos mienten
Y así perseguir a la felicidad , y así perseguir a la felicidad.

Coro:

Que es un derecho de nacimiento.
Es el motor de nuestro movimiento.
Porque reclamo libertad de pensamiento.
Si no lo pido es porque me estoy muriendo.

Es un derecho de nacimiento.
Comer los frutos que dejan los sueños.
Es una sola voz un sentimiento.
Y que este grito limpie nuestro viento.

Voy a crear un canto para poder exigir.
Que no le quiten a los pobres lo que tanto les costo conseguir.
Para que el oro robado no aplaste nuestro por venir.
Y a los que tienen de sobra no les cueste tanto repartir.

Voy a elevar mi canto para poder despertar.
A los que van dormidos por la vida sin querer mirar.
Para que el río no lleve sangre lleve flores y el mal sanar.
Para el espíritu elevar y dejarlo vivir en paz. 

Yo no nací sin causa
Yo no nací sin fe
Mi corazón pega fuerte para gritar a los que no sienten 
Y así perseguir a la felicidad 
Que es un derecho de Nacimiento... 

Coro.

Musicos:
Natalia Lafourcade http://www.lafourcade.com.mx
Alan Ortiz (Vicente Gayo) http://www.facebook.com/vicentegayo
Carla Morrison http://www.carlamorrison.net
Pambo http://www.myspace.com/yosoypambo
Madame Recamier http://www.facebook.com/madamerecamier
Manuel Torreblanca (Torreblanca) http://www.torreblanca.com.mx
Carmen Ruiz (Torreblanca)
Marian Ruzzi (Julieta Venegas)
Dan Zlotnik
Sol Pereyra http://www.solpereyra.com.ar
Paola Beck http://paolabeck.com
Andrea Acosta
Adriana Medina
Veronica Ortiz
Gustavo Guerrero (Natalia Lafourcade)
Uriel Herrera (Natalia Lafourcade)

Video por Light & Noise:
Julio Muñoz
Bernardo Mancebo
Manolin Avila
Oscar Rubio
Carlos Gonzalez

www.lightandnoise.tv

Audio:
Gabriel Rocha
Alan Ortiz

26 de Junio
Mexíco, D.F. 2012

Varios - Un Derecho De Nacimiento

Danny Avila live at weekend 1 of ULTRA MUSIC FESTIVAL, Miami 17 March 2013
See you at mainstage on Sunday, 24 at 12pm. Be there!

www.djdannyavila.com
www.facebook.com/dannyavilaofficial
twitter.com/DJDannyAvila
@dannyavila

Danny Avila @ ULTRA MUSIC FESTIVAL 2013 Weekend 1

Download: http://uploaded.net/file/walxsonz

Faithless - Live at Ultra Music Festival 2013 Miami 23-03-2013

Download: http://uploaded.net/file/a8r1oi9c

Fatboy Slim - Live @ Ultra Music Festival 2013 UMF (Miami) - 23.03.2013

Buy on iTunes

Ondatrópica - Tiene Sabor, Tiene Sazón (DJ iZem Remix)

Founder of @sneer-records Producer. Musician. Singer. Lyricist. Selector. Funk Renegade. Sound Explorer. Beyonder. B1.