Denver, CO –Make no mistake: the Fox Street Allstars (FSAS) reek of the roadhouses and West Texas honky-tonks of the deep south that inspired their signature sound.  FSAS is a roller coaster of roadhouse blues interwoven with super-sized helpings of funk with elements of rock, soul and jazz. No one really has any idea where front man Jonathan “Skippy” Huvard channels his soulful, whiskey soaked vocals and frenetic stage presence but the result is a blistering powerhouse of sound.

“We strive to make people feel as if they are a part of the show, a piece of the action, not just watching a concert," Huvard said. "I want the audience to escape from the worries and pressures of life and to set themselves free of all burden; to reach a point of pure joy and elation, and to dance their asses off."

From the first note of their debut album Welcome To Mighty Pleasin' to the last, the FSAS have proven that they can take their high energy stage show, inject some heartfelt ballads, and create an album that will please fans of funk, blues, soul and rock-n-roll alike. If their opening slots on multiple national tours with funk legends The New Mastersounds are any indication, the FSAS are a band that is poised to break through into the mainstream at any moment. There’s a reason why artists like Brian Jordan, Nigel Hall, Stanton Moore, Tony Hall, Corey Henry, Joey Porter, The Motet, George Porter Jr., and others have sat in extensively with the band: musicians realize these guys have serious chops and the sound is serious fun. 

FSAS is wrapping up production on their second album Tough Talk for an early 2013 release. For interview requests, photos or copies of the new album please contact David Regan at Regan Management Group, LLC :: 980.305.4510 :: reganmanagement@gmail.com.


OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Tool Trance is the sister label of Tool Records and part of the label group Alliance Music.
As the name suggests it´s focussing on different types of modern and powerfull trance music and progressive sounds.

As the name suggests it´s focussing on different types of modern and powerfull trance music and progressive sounds. Almost all releases  charted at the Beatport Top 100 Trance and the 10 must hear tunes.

Featuring high profile artists like Duderstadt, Mike Shiver, Stoneface & Terminal, Cressida, Reminder, Shato & Paul Rockseek, Steve Brian and Sequentia , the label recieved a huge amount of recognition shortly after it was founded, reaching its first peak during the Christmas days of 2010, when the track “Crypoint” by Czech Republic newcomers Shato & Paul Rockseek cemented itself as the Nr. 1 on Beatport for almost 4 weeks.

Singles or Remixes works from: Stoneface & Terminal, Nitrous Oxide, Alex M.O.R.P.H., Abstract Vision & Elite Electronic, Eximinds, Dan Stone, Cressida, M.I.K.E, Maor Levi, Steve Brian,  Estiva, Store N Forward, Maarten de Jong, SHato & Paul Rockseek, Rapha, Johnny Yono, Reminder, Funabashi, Alex Larichev, Kamil Esten, Jan Miller and many more.

Tool Records will work with new Artists like Nitrous Oxide, Eximinds, Ben Nickey, Broning, Abstract Vision & Elite Electronic, Vlad Varel, Alex Larichev, D-Mad, Ronski Speed, Mike Shiver and many many more...

REVIEW BEATSMEDIA:
"Founded in 2010 the label Tool Records has caused a stir in clubland during the last years. The majority of releases have got support from all the Huge names and key artists. It’s safe to say that this is definitely an essential label if you like EDM of the utmost quality.." 

And that is only the beginning of a high quality label that is bound to leave a mark in the scene – watch out for the upcoming releases!

General: info@toolrecords.net (for demos please see below)

For all Demo submissions please use the Soundcloud DropBoxes: www.soundcloud.com/tooltrance/dropbox.

We get sent hundreds of demo's every week and we endeavour to get back to everyone that sends a demo in, however please don't be offended if we do not!

BIG DATA is the paranoid pop brainchild of producer, Alan Wilkis. His music explores the relationship between man and machine, and the ways in which technology is reshaping the human experience, all with a healthy dose of distrust.

In 2014, BD made waves with the #1 alternative hit, “Dangerous (feat. Joywave),” which has since been certified Gold in the US and Canada, and with nearly 40M streams. Big Data’s 2015 debut album, 2.0, featured collaborations with Kimbra, Rivers Cuomo, Twin Shadow, and Jamie Lidell.

3.0 is the long-awaited upgrade from Big Data. In creating 3.0, Wilkis became obsessed with the subject of artificial intelligence and its many possible applications in our not-too-distant future. While AI may become humanity’s greatest achievement, it carries with it a potential risk that is both existential and irreversible… one of many reasons why experts refer to AI as our “final invention.” This tension is both fascinating and terrifying all at once, and it is the chief inspiration behind Big Data’s latest effort.

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