B Electro Rock - Related

Independent support(vrso) of artists - Various music - ACTUAL TRACKS

Brian Butts

Willie Nelson composed this tune but Patsy Cline had a hit with it in 1962. Performed on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: https://www.harveytwyman.com

Name That Tune #390

Scar The Martyr (Deluxe)

Scar The Martyr - Cruel Ocean

This tune was written by Jimmy Van Heusen and Sammy Cahn and first sang by Frank Sinatra in 1958. Performed on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: https://www.harveytwyman.com

Name That Tune #391 by Frank Sinatra

Afterlife

Wiener Noose - S.S.TWO
VIDEO>>>>
https://www.youtube.com/watch?v=vQGjkSke7oc

Lyrics, instrumental, recording, mix, master, and video - Wiener Noose

Original song written by - Mind Watching Your Elbow
www.youtube.com/channel/UCiDuEFbPfbCanb5AQxYkqcQ

Shout out - The Mysterious Decibel
www.youtube.com/channel/UCZoG_HyJnQJ0VFS7hJnzejg

LYRICS-
Used to be nothing
Now I am something
Please don’t push my buttons
Cause I’ve been running
From the things
That make this real
And I have had enough of it
Cause I’ve been trying
Not to feel
The consequence of
Always wanting more of this
And I’ve been chilling all day
Let them pave the way
So I might as well wait
Two feet in the grave
Four blunts to the face
Six shots and I’m awake
You got the best of me
The rest of me
Can’t carry on no
You got the best of me
The rest of me
Can’t carry on
Your high
So high
When you see
Imaginary state troopers
At the end of the road
Your high
So high
When you die in your car
Cause you reach
For your phone on the floor

https://www.instagram.com/wienernoose/

https://www.tiktok.com/@wienernoose?l...

https://twitter.com/WienerNoose

https://soundcloud.com/wienernoose

https://wienernoose.bandcamp.com/

https://www.facebook.com/profile.php?...

https://www.youtube.com/channel/UCH6S...

https://wienernoose.bandcamp.com/

Gmail - wienernoose@gmail.com

Wiener Noose

S.S.TWO

Retrodiction

Bandcamp

Brian Butts - Guitars, Drums, Bass, Keyboards, Master Mix
Default Sensor - Vocals, Lyrics https://soundcloud.com/default_sensor?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Neurapraxia (feat. Default Sensor)

Brian Butts - Guitars, Drums, Bass, Keyboard, Master Mix
Bastacho - Recorder

Morphometry

Downfeather (feat. Bastacho)

The second LP release on Leng Records is the fourth from German band Mountaineer. Joining Leng label mates such as Cantoma (Phil Mison), Ray Mang, Idjut Boys, Lexx and Mudd on ‘The Real McQueen’ they deliver a subtle blend of summer pop and bossa-folk which comes across like some kind of Brazillian country lounge cocktail bar. 

Mountaineer started out life as the project of German singer/songwriter and Hamburg-based Henning Wandhoff. His debut album ‘Sunny Day’ saw a limited release but the restrictions of solo recording didn’t provide the creativity he desired and he was soon looking for other musicians to collaborate with. A few years and a number of band member changes later he found his perfect writing and recording partner, Frank Mollena. They are both multi-instrumentalists with Henning playing acoustic guitar, drums, congas, percussion and providing the vocals on ‘The Real McQueen’ and Frank playing bass, keyboards, electric guitar and programming the drum machines. The bands recording line up was completed by Alexander Rischer and they set out to rejuvenate their collective love of the classic LPs from the late 60s and 70s.

Starting with the rolling, gentle breeze of ‘Always Coming Home’, Mountaineer effortlessly mix latino rhythms with subtle pop melodies as main composers Henning Wandhoff and Frank Mollena are accompanied by fellow band mates Alexander Rischer (electric guitar) and Anna Bertermann (vocals) plus Christian Ebert on omnichord.

Next we have the album’s title track with the more uptempo pop vibe of ‘The Real McQueen’ providing a very radio friendly chorus and harmony whilst ‘Come Alena’ sounds like Prefab Sprout chilling on a desert island hammock and ‘Circlemakers’ is pure sunshine filled, laidback bliss – perfect for those lazy, hot summer days. 

‘Gush it Gosie’ provides an instrumental interlude that lets the pedal steel guitar of Oliver Stangl shine through and ‘White (I’m Clouds)’ sees further collaboration, this time from Patrick Gobel on drums as the track rides off on a sea of Wurlitzer style organ.

Another instrumental interlude is provided by ‘Always Coming Home (Theme)’ before ‘Golden Chalk’ fills the premise of the three-minute pop song perfectly. ‘Limbo’ slides along on the back of some wonderful backing vocal harmonising whilst ‘Blown Away’ sees Patrick Gobel return on drums giving the track a classic bossnova backing. 

Finally ‘When We Love Life’ sees Anna and Henning’s voices sparring in beautiful, poetic motion as the pedal steel guitar adds extra intonation and feeling before ‘Always Coming Home’ makes a final reprise to close the bands second long-playing chapter.

The girl-boy vocals work like a charm over a fantastic band, with stunning lap steel work, easy drums and a whole host of other instruments making for a complex yet easy listening vibe. All twelve tracks leave their mark, yet come together beautifully as a whole. It's no surprise that Leng would choose artists that suit their sunshine roster and this album is the sound of the first morning you unzip your jacket on the walk to work.


Leng Shop

Mountaineer - The Real McQueen

The second LP release on Leng Records is the fourth from German band Mountaineer. Joining Leng label mates such as Cantoma (Phil Mison), Ray Mang, Idjut Boys, Lexx and Mudd on ‘The Real McQueen’ they deliver a subtle blend of summer pop and bossa-folk which comes across like some kind of Brazillian country lounge cocktail bar. 

Mountaineer started out life as the project of German singer/songwriter and Hamburg-based Henning Wandhoff. His debut album ‘Sunny Day’ saw a limited release but the restrictions of solo recording didn’t provide the creativity he desired and he was soon looking for other musicians to collaborate with. A few years and a number of band member changes later he found his perfect writing and recording partner, Frank Mollena. They are both multi-instrumentalists with Henning playing acoustic guitar, drums, congas, percussion and providing the vocals on ‘The Real McQueen’ and Frank playing bass, keyboards, electric guitar and programming the drum machines. The bands recording line up was completed by Alexander Rischer and they set out to rejuvenate their collective love of the classic LPs from the late 60s and 70s.

Starting with the rolling, gentle breeze of ‘Always Coming Home’, Mountaineer effortlessly mix latino rhythms with subtle pop melodies as main composers Henning Wandhoff and Frank Mollena are accompanied by fellow band mates Alexander Rischer (electric guitar) and Anna Bertermann (vocals) plus Christian Ebert on omnichord.

Next we have the album’s title track with the more uptempo pop vibe of ‘The Real McQueen’ providing a very radio friendly chorus and harmony whilst ‘Come Alena’ sounds like Prefab Sprout chilling on a desert island hammock and ‘Circlemakers’ is pure sunshine filled, laidback bliss – perfect for those lazy, hot summer days. 

‘Gush it Gosie’ provides an instrumental interlude that lets the pedal steel guitar of Oliver Stangl shine through and ‘White (I’m Clouds)’ sees further collaboration, this time from Patrick Gobel on drums as the track rides off on a sea of Wurlitzer style organ.

Another instrumental interlude is provided by ‘Always Coming Home (Theme)’ before ‘Golden Chalk’ fills the premise of the three-minute pop song perfectly. ‘Limbo’ slides along on the back of some wonderful backing vocal harmonising whilst ‘Blown Away’ sees Patrick Gobel return on drums giving the track a classic bossnova backing. 

Finally ‘When We Love Life’ sees Anna and Henning’s voices sparring in beautiful, poetic motion as the pedal steel guitar adds extra intonation and feeling before ‘Always Coming Home’ makes a final reprise to close the bands second long-playing chapter.

The girl-boy vocals work like a charm over a fantastic band, with stunning lap steel work, easy drums and a whole host of other instruments making for a complex yet easy listening vibe. All twelve tracks leave their mark, yet come together beautifully as a whole. It's no surprise that Leng would choose artists that suit their sunshine roster and this album is the sound of the first morning you unzip your jacket on the walk to work.


Mountaineer - Circlemakers

Astrarium

Quasimomentum

Tripwires

Megacosm

Nacreous Twilight

Order: https://lengrecords.bandcamp.com/album/out-of-the-blue-compiled-by-phil-mison

Over the years, Phil Mison has become the go-to selector for those looking for Ibiza-themed compilations. None of his previous collections, though, have been quite as personal as Out Of The Blue, a compilation inspired by his first spell behind the decks at the Café Del Mar in 1993 – and the remarkable chain of events leading up to it. 

Mison made his first trip to Ibiza in the summer of 1991 and quickly fell in love with the magical music being played by Café Del Mar resident DJ, Jose Padilla. On his return to the UK, Mison began to cultivate his own take on the laidback, open-minded style, recording mix-tapes of “Ibiza style chill out” tunes to give to friends. 

In November 1992, Mison was hanging out in Tag Records, Soho, when Padilla walked in. He plucked up the courage to speak to the Spaniard because earlier that summer Mison had given one of his friends some tapes to take out to Jose in Ibiza so he wanted to see if he had got them. During the conversation Mison invited him down to his next DJ set at Nicky Holloway’s club, the Milk Bar and less than three months later, and clearly impressed by what he’d heard on the tapes, Padilla invited Mison to fill in for him at the Café Del Mar, beginning in April ’93.

It’s that first trip to DJ in Ibiza – a crazy six-weeks spent dividing his time between spinning records at Café Del Mar, hanging out in Jose Padilla’s house in the hills, and meeting some particularly eccentric White Isle residents – that proved the inspiration for Out Of The Blue.

The compilation contains a mixture of records that Mison played in his earliest Ibiza sets, those that remind him of that period, and recent discoveries that boast a similarly warm, loved-up vibe. Mison is at pains to point out that it’s not a track-for-track representation of his first sets, but rather a collection inspired by this most momentous of experiences.

As you’d expect from a selector of Phil Mison’s standing, Out Of The Blue is an outstanding collection.  Some will no doubt hear the influence of his mentor – the man he credits with effectively turning his DJing career around – in the undulating rhythms and new age melodies of Kamasutra’s “Sugar Step”, the meandering synthesizer solos and Spanish language vocals of Congarilla’s sublime “Sacred Tree”, and the lilting flamenco guitars of “Gambarra”, an unreleased mix from Mison’s popular Cantoma project.

Elsewhere, listeners can marvel at the starry ambient bliss of Belgian legend Frank De Wulf’s “The End”, recline to the saucer-eyed fusion jazz of the Christoph Spendel Group, shuffle along to tactile, hard-to-find period deep house from Language, Moodswings and Don Carlos, and marvel at The Cactus Rose Project’s ridiculously rare “Jelly”, a sparkling, disco-era jazz-rock outing partly inspired by the Doobie Brothers’ “Long Train Running”. 

Out Of The Blue may well be a very personal selection of tracks celebrating a moment in time, but it’s happily one that we can all enjoy.

LENG SHOP

D4 Cantoma – Gambarra (Unreleased Mix)

It's grail time! Kalita are honoured to officially release for Record Store Day 2020 (29th August!) for the first time since 1983 Marcy Luarks & Classic Touch's mythical American-Nigerian Afro boogie masterpiece 'Electric Murder', accompanied by extensive liner notes based on interviews with Marcy's family and producer Daniel Irabor.

The product of the then husband and wife team of Marcy and Dan, 'Electric Murder' brought together both the former's American and the latter's Nigerian roots; recorded in London with UK-based session musicians, this mix of heritage and styles resulted in an Afro disco album unlike any other.

With original copies turning up for sale roughly once every few years, and with an eye-watering four-figure price tag to match, Kalita for this year's Record Store Day saves you the never-ending search for this true holy grail.

Released on black vinyl, with printed insert detailing Marcy's life and musical career.

Electric Murder

Funky Boogie Woogie

Buy here!

A1. Marcy Luarks & Classic Touch - Funky Boogie Woogie

[[ Hard Day ]] - https://youtu.be/FMP72iyXrQc

I've  got a hard day, everything I catch falls out of my hands,
I've  got a hard day, I'll confuse what I can,
I've  got a hard day, everything I catch ends in the trash,
hard day, hard night, so darling hold me tight
Hú-u-u Hú-u-u Jé , Hú-u-u Hú-u-u Jé


I've  got a hard day, I have no idea where my head is now,
I've  got a hard day, everywhere chaos, stress,
I've  got a hard day, I don't even know what awaits me yet
hard day, hard night, help me I need more light
Hú-u-u Hú-u-u Jé. Hú-u-u Hú-u-u Jé
Hard day, ha-a-a-rd night,

Guitar solo
I've  got a  got a hard day, everything I catch falls out of my hands,
hard day, hard night, help me I need more light,
Hú-u-u Hú-u-u Jé. 
Hú-u-u Hú-u-u Jé


Ťažký deň
1. Dnes mám ťažký de-eň, všetko čo chytím, všetko z rúk mi padá
Dnes mám ťažký de-eň, čo začnem, pokazím.
Dnes mám ťažký de-eň, všetko čo chytím, všetko v koši skončí
Dnes mám ťažký de-eň, a nič s tým nespravím.
 
[Refrain:] Hú-ú -jééé. Hú-ú -jééé. 
2. Dnes ma-ám ťažký de-eň, a vôbec neviem, čo ma ešte čaká,
Dnes mám ťažký de-eň, tak čo s ním urobí.
Dnes ma-ám ťažký de-eň, a vôbec neviem, čo ma ešte čaká,
Dnes mám ťažký de-eň, tak čo s ním urobí.
[Refrain:] Hú-ú -jééé. Hú-ú -jééé. 
Má-ám mám ťaž-ký deň. Má-ám mám ťaž-ký deň.
3. Sólo 
Dnes mám ťažký de-eň, všetko čo chytím, všetko z rúk mi padá.
Dnes mám ťaž-kú no-oc, tak volám o pomoc
 
[Refrain:] Hú-ú -jééé. Hú-ú -jééé. 
Má-ám mám ťaž-ký deň. Má-ám mám ťaž-ký deň.
Má-ám mám ťaž-ký deň. Má-ám mám ťaž-ký deň.
Má-ám mám ťaž-ký deň. Má-ám mám ťaž-ký deň. (Má-ám. Má-ám.
Má-ám. Má-ám.) 
Má-ám mám ťaž-ký deň. Má-ám mám ťaž-ký deň. (Má-ám. Má-ám.
Má-ám. Má-ám.) 
 Má-ám. Má-ám. Má-ám. Má-ám. 
 
text: Stefan Svetsky

A Hard Day - often downloaded

Progressive Metal Guitarist, Drummer, Bassist, and Keyboardist.