First time I tried to create a percussive thing in Omnisphere, which turned out to be lot of work, and while I was at it, Holger Czukay suddenly was on my mind.... one session....12 hours later... :) Version 1. 

All Omnisphere, multiple Valhalla Delays, Chandler Germanium Compressor, Weiss Maximiser.

Czukay Ish

Processing real, tuned chimes played live on tape and a bass flute patch (Falcon) with the Synestia preset “Chime Enhancer“ from the expansion Tension for Synestia, available on patchpool.net, automating some of the installed Synestia Macros and volume of the dry signals in Logic. Demo starts dry, then the Synestia signal fades in.

Chime Enhancer

Demo for the Synestia patch “Stringer Groove“, a pitch sequence from the expansion Tension for Synestia, available on patchpool.net. Processing a drum groove and a synth sound, automating some of the installed Synestia Macros and volume of the dry signals in Logic. Demo starts dry, then the sends to the Synestia bus open.

Stringer Groove

Demo for the Synestia patch “Gong Model 02“, a physical modeling patch from the expansion Tension for Synestia, available on patchpool.net. Macro automation in Logic, demo starts dry, then the FX signal fades in.

Buy Tension

Gong Model 2

Processing layered piano, English horn, synth pad with the preset Himalaya Verb from the expansion Tension for Synestia, available on patchpool.net - Synestia Macro automation and volume automation of the dry instrument levels.

Tension for Synestia

Himalaya Verb

Produced by  @ninon-dvslv 

Master by OTON/Baptiste Langlois
Artwork/CG/VFX direction: ITOAOI, @_itoaoi_
www.instagram.com/_itoaoi_/
TRNVA003
2025

Ninon - Katsinim Procession

Sunday afternoon noisy nostalgic noodling

Absynth Quinceañera (made with Absynth 1 presets)

universum est cor meum

The first of many pieces bearing the title "Absynth Chronicles".  I've been using Absynth by Native Instruments for a number of pieces.  This piece is freely structured, moment form, and explores particular recurrent intervallic combinations and sets.  The piece is written as a successor to other pitch-determinate synthesizer pieces of yesteryear, such as Babbitt's Philomel or Wuorinen's Time's Encomium.

Absynth Chronicles

Absynth Chronicles VIII for piano and absynth 5 synthesizer

Jeanette Louise Yaryan, Piano

Absynth Chronicles VIII

This piece was composed for Absynth 5 synthesizer and is written in memory of the late composer Charles Wuorinen.  It was inspired by his own seminal work Time's Encomium, a half-hour pitch-determinate piece for synthesizer in two parts, which won a Pulitzer Prize.  This piece, Absynth Chronicles XIV, is therefore a half-hour pitch-determinate piece for synthesizer in two parts.

Absynth Quinceañera (made with Absynth 1 presets)

Brian Clevinger