Listening in Kharkiv with air defence sirens in the background. Such contrast. Beauty before war.

Music by Brian Crain

A Brand New track by Brian Crain from his new album Life is

http://briancrain.com
https://itunes.apple.com/us/album/life-is.../id701063793
http://www.amazon.com/Life-Is/dp/B00F1DIX0A
https://play.spotify.com/album/4XGzhfHuTmd6qkFcHHNuMh?play=true&utm_source=open.spotify.com&utm_medium=open

01  Finding Home
02  The Edge of a Petal
03  Flying Toward Heaven
04  A Love Story
05  Play of Light and Shadows
06  Little Blue Music Box
07  First Tears
08  Beginnings, A Song for Yeongwol 
09  Laughing Eyes
10  Dreams and Memories
11  A Pearl for Every Drop of Rain
12  Peacefulness
13  Nella Fantasia Gabriel's Oboe
14  Lemon Drops

Brian Crain -  A Love Story

Brian Crain - At the Ivy Gate

A brilliant rework of a very famous song.


Brian Crain - Hallelujah

Light and Shadow - Philip Wesley

Ten directions is a Eastern cosmogony’s term that means "in all directions throughout the space." These directions are the eight of the compass: east, south-east, south, southwest, west, north-west, north, north-east, plus the Nadir – to the down - and Zenit - at the top.  These "Ten directions" are often matched to past, present and future to describe the set of all places – Ten Directions - and times - Three Times.
 At any time and in any place existed a sound that awakens and resonates at a specific emotional state. A call that is heard and collected by those who were looking for it for a long time and in any direction.
 
While playing or composing, I take refuge into myself, directing the sound through the ten directions of space. Then, I let my thoughts meander both in the internal direction, the innerself, and in the outer, the discovery and the meeting. The union of these two states arouses emotion, subtle matter that can be felt by those who are listening and are on the same frequency and in tune.

 The launch of the thought starts from the silence, and then, one key after another, starts moving and traveling through the air like an arrow into space. The sound is without obstacles, in the ten directions, and resonates through the invisible world of vibrations. Announces itself and enters the inner space. It comes to ears, the hearing organ, and shakes all the other senses. It kidnaps, touch the nerve centre and pervades us. It meets and joins up with something that is already there, and is welcomed as it was expected all along.

 The sound is clear, it radiates and spreads everywhere, and comes back, in a two-way process, creating contact points and unexplained bridges. Is a dimension that affects and charms because we recognize it, surprised and excited at the same time. As a light, it illuminates hidden areas through the mind and the heart, and reaches the deepest part of our inner. The listener and the player finds themselves alive in a sensitive state, and this sharing creates the communion, the union of sound and spirit, music and noise away from fiction, which dwells always and everywhere in the ten directions.

Luminous Night

Discovering Your Serenity

Dirk Maassen - Falling Stars (out on all stores)

Some of the songs are featuring Cello & Piano others just fir the new age piano category. I'll keep updating as I go along. This entire set is by Brian Crain except the last two. Those are by Phillip Wesley

Go here to listen to even more of his songs and albums and I can get the song for you. Most of them I already got though.

http://www.briancrain.com/newpages/PCDuet1.html


Spring Waltz Brian Crain

Philip Wesley - Dark Night Of The Soul

From the award winning release, The Piano, Nocturne in A Minor is an original composition by Steinway artist, Chad Lawson.

Nocturne in A Minor

Track taken from Dustin O’Halloran's upcoming album 'Lumiere' released via FatCat’s 130701 imprint (a home for the orchestrally/classically aligned composers attached to the label)

Dustin O’Halloran - We Move Lightly

I've created this page just to show my support and spread the word about this very talented and creative pianist. 

Brian was born in Hollywood, California. He has been composing music as long as he can remember. Family members tell him that when he was very young he began whistling nearly all the time. When someone would ask what he was whistling, Brian would usually answer something like, "I don't know. I just made it up."

He was only six years old when his parents bought a baby grand piano, thinking that Brian's musical talents could use a more polished medium. But Brian continued to whistle his songs. He was not drawn to the keyboard.

When he was ten years old, Brian began taking piano lessons, but he soon became bored with the lessons. Besides, the piano took time away from his new passion, baseball. So he gave up the piano. His need to compose, however, would not be stopped. His friends would often hear him whistling his newest compositions during practice or games on the baseball diamond. At this young age, Brian was dreaming of becoming a professional baseball player while whistling his own songs.

When Brian was fifteen years old he began editing award-winning educational films. While he was still a teenager, he began doing sound on Hollywood films. At nineteen years of age, he built his own sound studio to complete the first feature-length film in Hollywood to be finished in R-DAT digital audio. Some of his technical innovations in post-production sound became standard Hollywood practice.

During this time Brian would occasionally sit down at that nearly forgotten piano. He would improvise at the keyboard, just as he had always improvised with his whistling, playing with the notes until something started sounding just right. He was, without realizing it, teaching himself to play the piano.

Also without intending to do it, Brian was training himself to compose at the piano. By his early twenties, he was composing songs for award-winning children's films. He was also still nurturing his dream of playing professional baseball, but after unsuccessful tryouts with professional teams, he sadly let that dream slip away.
It was during this time that his family suggested he record his personal piano works and release them on CD. He had never seriously considered recording for CD release, but when he recorded the first album, it was so well received that he now spends all his time composing and recording his own works. He continues to be encouraged by loyal fans who frequently tell him that his music has changed their lives. Now he jokes that the best thing that ever happened to him was not becoming a professional baseball player.

Brian's compositions Butterfly Waltz, Northern Lights, A Walk in the Forest and Lavender Hills are used as theme music and background music for television dramas and commercials in Asia. The use of Brian's music in this fashion has made him very popular in all of Asia.

In 2005 Brian composed his first two symphonies, entitled Spring Symphonies, which were recorded with the Czech Philharmonic Chamber Orchestra. Brian debuted these symphonies with the Dakota Symphony Orchestra on Oct 8th 2005. He also performs regular piano concerts in Asia and the U.S. and is currently working on his eleventh album.

Brian Crain - At the Ivy Gate

Brian Crain Fan

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