Huihui Cheng’s works have been performed in international festivals. She expands notions of interpretation and conceptual art through visual and theatrical elements, random operations, and the use of objects and multimedia. In 2011 she won first prize at the International Isang Yun Competition with her orchestra piece “shining”, and with her piece “Me Du Ça”, she has won the Giga-Hertz Production Prize of ZKM and SWR Experimentalstudio in 2016.​ She has published a portrait CD at WERGO / Zeitgenössische Musik 2020.​

Aspiring composer. This account is mainly to follow some composers whose music I am interested in.

I am a classically trained french composer of screen and concert music and sound designer. My scores cover a range of genres from orchestral or chamber music to electronic and popular styles.

boussuge@opusmodus.com


Chong Kee Yong is one of the Malaysia's leading composers with a rare talent of fashioning a truly individual sound from modern experimental techniques.
Born in Kluang in southern Malaysia where his parents were farmers, he completed his Bachelor of Arts at the Xian Conservatory (China) and received his Master of Composition (Highest Honours) at the Royal Conservatory of Music of Brussels. He has also attended master classes by Brian Ferneyhough, Peter Eötvös, Salvatore Sciarrino, Henri Pousseur and Hanspeter Kyburz.
Chong's distinctive style has won him many awards, commissions and composer-in-residencies, for example, the 4th International Andrzej Panufnik Competition, the 2nd Seoul International Competition for Composers, the Malaysian Philharmonic Orchestra International Composers' Award, Lutoslawski award, BMW award in the International Isang Yun Music Prize, the Herrenhaus Edenkoben Foundation (Germany) and Asian Cultural Council.(New York)
Most recently, CHONG received the prestigious commission grant award 2009 by the Serge Koussevitzky Music Foundation. (USA)
www.chongkeeyong.com
鍾啟榮是马来西亚顶尖的青年作曲家，并在创作现代试验性和具有特殊风格的音乐方面拥有绝对特殊的天分。著名作曲家和指揮家Peter Eötvös形容他为一名“富有想象力和诗意”的作曲家，另一名著名英國作曲家Jonathan Harvey则形容他的音乐为“非常具有创造力和纯洁的”

钟启荣诞生于南马的居銮，其父母都是种植油棕的小园主。1990年至1993年，他在马来西亚吉隆坡表演艺术学院学习古典吉他和作曲。1995年后，他远赴中国西安音乐学院并获得一等荣誉学士学位，师从饶余燕教授和张大龙教授。

1997年后，他再到比利时皇家音乐学院修读作曲系，师从Jan Van Landeghem和Daniel Capelletti教授。在2001年6月，他以一等荣誉的成绩获得作曲硕士学位。此外，他也曾经参与多位知名作曲家教授开设的大师课程，例如：Brian Ferneyhough, Daan Manneke, Zoltan Janey, Peter Eötvös, Salvatore Sciarrino, Henri Pousseur 和 Hanspeter Kyburz。

鍾啟榮的卓越表现，让他在國際上赢得多个奖项和获得无数的赞扬，因此，他也获得和世界上衆多世界級顶尖的音乐家，樂團，音乐节和基金会合作的机会。



☽ composer, producer, songwriter and vocalist ☽

☽ debut album "Monolith" out now ☽

☽ 1/7 of @lightbenders ☽

there was only me,
falling endlessly

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Zihan Wu is a composer and concert pianist from China, currently based in Cologne, Germany. www.zihanwumusic.com

Anahita Abbasi’s music (Iranian-born/world citizen) has been described as “a dizzyingly sophisticated reverie, colorful and energetic. It embodies tremendous timbral exploration and multilayered performance gestures”… (Classical Voice America and A Cunning plan). 

According to Guardian …”She takes even a more radical line with creating dense and pulsing textures”… “Her music has the capacity to immerse the hall into a dark multichannel throat and hissing” … (Bachtrack) 

Volkskrant describes … “the Iranian Anahita Abbasi, shows herself to be a composer with guts in the two-year-old Intertwined Distances Alienating whistling noises and furious fistfights with the keyboard, alternated with delicate strings, lead to a theatrical listening experience” …

Ernst. M Binder also writes: …“As it is also vivid from the titles of her works such as Dialogues, Situations, Distorted Attitudes, she investigates and gesticulate thoughts and emotions. It is manifestation/ observation of a scene or multiple scenes, which occur simultaneously. She has the tendency to take us with her music on a mystical, puzzling journey and leave us within our thoughts, to find out the “ending” ourselves”… 

About her piece for Mahan Esfahani Boulezian Blogspot writes: …” There was, without doubt, an extraordinarily inventive musical imagination at work, but it was never merely invention: it was a sonic and instrumental drama that seemed somehow to summarise, to extend, and quite properly to question many of the tendencies we had heard so far”…

Anahita Abbasi’s works explore the "organic physicality of sound" (Sound Barrier). Each of her works grows out of a fascination with a specific sound and its distinctive tonal color.  

Abbasi’s music has been commissioned and performed worldwide by renowned musicians, including Mahan Esfahani, Steven Schick, Ilan Volkov, Vimbayi Kaziboni, Jack Adler, Sergej Tchirkov, Ensemble Modern, International Contemporary Ensemble, Meitar Ensemble, Der gelbe Klang, Radio France, EBU, Zaafran Ensemble, Contrechamps, Contemporary Chamber Orchestra Elbe, Broken Frames Syndicate, Kommas Ensemble, TAK Ensemble, Seattle Modern Orchestra, Ume Duo, Long Beach Opera, Quatuor Diotima, Mivos Quartet, Argonaut Quartet, Thin Edge, neuverBand, Omnibus Ensemble, Schallfeld Ensemble, and others. 
 
Her works have been featured internationally at festivals such as Darmstädter Musiktage, Akademie der Künste Berlin, Acht Brücken Festival, Radialsystem, Beethovenfest Bonn, Podium Esslingen, Tritonus Festival, Elbphilharmonie (Germany), IRCAM - Manifeste Academy, Présences Festival, Festival Ensemble  (France), Time of Music (Finland), BIFEM (Australia), Klangspuren Schwaz, Impuls Festival (Austria)  Sound State Festival (Southbank Centre, London), Tectonics (Glasgow),Klang Festival (Copenhagen), Contempuls (Prague), Tongyeong International Music Festival (Korea), Musica Polonica Nova (Poland), Atlas Festival, Grachten Festival (Netherlands), Borealis Festival (Norway), Festival Archipel (Geneva), Gaia (Tel Aviv), Mostly Mozart Festival, Kennedy Center, Lincoln Center, The Kitchen, Roulette, National Sawdust, Time Spans (USA), and many others. 

Ms. Abbasi has received numerous awards, including a work-scholarship from the Experimental studio of SWR, Freiburg (2014), a Morton Gould ASCAP Young Composers Award (2015), a nomination for "Composers of Our Time" (2017), the Composition Prize of the Acht Brücken Festival (2020), the German Record Critics’ Prize 2020 (Mahan Esfahani’s album MUSIQUE?), and the New Music USA creator’s fund award (2025). In 2022, she was awarded the Civitella Ranieri Fellowship in Italy, a Ucross Foundation Residency in Wyoming, and a three-year residency at the Fondation Singer-Polignac in Paris. She is also one of the recipients of the 2024 Music Prize from the Académie des Beaux-Arts in Paris, recognized by Georges Aperghis. In 2025 she received the New Music USA’s creator's fund for her project “Thawing Tides”.  

In addition to being a founding member of the Schallfeld Ensemble (Austria, 2013), she is also a founding member of the Iranian Female Composers Association (IFCA, USA, 2017). Anahita Abbasi studied composition with Beat Furrer and Pierluigi Billone at the University of Music and Performing Arts Graz (KUG) in Austria and worked closely with Georges Aperghis, Franck Bedrossian, and Philippe Leroux. In 2014, she moved to the USA to pursue a PhD in composition with Rand Steiger at UC San Diego. 

Currently, Anahita Abbasi lives in Flensburg, and Paris, where she holds a three-year residency at the Fondation Singer-Polignac (Paris, France). Her recent projects include commissioned works for Ensemble Modern and Jack Adler, both premiered at the Darmstädter Musiktage in 2023.  Her upcoming projects include a commission for solo percussion (USA) as well as a commission from Radio France for an ensemble piece for Philharmonie de Radio France for the opening night of Présences Festival (2026).

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