13 VICES - Irresponsible Science  (extract) 
Jennifer Walshe (vocals), Red Note Ensemble: Jackie Shave (violin), Max Baillie (viola), Robert Irvine (cello)

"Irresponsible Science" - 13 Vices (extract)

Brian was born in Belfast. His huge body of work reflects an obsessive love of music creation in all its forms. It includes operas, orchestral works, large-scale community oratorios, film and dance scores as well as numerous ensemble, solo, chamber pieces. 

His music has been performed all over the world and commissioned by many international artists and organisations including: Welsh National Opera, Scottish Chamber Orchestra, RTE National Symphony Orchestra, Ulster Orchestra, Wexford Festival Opera, Northern Sinfonia, BBC Radio 3, BBC Concert Orchestra, National Youth Orchestra of Great Britain, Scottish Ballet, Opera Theatre Company, Bath International Music Festival, Glasgow International Music  Festival, Lyric Youth Opera, Music Network, London 2012 Olympics Festival, Roald Dahl Foundation, 4-mality percussion ensemble, Belfast Festival at Queens, Edinburgh Jazz Festival, Live Music Now, Sonorities Festival of New Music, Homecoming Music Festival (Moscow).
Together with his own 12 -piece ensemble (BBC Radio 3 music award winners) he has toured extensively throughout USA, Russia, France, Portugal, Germany, Scotland, Malta, Cyrus, Poland, Scotland, Ireland, England, Belgium, and the Netherlands and has appeared at some of the world’s leading international music festivals/venues including several appearances at the Bath International Music Festival (UK), Queen Elizabeth Hall, Southbank (London,UK), Gulbenkian Institute (Portugal) , Washington National Library of Congress (USA), Ouest Nord Ouest Festival, (France), Glasgow International Festival (UK), Kościół Św. Jana, Gdańsk (Poland), Festival d'été de Valence (France), Novgorod Municipal Theatre (Russia), Festival Sous les Pommiers, (France) Homecoming Festival (Russia), Dublin Festival (Ireland), Moving on Music Festival (UK), Sonorities Festival of New Music (UK) and The International House of Music (Moscow, Russia).

For the last four years he has been the Associate Composer with the Ulster Orchestra in Belfast and is currently Visiting Professor of Creative Arts at the University of Ulster. 
Brian has also collaborated with and written for some of the worlds most internationally established artists across many different genres including Seamus Heaney (poet), 4-mality percussion ensemble, Joanna MacGregor (piano), Billy Jenkins (guitar), Keith Tippet (piano), Paul Dunmall (saxophone/reeds), Roman Mints (violin), Matthew Bourne (piano), David Holmes, Snow Patrol, Duke Special, Keiji Haino (guitar), Joe Morris (guitar), LAU (BBC Folk award winners) as well as film makers, sculptors and animators including Eduard Bersudsky, Jari Neimenin, Joel Simon, John McCluskey and John Mcilduff.
He has won a number of awards for his work including a British Composers Award for Opera, BBC Radio 3 Jazz award for best new work, Major Individual Artist Award (Arts Council of Northern Ireland), First Trust/University of Ulster Distinquished Graduate Award, the MCPS Joyce Dixey Award for Composition and the Bass Ireland Award. Recently his opera Shelter Me form the Rain won the 2011 Irish Allianz Arts and Business Award for “best use of creativity in the community” and his large scale children’s oratorio Rain Falling Up was shortlisted for a 2011 British Composers Awards.  The junk opera Postcards from Dumbworld was also shortlisted for a 2011 Irish Times Theatre Award. 
Last year together with writer/director John Mcilduff he was awarded the London 2012 Cultural Olympiad Artist Taking the Lead award for the enormous sonic installation Nest. Brian also recently completed the score to John McIlduff’s debut feature film Behold the Lamb as well as the short film opera: To Do List. 
His recent orchestral works have included:
Strange Attractors (40’) for orchestra and LAU commissioned by the Sage Gateshaed/ PRS foundation; My cow’s not pretty, but it’s pretty to me - recorded for BBC Radio 3 Hear and Now performed by the Ulster Orchestra and Praise aloud the trees for double orchestra and choir, a collaboration with Nobel laureate poet Seamus Heaney commissioned by BBC Radio 3 and premiered by the Ulster Orchestra/RTE Concert Orchestras and Horizon voices in Belfast 4 March 2012
He is currently working on Nest (60’): a multi media installation for symphony orchestra, chorus, sonic processing, 5000 objects and film (commissioned by London 2012 Festival); an opera with writer Owen McCafferty (commissioned by  Northern Ireland Opera) and a violin concerto for violinist Darragh Morgan (commissioned by the RTE National Symphony Orchestra). 

His latest 8 - piece ensemble Melonhead makes its debut appearance at the Moving on Music festival in March 2012.




Azimuth soundtrack out now.
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Upcoming: 20.10.23 Another Sky (Bristol)
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29.09.23 Another Sky Festival (London)
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09.07.23 IKLECTIKA 2023
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01.12.22 Futur.Shock @ FOLD
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11.11.22 Backslash @ Gessnerallee 8
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17.09.22 Azimuth @ Akusmata Gallery
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15.09.22 Geiger Festival 2022 @ Atalante
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09.04.22 Aliens Are... @ Kunstraum Kreuzberg
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02.10.21 Donaufestival 2021 @ Minoritenkirche
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22.09.21 Nomadic Signals @ ISSUE Project Room
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05.07.21 VIRTUALLYREALITY SS21
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25.05.21 UNUSUAL BUSINESS @ Nusasonic
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19.03.21 COMMON MULTIVERSE @ Currents
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13.03.21 LEAVE NO TRACE Takeover @ Threads
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20.02.21 PASAR ALKISAH Festival @ Worldwide
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23.01.21 CTM Festival 2021 @ Club Matryoshka
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21.03.20 Cycles in 11 exhibition opening performance @ Bait Al Serkal 
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02.02.20 CTM Festival, Hacklab 2020 live performance @ Radialsystem 
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07.12.19 Madeiradig @ Cine Sol 
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22.09.19 Int'l Winners presents FRKTL ◡ Aircode ◡ Dilian ◡ Jaeho Hwang ◡ TZT @ The Glove That Fits 
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31.07.19 Kiezsalon @ Musikbrauerei 
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27.06.19 N1L & FRKTL @ Kauplus Aasia 
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23.02.19 NoDirt NoLife @ UMBO 
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22.02.19 Klappfon @ Solothurnerstrasse 4 
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18.10.18 PUSH Festival @ Gävle Teater 
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02.08.18 Bread&&Butter @ Arena Berlin 
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Scott Allen Miller is a composer, educator, and bassist in New York, NY. His visceral music is concerned with memory, thought, and the passage of time, expressed through unconventional performance techniques, evocative microtonal harmonies, and a constantly-evolving approach to timbre and melody. Whether writing instrumental or vocal music for forces large or small, a primary concern is to establish a sound world unique to each composition. Miller has recently been commissioned by the Baltimore Classical Guitar Society, Western Connecticut Youth Orchestra, Occasional Symphony, Nebula Ensemble, and Omnibus Ensemble. 

Miller currently studies with Jason Eckardt as a Ph.D. student at The CUNY Graduate Center. He graduated from the Peabody Conservatory in 2015 where he studied with Kevin Puts, earning Master of Music degrees in composition and music theory pedagogy. Previously, Miller studied composition and double bass at SUNY Fredonia where he received a Bachelor of Music degree through his work with bassist Harry Jacobson and composers Robert Deemer, Karl Boelter, and Sean Doyle. As a Composition Fellow at the Aspen Music Festival and School in 2016, Miller had the privilege of studying with Christopher Theofanidis and Stephen Hartke, as well as participating in masterclasses and brief lessons with Kaija Saariaho, Ted Hearne, Sean Shepherd, Donald Crocket, and Timo Andres. Other summer programs include the Atlantic Music Festival (2018) and the Charlotte New Music Festival (2013). Additional teachers with whom Miller has taken lessons and participated in masterclasses include Nils Vigeland, Amy Beth Kirsten, David Ludwig, Christopher Dobrian, Pierre Jalbert, Richard Danielpour, Zhou Long, George Tsontakis, Christopher Rouse, Michael Hersch, Daron Hagon, Paul Colman, Marc Mellits, and Lansing McLoskey. Recent awards include the 2015 Macht Orchestral Composition Competition for Pillars, erased and the 2013 Ethos Laureate Prize for his chamber opera Randall’s Leaf. Miller was a Finalist in the 2016 BMI Student Composers Awards and received an Honorable Mention from the 2016 Minnesota Composer’s Institute. 

Miller has taught music theory, form and analysis, ear training, and composition at the Peabody Preparatory, Carroll Community College, and as a private tutor. He is currently an Adjunct Lecturer at CUNY College of Staten Island where he teaches musicianship, harmony, and counterpoint.

Discover the enchanting sounds of the Cetonia Project. Featuring a collection of ambient drones, analog beats, delicate strings, and deep house live sets with Japanese-influenced textures, each track is designed to create a serene and tranquil atmosphere. Perfect for Jin Joga sessions, meditation, or simply unwinding after a long day, these compositions blend soothing melodies with rhythmic beats to transport you to a place of inner peace and relaxation. Immerse yourself in the calming soundscapes of the Cetonia Project and elevate your listening experience.

"Irresponsible Science" - 13 Vices (extract)

Brian Irvine