BOOKINGS ///
ROW: torsten@pbaagency.com 
North America: amar@emvtalents.com

MANAGEMENT ///
Tobias@ReveredMGMT.com


In the past 7 years TAI went from being one of Germanys most acclaimed hip-hop producers to touring the globe and making a name in his own right as one of dance music's most prolific DJ & producers.

TAI’s discography includes an impressive and diverse list of collaborators, among them; Diplo, Watermat, Steve Aoki, Felix Da Housecat and Scott Storch.

His unique production skills have seen him release on tastemaker imprints such as Spinnin, Boys Noize, Dim Mak, Mixmash, Ultra, Doorn and Polydor (Universal). He's been personally requested to remix the likes of Sam Smith, Deorro, Kid Cudi, Steve Aoki, Peking Duk, The Bloody Beetroots and the Swanky Tunes among others.

On the live event front TAI’s completed several tours throughout Europe, Asia and Australia, making his mark with eclectic live sets, including performances at festivals such as world famous Tomorrowland (Belgium), Big City Beats (Germany), Beat Patrol (Austria), Future Music (Australia) and hundreds of clubs worldwide, among them renowned venues such as Pacha Ibiza, Privilege, Create L.A., Space And Bootshaus.

Looking onward in 2017: among several tours in the works, TAI is set to drop several follow up releases & remixes to his Beatport topping single "Frequency" with Watermät. His latest Armada Deep releases "In & Out" with the classic OnePhatDeeva vocal and "Paradise" have already worked their way into the House clubs from Ibiza to Miami to Australia as jacking house bangers.

One thing is for sure TAI’s following is growing rapidly and with a heightened anticipation for what’s to come next.

http://www.therealtai.com/
https://www.facebook.com/therealtai
https://twitter.com/therealtai
https://soundcloud.com/therealtai

We are the band Sown Among Thorns - The Lost Souls  MUCH MORE METAL COMING SOON. WE WILL BE UPDATING THE PROFILE

Swirling synths coated in sugar sweet vocals, booming bass lines and kickin' beats.

From the Kites Of San Quentin use various boxes and instruments old and new and make sounds come out of them. When the sounds turn into music we mash them together. You may call them songs if you wish....we call them experiments. Please enjoy responsibly. XX

>> https://linktr.ee/neonlightmusic <<
BECOME our PATRON! https://patreon.com/NEONLIGHTmusic
Bookings via ESP Agency: 
mark@esp-agency.com (worldwide)
http://esp-agency.co.uk/artist/neonlight

Genre: Alternative /Rock /Industrial / Goth/ Jazz/ Punk Rock / Dance / Country / Progress Rock || FOLLOW US at  http://instagram.com/cleopatrarecords

Vieka Plays (:vee-e-ka p-l-aa-ys). Born, will die. A female singer-songwriter-electronic-fiddler-producer-engineer currently residing in the fair lands of Manchesterville, UK. Inspired and nourished by music and sound.

 Vieka plays her music full frontal, sometimes delicate, sometimes brash but always dedicated to the senses. Alikened to Björk, Portishead with a dash of Cocorosie, Vieka moves through you in a whirl of challenging stories and sounds created by all manors of electronic geekery that can be harnessed, beated and whipped into shape. 

...'Combining sonic brutality, unfettered on-stage physicality, never-quite-reassuring periods of calm and moments of breath-taking spectral beauty'...'Ostensibly an avant-garde musician in the Portishead/Björk mould mould, Vieka’s beguiling live performances set her apart from other experimentalists.'
 … 'Their live concerts can veer from dubstep mood-pieces to eerie swing narratives and sexual psycho-dramas all with an underlying Burial-style-soundtrack-David Lynch intensity'... 

With a lustful desire for the wild world, Vieka weaves through all manner of sounds; blending, warping and creating impassioned soundscapes with subtle sound recordings from nature, life and the wide-wide world. Obtuse creations of synthesised bass, glitch noise and samples come from deep within the digital spectrum while the vocals cut through unabashed.

'With a tongue stuffed thoroughly in her cheek she blissfully hovers her sound in the darker sides of life (or hoovers her music up from the filthy corner of the proverbial room).'

Brian K Alsup is following