What you Seek: A Song Cycle based on 3 Rumi Texts was written in partnership with Rose Hegele and Keri Lee Pierson, two soprano vocalists who I have collaborated on previous projects. The song cycle is based on 3 texts from Jalāl al-Dīn Muhammad Rūmī, a Sufi mystic and a famous poet from the 13th century who was considered to have an enormous influence on readers and religious scholars throughout history: What you Seek is Seeking You, One Song and Why Cling. Rose, Keri Lee and I had discussed this project for two years, as I was instantly drawn to this short quote of the first movement, due to its simplicity yet deeply profound spiritual message.

We decided to build upon What you Seek with two other poems that would complete a balanced song cycle with concepts pertaining to openness, exploration, meditation, discovery, conflict, and resolution. What you Seek: A Song Cycle is written for two soprano vocalists, singing bowls, delay pedal and multi-effects processing, and was premiered at the 44th Annual Bowling Green New Music Festival on October 21, 2023, performed by Keri Lee Pierson and Carolyn Ashley Anderson.

What you Seek was professionally recorded by Rose Hegele and Keri Lee Pierson in late November/early December of 2023, and was released to the general public on December 25, 2023.

Movement I: What you Seek is Seeking You

What you Seek is Seeking You

Movement II: One Song

Every war and every conflict
between human beings has happened
because of some disagreement about names.

It is such an unnecessary foolishness,
because just beyond the arguing
there is a long table of companionship
set and waiting for us to sit down.

What is praised is one, so the praise is one
too, many jugs being poured into a huge basin.
All religions, all this singing, one song.

The differences are just illusion and vanity.
Sunlight looks a little different
on this wall than it does on that wall
and a lot different on this other one,
but it is still the same light.

We have borrowed these clothes,
these time-and-space personalities,
from a light, and when we praise,
we are pouring them back in.

Translated by Coleman Barks in his book, ‘The Illuminated Prayer’.

Movement III: Why Cling

Why cling to one life
till it is soiled and ragged?

The sun dies and dies
squandering a hundred lives
every instant.

God has decreed life for you
and He will give another
and another and another

Translated by Coleman Barks in his book, ‘The Illuminated Prayer’.

What You Seek: A Song Cycle Based On 3 Rumi Texts

New York City based composer, pianist and video artist Brian Mark has been hailed as an "attractive and intelligible" artist (Boston Musical Intelligencer), whose work is "compelling" (London Jazz News), and "preserves the vibrancy and relevance of contemporary art music" (New York Examiner). The American Composers Forum esteemed Brian as an "intelligent, modern composer who employs many media elements and does so with marked idiosyncrasy and depth”, and his concert programming has recently been described as “a fluid approach to presenting new music in fresh contexts and juxtapositions” (The New Yorker).

Brian’s music have been performed by many notable ensembles, such as the BBC Singers, Psappha Ensemble, Chelsea Symphony, Ensemble Signal, Atlas Ensemble, MikroEnsemble, Brave New Works, Choral Chameleon, both the Ligeti and Esterhazy String Quartets, Juventas Ensemble, Dither Quartet, members of the London Symphony Orchestra, among many others. His works have been presented around the world in festivals such as Bang on a Can, MATA, Oregon Bach Festival, London Contemporary Music Festival, Atlas Festival, Spitalfields Music Festival, i=u, June in Buffalo, Tutti Festival, the Bowdoin International Music Festival, and the highSCORE Festival.

Brian has recently been awarded a grant from the Brooklyn Arts Council.  He has also received multiple awards and grants from the Jerome Composers Commissioning Program/Jerome Fund, New Music USA, the Grammy Foundation, Foundation for Contemporary Arts, ASCAP and SCI, New London Singers, Ross McKee Foundation, Florence Gould Michael Iovenko Memorial Fellowship, the BMI Henry Warren Film Scoring Award, and was very highly commended for the 2016 Alan Bush Prize.  He has been featured as a composer-in-residence with the Chelsea Symphony, the Bizarre Noir Theatre Company, and was awarded multiple artist residencies at the I-Park Artists’ Enclave, Kimmel Harding Nelson Center for the Arts, and the Ucross Foundation.  He has received an Honorable Mention from the 2015 American Prize in Orchestral Composition, and recently was awarded one of the top ten prizes from Mozaik’s Philanthropy’s “Future Art Awards” Competition for works created in response to COVID-19.  In 2019 Brian also received a fellowship to study Korean Music at the National Gugak Centre in Seoul.   

As a composer for film, his music for the Independent Short Film Misunderstood, directed by Pablo Herrán de Viu, was exhibited at the 2009 Screen Loud Film Festival in New York City, and the 2010 Festival Internacional de Cine Pobre de Humberto Solás in Habana City, Cuba. His collaborative work Sublime Oasis, commissioned by the East London Dance Company, was showcased at the 2012 Spitalfields Hidden Gems Dance Festival.

From 2009-2011 Brian was the Co-Artistic Director and Founder for DETOUR, a composer collective and New Music Ensemble, which was featured as “one the top five new music events of 2011" from New York’s Classical WQXR. He has also collaborated with UK’s record label Nonclassical as a concert curator, featuring emerging composers and artists throughout London and abroad. In addition, he was appointed as an Associate Member for the London Symphony Orchestra’s Composer Soundhub Scheme from 2015-2017, which culminated of his first video installation performance comprising of members from the LSO.  His curated concert series Ensemble in Process made its debut at the Iklectik Creative Space in Southeast London on 15 May, 2017.

Brian had completed his PhD at the Royal Academy of Music, studying with Gary Carpenter.  He is also a graduate of the San Francisco Conservatory of Music, Berklee College of Music, and Boston University.  He has received a graduate certificate in film scoring from the University of Southern California, and has also studied with Philip Cashian, Samuel Adler, David Conte, David Garner, James Russell Smith, and Howard Frazin.