Shelter from the Mistral Winds (Piano Improv)

Hi! Thank you so very much for visiting my soundcloud page and for supporting my little songs with your likes and amazing comments.  I am so grateful for your time.  If you have decided to follow me, all I have to say is that I am honored! Thank you!  I have posted some tracks, mostly from my first album soon to be released. 

I write, sing, play piano/keys, arrange, produce, and can perform live all of my own songs. I work with real players both live and remotely. What I do and the way I do it takes time, effort, and money. I don't use any A.I. to write my songs, arrange, do vocals, or anything else. Some A.I. company recently claimed that people don't enjoy creating music because of the time and effort it takes to practice and learn etc...and I believe this to be somewhat misguided. I love practicing, learning, listening to the greats, and working on my music. Furthermore, I can't see the point in having software do the creating for me. What would be the point?

© 2024 By Brenda Doss (BMI)
© 2024 By Hello Trees Music (BMI)

Francesco Adornetto is a neoclassical and ambient pianist and composer who believes music is a form of breath.
His pieces unfold slowly, like a mindful exhale — offering space, silence, and a sense of emotional truth.

🧘‍♂️ Deeply inspired by yoga, inner stillness, and the quiet power of presence,
his music invites you to pause, soften, and reconnect with the moment.

Blending calm piano, neoclassical minimalism, and ambient textures with occasional ethereal vocals, Francesco Adornetto creates soundscapes for yoga, meditation, slow mornings, study, and reflection.
His sound resonates with fans of Ólafur Arnalds, Ludovico Einaudi Yann Tiersen, Max Richter, and Joep Beving and more...

Since beginning his neoclassical journey in 2024, his work has gained recognition for emotional depth, introspective tone, and a delicate yet expressive language.
He has collaborated with Jessica Bains Brown, Francess Harris, Alessandra Celletti, Mauricio De Los Santos, Araceli Parra, Roberto Guerra, Dawn Walters, and others.

Francesco composes with a handcrafted approach, guided by touch, attentive listening, and the inspiration of the moment — creating music not as a product, but as a deeply human act.

Any kind of music is supported in return follow this account and repost tracks by https://soundcloud.com/maxmuzik-1 Then  MESSAGE me to get a repost.
IMPORTANT those who follow and then unfollow me after their music get reposted I won't be available to repost their Tracks again!

Music is my passion there's nothing else to say, I mainly repost Jazz and Blues Tracks sometime Pop, I am not particularly interested in House Techno Hip Pop,etc.

If AI generated crap-music accumulates on this and other digital music platforms listeners and *especially* musicians should ask themselves if online music production is worth their effort and if they might be better appreciated by focusing exclusively on live events and forget about the machine-infested online experience. For me the answer to this question is clear. If SC and others don't take measures to curtail machine generated junk, I am done here. (31.5.25)

Hanging out in the cloud forests of the Sierra Juárez mountains in Oaxaca, I’m tapping into the sounds of the universe like a mushroom-drunk nahual, reaching into the heart of nature to grasp at the mysteries of existence.

You’ll hear influences from deep time and across as many cultures as I can get my hands on. I get obsessed, man. Seriously, everything else melts away around me. I can spend days absorbed in an idea, like that stone statue guy—but with a stone guitar instead.

My approach to music? About as unpredictable as my ability to remember where I last saw my passport (pretty crucial when you live abroad all the time, right?). My unique way of processing the world often leads to an avant-garde approach to life. And yeah, maybe there’s been a mushroom-induced revelation or two along the way, but who’s counting? I don’t need a million-dollar studio—just a good instrument, a decent interface, a computer, and some monitors that hopefully survive my absent-minded chaos.

I’m a multi-instrumentalist who loves complexity, especially when it sneaks up on you through unexpected rhythms or harmonies from the far corners of the globe. From Carnatic ragas to garage rock grooves—why not just mix every cool sound and see what happens? Maybe I’ll start with a harmonic progression from Bach’s Goldberg Variations and slap it into a Hindustani 7/4 thaal (that’s rhythm, if you’re wondering). It’s a bit technical but, trust me, as cool as—well, let’s just say it’s the kind of vibe that might inspire a dream-like hallucination about nailing the perfect groove. (Music available for film, TV, and media licensing.)

Yeah, I am a Ph.D. trained evolutionary biologist, and... that sounds impressive until you find out I bailed on it the second I landed a good job. I was bored out of my mind. People look at me like a guy who won the lottery and then spent it all on the greatest collection of rare video games (I mean, I’m not that bad, right?). But switching from science back to music wasn’t just quitting—it was finally tuning into something deeper. Music and science might seem like distant cousins, but to me, they’re intertwined—both ways to unlock the secrets of the universe.

Now, I live in Capulálpam De Méndez, a mystical town in the Oaxacan mountains. The ancient Zapotec culture runs deep here, and creativity flows as freely as the mezcal at the fiestas (and trust me, there are plenty of fiestas).

Art is for everyone, and I’m always pushing to create something that connects—whether it’s a complex harmonic structure or just the right amount of groove to make you forget your troubles (or your keys, in my case).

So if you’re into music that teeters on the edge of chaos but mostly lands right where it needs to be—well, welcome. Just don’t expect me to remember how I got here, or where I left my bag. Seriously, my passport might’ve been in there… Was it the tuk-tuk? (sounds like a joke right... Err.. its not....)


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Relajándome en los bosques nublados de la Sierra Juárez en Oaxaca, estoy sintonizando los sonidos del universo como un nahual borracho de hongos, llegando al corazón de la naturaleza para intentar comprender los misterios de la existencia.

Escucharás influencias de tiempos profundos y de tantas culturas como pueda explorar. Me obsesiono, hermano. En serio, todo lo demás desaparece a mi alrededor. Puedo pasar días absorbido en una idea, como ese tipo de las estatuas de piedra—pero con una guitarra de piedra en su lugar.

¿Mi enfoque hacia la música? Tan impredecible como mi habilidad para recordar dónde dejé mi pasaporte (bastante crucial cuando vives en el extranjero todo el tiempo, ¿verdad?). Mi forma única de procesar el mundo a menudo me lleva a un enfoque vanguardista de la vida. Y sí, tal vez haya habido una o dos revelaciones inducidas por hongos en el camino, pero ¿quién está contando? No necesito un estudio de millones de dólares—solo un buen instrumento, una interfaz decente, una computadora y unos monitores que, con suerte, sobrevivan a mi caos despistado.

Soy un multiinstrumentista que ama la complejidad, especialmente cuando te sorprende con ritmos o armonías inesperadas de los rincones más lejanos del mundo. Desde ragas carnáticas hasta los grooves del garage rock—¿por qué no mezclar todos los sonidos geniales y ver qué pasa? Quizás empiece con una progresión armónica de las Variaciones Goldberg de Bach y la meta en un thaal hindú de 7/4 (es decir, un ritmo, por si te lo preguntas). Es un poco técnico, pero créeme, es tan genial como—bueno, digamos que es del tipo de vibras que podrían inspirar una alucinación soñadora sobre encontrar el groove perfecto. (Música disponible para licenciamiento en cine, TV y medios.)

Sí, tengo un doctorado en biología evolutiva, y eso suena impresionante hasta que descubres que lo dejé en cuanto conseguí un buen trabajo. Estaba aburrido como una ostra. La gente me mira como a un tipo que ganó la lotería y luego lo gastó todo en Beanie Babies (no soy tan malo, ¿verdad?). Pero pasar de la ciencia de nuevo a la música no fue simplemente abandonar—fue finalmente sintonizar con algo más profundo. La música y la ciencia pueden parecer primos lejanos, pero para mí, están entrelazados—ambas son formas de desentrañar los secretos del universo.

Ahora vivo en Capulálpam De Méndez, un pueblo místico en las montañas de Oaxaca. La antigua cultura zapoteca corre profundo aquí, y la creatividad fluye tan libremente como el mezcal en las fiestas (y créeme, hay muchas fiestas).

El arte es para todos, y siempre busco crear algo que conecte—ya sea una estructura armónica compleja o solo la cantidad justa de groove para hacerte olvidar tus problemas (o tus llaves, en mi caso).

Así que si te gusta la música que oscila en el borde del caos pero que la mayoría de las veces aterriza justo donde debe estar—bienvenido. Solo no esperes que recuerde cómo llegué aquí, o dónde dejé mi bolsa. En serio, creo que mi pasaporte estaba allí... ¿Fue en el tuk-tuk? (suena como una broma, pero... ehh, no lo es...).

Massimo Primiero is an amateur songwriter, arranger, composer with NO use of A.I. in making music from Turin-Italy, please for all those people that has got to do with paid promotion service DO NOT write to me.
Thanks for listening

If you wanna have support for your music please go to my secondary account on soundcloud https://soundcloud.com/massimo-primiero
MESSAGE me to that account and I'll support your music.

Shelter from the Mistral Winds (Piano Improv)

Brian James McDonald