Grandes Rasades D'oxygène.Hommage à Erik Satie*A tribute to Erik Satie*

(Written by Terry Reeves)
Gary Reeves: Lead Vocal
Terry Reeves: Spoken Vocal
Hans-Michael Albers: All instruments, Arrangement & Production

Video: youtu.be/4t-H-HHpQ20?si=_reTvkVVmF73vkRi

I was walking down Mare Street, Hackney
Climbing boots and back pack on
Looking for a song of mountains
I had climbed them many times before
Challenge may help to find another door

I’ve climbed arduous N.H.S mountains
Planted flags a'top of wedlock peaks
Hung upside down on magical fountains
With my muscles springing major leaks
My heart is growing smaller by the week

Stood and pointed at hours of darkness
Winds of silence a challenge of their own
Worn out boots a testament to distance
But the misery of counting my toes alone
Sixty three feet behind me as it goes

I have loved being a man of mountains
I hope many will profit from my deeds
I will try to climb just one more mountain
Slide down the other side to save my feet
At the bottom I'll need brand new cleats

This was written over 10 years ago as a George Formby style (Google the name if you’ve never heard of him) ukulele song - a mildly amusing message to Gal to let him know that I was fully aware of the mental health difficulties he was having and that I would always be there if he needed me.

Over the years, we spoke often about the song but nothing much came of it until Gal suggested slowing the tempo and giving it a kind of shuffle beat. As it was about him, I thought he should definitely sing the lead vocal, which I think works rather well. (*Vocalist’s note: It would help if I could still sing…)

You’ll find many personal references to Gal’s life in the lyrics. At the time it was written, he was 63, literally a fatal age for men in the extended Reeves family and he wasn’t having the best of times himself, still wrestling with the grief of a marriage break-up alongside the loss of his big brother and closest friend less than a year before. But even with all of this going on (and not always out of choice) he found there were plenty more mountains to climb.

The transition of the tune from Formby to Albers is a story in itself but suffice it to say that Hans somehow managed to transform it into this rather poignant opus.  He has also made a beautiful film to accompany the piece (see link above). All in all, it testifies perfectly to the reason why Gal’s cleats are somewhat care-worn...and he still has many mountains yet to climb.. (Terry Reeves)

MOUNTAIN MAN - CRIPPLE CLUB

This a B-Side song I dedicated to a friend of mine who passed away years ago, I thought about spread this tune to be finally out, his love and passion for music was extraordinary big and that energy of peace will be around of us forever.

Love,
HIRRY =)

Good Day

Northward (Piano, Bass, Synth)

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition
Llanpsych -- @llanpsych -- Tez – Epiphone Les Paul electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass, and Roland organ
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production

This song began when Joe, feeling a bit nostalgic, wrote the lyrics and composed it on his acoustic guitar. He recorded it and sang it with expert harmonies, then decided to share it with Eclectic Collective. We were all very excited to get work on our second song with Joe, as we all admire his songwriting.
First up was Tez this time, oddly enough. He was able to identify all the fill spots and light up the solo without the rest of us even adding anything yet. Next came Ken, who usually goes first, adding his steady grooving drums and tasty percussion. Once the drums were down, Josh completed the rhythm section by adding his fretted bass. He also worked out an organ part to give the whole sound a bit of thickness. Also adding some thickness and texture, Stephen added a clean electric rhythm part, as well.
Once we had it in can we asked Stephen to mix and produce it for us, which he did in his always expert fashion.
This, as mentioned, is Eclectic Collective's second song with Joe, and we all enjoyed bringing it to life with him. He's a wonderful collaborator and an all around good dude. Do yourself a favor and go check out his page, which is rich in great songs. We hope you enjoy listening to this as much as we enjoyed making it.

Original lyrics by Joe Stroffolino:

If you find yourself in trouble and you think you've lost your way.
Here's hoping that you find a path to a better day.
I sure hope that you're happy. I'm wishing you the best.
I hope you find what you're looking for as you continue on your quest.
I hope you find all the answers to all those questions vexing you.
I hope you can find a way not to bite off more than you can chew.
I sure hope that you're happy. I'm wishing you the best.
I hope you find what you're looking for as you continue on your quest.
You spread your wings and you flew so far away from me.
I hope that you're enjoying your new reality
All those places that you said that you wanted to see.
I hope they're as good as you expected them to be.
I want you to know that you hold a special place in my heart.
I think about you often even though we are apart.
They say that when you love somebody sometimes you gotta be willing to let them go.
You gotta let them spread their wings and fly wherever the wind decides to blow.
I sure hope that you're happy. I'm wishing you the best.
I hope you find what you're looking for as you continue on your quest.
I hope that you're happy. I hope that you're doing well. I sure hope that you're doing swell.You spread your wings and you flew so far away from me.
I hope that you're enjoying your new reality

Hope That You Are Happy (Eclectic Collective with Joe Stroffolino)

(Written by Terry Reeves)
Terry Reeves: Vocal
Gary Reeves: Toms
Hans Albers: All other instruments, Arrangement & Production

Photo of Max from The Albers' Archive

What to say about Maximilian?
There are so many things to be told: a lifetime of 24 years, full of special moments, joys, fears, sorrows, worries, hopes, dreams, ups, downs, progress, regress, searching, finding, winning, losing, restlessness, peace...
His life had begun with an extremely difficult birth, almost as if the world didn’t want him. They told us he had a life-threatening infection, there were probably holes in his lungs and he obviously had no kidneys. In total, his chances of surviving were exceedingly slim. However, after endless weeks of both despair and hope, he overcame the infection, the diagnosis of holes in his lungs turned out to be totally wrong and they even discovered a kidney.  Just one maybe but at least it worked perfectly.  His journey into existence had begun.
As he grew, so did the never-ending nightmare of problems, challenges and battles, until we began to wonder what could possibly happen next.  Through it all, Max took every opportunity to accumulate extreme experiences - never hiding, always   seeking.  For that, we loved him even more…and even more it broke our hearts that we couldn’t help him find what he was looking for.
But suddenly, as the Summer of 2011 dawned, his troubles seemed to merely fade away.  Was he just arriving in life, coming of age, finding his place in society?  To be honest, we hadn’t the faintest idea.  But it was abundantly clear that, having always been an underdog, that same unwelcoming world had simply started to like and respect him.  He began to realise his many talents, enjoying his job as never before, finally becoming something he had never been - happy.
Fast forward to the gorgeous Summer evening of June 28th, the eve of a 4-week vacation to which he had been looking forward so very much.  A smile on his face, he said he was in the mood to go jogging, something he loved. Sometimes, he ran and ran for ages.  He’d been gone about 3 hours, quite a long time even for him, so Carina called his phone and he answered, cheerfully telling her not to worry and assuring her he’d be home very soon.  Seconds after the call, out of the blue, he collapsed.  A pulmonary embolism.  They told us he died instantly. 
Max, we have no words for what happened, nor for the eternal gratitude we feel for every single second of your life.  We do know we will never stop loving you.”
(Hans & Carina Albers)

Small chance of survival, words from the first day
Stretching all emotions not a single which way
Asking whys and reasons, a chance to breathe long
Heartbreaking moments, hopes remained strong

Such a short distance, but a life running miles
Bring every sensation, fear to a million smiles
Experience not forgotten, continuous hug of care      
Born with fighting spirit, giving back more to share

24 years of love, no single regret
24 years of love, never to forget

Every challenge building, inner muscles to be felt
Secret ways to be happy, never question hand dealt         
Complication of thinking to find a new sentence 
Pathways to friendships, dreams of acceptance

24 years of love, no single regret
24 years of love, never to forget

A vision full of truth with strength to admire
Finding a hidden talent, past helping to aspire 
No journey of distance could prevent direction
A phone call assurance became last connection

It’s hard to find words, express feelings remaining 
Deep down inside shell, empty, sad, self-complaining 
But we will never forget our boy hero from birth
Brought love and kindness, past and future unblurred

24 years of love, no single regret
24 years of love, will never forget
24 years of love…

MAXIMILIAN - CRIPPLE CLUB  (Please Read Description)

https://chrisjunos.bandcamp.com/album/greek-drama

The post promotes "Greek Drama - Ελληνικό Δράμα," a track by CHRIS JUNOS on SoundCloud, reflecting a modern nod to ancient Greek theater where music was integral, as noted in Aristotle’s Poetics, which ties the origins of tragedy to dithyrambic performances blending song and dance.
Recent archaeological findings, including a 2024 study from the University of Liverpool, uncovered musical fragments from 400 BCE, suggesting Greek dramas used complex scales, potentially influencing CHRIS JUNOS’s experimental electronic style seen in related posts like "APHRODITE'S CHILL."

Greek Drama - Ελληνικό Δράμα

To run on Skye, you have to pay attention. Climb, run, jump, skip, run, jump, run, climb, climb some more, run, jump, then pause to take in the scenery.
Copyright 2025 Brian James McDonald (ASCAP)
Copyright 2025 Hoon Toons Publishing (ASCAP)
All Rights Reserved Worldwide

Running On Skye (for Piano)

Upcoming Supernova

Written by James Geer

In the ocean of my mind
From subconscious deep
A storm may come my way
Troubling my sleep
 
I’m Skirting the abyss.   
My Circumstances dire 
What has wrought me this
Circling the gyre

And crashing are the waves
And howling is the wind 
I find I’m save at bay
When I reach for you again

When thoughts of empty years
When I had lost at love
Attack my inner peace
Like hailstones from above

Safe at bay

“Symphony for Chamber Orchestra - 3rd Movt: Rondo" was completed in June 2025 in Fairview, TX. Performance time is about 11 minutes. Printed and electronic copies of the score and parts will be available soon from www.CreativeSpiritOnline.com.

About this recording:
The present virtual recording was produced using Finale 27.4.1 and the Garritan Personal Orchestra 5 virtual instrument library. For the best listening experience, high quality headphones are recommended. This recording was mastered by EMastered.

Instrumentation:
Flute. Oboe, Bb Clarinet, Bass Clarinet, Bassoon, Horn in F, Trumpet in C, and Strings

Performance notes:
• Tempo, expression, and dynamic markings should be strictly observed.
• There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
• Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
• Passages marked fff or ppp indicate playing as loudly and as quietly as possible, respectively.
• Double-bass “C-extension” is required.

Contact information:
Robert John Brooks, Fairview, Texas USA
Email: robtjbrooks@yahoo.com
Web: www.CreativeSpiritOnline.com
Web: eMastered.com/profile/robtjbrooks

Engraving by the composer
Artwork by the composer
Copyright 2024