summer . s o u l s t i c e . sounds

my music 'lab notebook'






I'm a Biomolecular Engineering graduate student at UCSC and my music alias is O.rka

The Burning of Rome began modestly as Adam Traub’s recording project in a laundry room in Oceanside, CA. It rapidly outgrew the four-track tape recorder on which it was born and demanded his complete devotion, as well as some talented extra musical hands, to bring it to life.

Enter the Romans: Oft barefoot axe wielder Joe Aguilar, whose specialties include scratchy guitar licks and spastic dancing. French bass man Keveen Baudouin, whose metronomic mind produces calculated bass lines with intelligence and fury. Slacker-era siren Aimee Jacobs who belts with operatic force while hammering on her glockenspiel and synthesizers. Zen guru Danny King, shredder behind the kit, who is, quite obviously, the terrestrial answer to the octopus. And Traub, manipulator of keyboard, guitar, light system—the proverbial kitchen sink through an amplifier—all while demonstrating a vocal gradation as yet undocumented elsewhere in nature.

Mix this all together and you have space rockers The Burning of Rome blasting their phonic waves at unsuspecting humanoids in Southern California for the past few years. The quintet has conjured a sonic palate replete with everything from death pop bliss, galactic rock, gypsy punk cabaret, to indie spaghetti western, and are now poised to harken the masses with the release of their forthcoming effort, Year of The Ox.

“We have assimilated,” Traub says of the unit. “We share an unbridled passion to revere music as life rather than hobby.”

The Burning of Rome was welcomed into the sun-kissed arms of San Diego’s independent Surfdog Records who released the group’s strange and sprawling debut With Us in 2012. A regional favorite, which the San Diego Reader described as sounding as “if the Misfits took psychedelics and performed an ABBA tribute,” With Us won the title of “Album of the Year” from the San Diego Music Awards.

Surfdog introduced the band to famed Butthole Surfer and producer Paul Leary (U2, Melvins, Sublime and Meat Puppets), who fell in love with the band, leading him to captain the production duties for Year Of The Ox, alongside co-producer Traub.

The brunt of the thirteen-song collection was tracked at the El Paso, TX pecan orchard and auditory oasis known as Sonic Ranch, which Traub calls a “veritable museum of rock and roll artifacts with some of the rarest recording gear on the planet.” The rest of the album was completed back in Leary’s hometown of Austin, where several guest drummers—Josh Freese (A Perfect Circle/NIN), Dale Crover (Melvins/Nirvana) and Matt Chamberlain (Pearl Jam/Of Montreal) dropped by to beat sticks and blow minds.

Year of the Ox weaves the three concepts of art, rebellion and life into a cascading aural braid. Each song, disguised by infectious pop hooks and provocative allusions to historical lore, elicits an intensely moving account of Traub’s interpretation of the human experience. (RIYL: Mr. Bungle as heard through whatever space-fangled stereo system is installed in the Starship Enterprise’s holodeck.)

The Burning of Rome’s live show is a different beast entirely. It fuses the brashness of punk with the orchestrated drama of a theatrical production, personified by front man Traub stomping carelessly on a crooked timeline between GG Allin and David Bowie. The group is oft (and rightly) regaled as one of the best live bands in Southern California, much to the chagrin of band members’ body parts which are regularly sacrificed to serve their mechanical purposes as mere extensions of their instruments. “It’s inherent,” Traub says. “Our blood beats to perform, travel and create. And damn the torpedoes, we’ll continue to do so as long as this world’s still spinning.”

2013 was a year in motion for the Burning of Rome—opening for the Yeah Yeah Yeahs at Milwaukee’s Summerfest, a string of east coast dates with alt-supergroup Volto!, tracing the Pacific coast with the iconic Psychedelic Furs, and a jaunt across the pond for an acoustic tour of London.

2014 is poised to supernova with a Mexican tour—including the Mexico City Vive Latino Festival alongside NIN and Arcade Fire, worldwide tour dates, and a brilliant new album.

Whether the Burning of Rome leaves you mesmerized, bloodied, confused, ecstatic or bewildered, or whether you can’t figure out if you’re witnessing a punk show, carnival, dance party or performance art piece, one thing is certain—the Year of the Ox is upon us

"The perfect mix of goth and dance influences to accompany an Edwardian Ball, with enough organs and dark vocals to satisfy Castlevania fans."
- San Diego City Beat Magazine

"Their musical horizons stretch far beyond the threshold of modern rock. The Burning of Rome is a post-apocolypitic mash-up of meticulous orchestration, electronic manipulation and eccentric experimentation. If Danzig constructed a carnival ride, it'd look something like this."
- 944 Magazine

"The kind of songs that Danny Elfman would assemble as a soundtrack for the Technicolor birth of the spawn of Satan"
- San Diego City Beat Magazine

"The Burning of Rome’s style can not be forced into any known genre without taking shortcuts and over looking its originality. Its dark tones and circus like melodies intermingle into one spontaneous, yet entertaining work of musicianship."
- X1FM

            PSYCHO
I'm looking for a singer-songwriter & rapper and guitarist for free project..
contact me on here page with message .. thanks
listen and like and repost
if you like what you hear .. and I do the same for you .. get repost of my repost profile
https://soundcloud.com/repost-knight
https://soundcloud.com/psycho-repost-2

  I am an  semi-pro producer, all my songs are made of loops and samples and vocals and midi and synthesizer from different manufacturers .......
music style is a mixture of electro pop dance electronic house and trance, club ,edm
 In experiments a lot with sounds to create something different. this is my project with my music
  my friends here on soundcloud 
the link on this page
http://fandalism.com/delorang#none
a small selection of singer-songwriter I have work with:
https://soundcloud.com/didiamond
https://soundcloud.com/wild-christopher-lyrics
https://soundcloud.com/wolfgang-schwarz-1
https://soundcloud.com/buzlee08
https://soundcloud.com/specialececilia
https://soundcloud.com/david-louthan
https://soundcloud.com/tina-fisher-1
https://soundcloud.com/mvmusicofficial
https://soundcloud.com/paulasynthmusic
https://soundcloud.com/andreamandal
https://soundcloud.com/steffy_bauer
https://soundcloud.com/juxtamusic
https://soundcloud.com/melanievalentinemusic
https://soundcloud.com/mikeocullmusic
https://soundcloud.com/nanceread
https://soundcloud.com/trendsettin_mix


Indie - Pop - Electronic

Follow me on Instagram: @_kellyday_

Kelly Day will be releasing her debut EP in the near future. Her most recent project was singing for the The Chromatique.  Being that she makes all her own beats, vocals and rhythms, she decided it was time to venture off on her own. In the meantime you can listen to her most recent collaborations listed below.

Autumn In June - Rescusitate Ft. Kelly Day
KENN - Stil Pretty Ft. The Chromatique & Kelly Day
AOENIX - A Star Was Born Ft. Kelly Day

Who is Nicky Venus? Maybe that's the wrong question. Maybe we should be asking where his haunting and hypnotic music comes from. We know this much: there was the one that got away, and an attempt to mend a broken heart that led to a global adventure fueled by pain and lust. We know that the debut collection of lovelorn, carnal dispatches from Nicky Venus was conceived on the road.

With nothing more than a laptop, backpack, and an unmailed letter, he searched the world and eventually found himself in The East. From Manila to Tokyo, from nights lit by moon and candlelight to those drenched in the glare of LED and neon, from humble villages to extravagant hotels and nightclubs, NV found inspiration in the heart and soul of Asia. The result of his journey is the album Little Runner, a highly danceable album about suffering for love.

Musicien amateur (guitare, basse, accordéon diatonique, percussions, clavier,...).
J'ai commencé la MAO en 2014 / 
Musician amateur, I play guitar, bass, diatonic accordion,... I began "computer generated music" in 2014

Mon matériel / My material :
- Guitare Gretsch G5021E Ran. Peng. Parlor MMet
- Guitare Gretsch G5655T EMTC CB Jr. Bgsb. JGR
- Guitare Fender Stratocaster Japan 1994
- Sire JazzBass "marcus Miller"
- Diatonic Saltarelle Nord/Sud
- Percussions : djembé, cajon, bodhran, bendir, Tank drum,...
- KOMPLETE KONTROL S61
- M-audio M-Track
- Ableton Live
- Banques de sons : Komplete 13 Collector, Era Medieval Legends, Shevannai, Ethno world 5 instruments and many others

Merci d'écouter mes modestes compositions et surtout n'hésitez pas à critiquer... c'est comme cela qu'on s'améliore / 
Please listen to my modest compositions and especially do not hesitate to criticize it is as it that we improve :-)

NEW VIDEO!! MEDIA HYPE!! https://youtu.be/bKlMu0eqA-0

West London Producer, Writer and Artist.


Spotify
http://bit.ly/JunoWattSpotify

iTunes
http://apple.co/1ytrAVw

More information:

Juno Wattâs music is tricky to define. He incorporates many genres and goes to places we donât think have been explored before; it is consistently inconsistent. We like to describe it as a mixture of âsarcastic rockâ and âpessimistic popâ. The sophisticated lyrics often discuss serious issues, juxtaposing the upbeat tempo and betraying a subversive attitude to the norms of the music industry. Every track has been written, performed and engineered by Juno himself, he has a huge catalogue of material and is expected to release regularly throughout 2015 leading up to his debut album in 2016.

Southern California based Music Producer, Recording, Mixing and Mastering Engineer; specializing in mixing, microphone placement, large format recording consoles, major DAW’s, and composition.

Nominated for two San Diego Music Awards:

2012 – Best World Music Album – Mixing Heavy Mahogany by The Dread Crew Of Oddwood

2014 – Best Pop Album – Producing, mixing, and mastering Past Forward by Blaise Guld


13 years of mixing experience

Bachelor’s Degree in Music Production from Full Sail University

Pro Tools Certified Operator

Seasoned session drummer, guitarist and bassist.

EDM to metal, jazz to country, classical to pop, Brian Rumsey Audio will take your sound to the next level.

Check out www.brianrumseyaudio.com

Brian Rumsey Audio is following