Commentary on our current socio economic environmental situation in our status quo.

Marching At A Cadence Into Hell

BBAM, born within @KRTProduction (Brussels), is the vision of @FunkleAce : songwriter, composer, performer, and producer. Blending Reggae, Dub, Electro, and underground sounds, BBAM delivers immersive, powerful, and free-spirited music, where each track is a unique sonic journey.

We make music...
Mark
Miller
Dave
modesaboutme@gmail.com

Heavy Metal and Electronic Music (approved by Corporate) to get you through your work day.

Shadow Uprising is the creative vision of artist Laszlo A. Toth (LavX), merging the crushing riffs of djent with the intensity of metalcore, electronic pulses, and epic classical elements. This unique fusion crafts a sonic landscape where darkness meets light, blending brutal breakdowns with cinematic sweeps and orchestral moments. Their debut album, "The Great New World," invites listeners on a powerful journey of rebellion and hope, capturing the essence of forging a new future through sound, Join Shadow Uprising and experience the revolution of music that defies boundaries and transcends genres.

Artist working with Guitar and Amp simulators and A.I.

I'm a producer, singer and guitarist.
xardxbiz@gmail.com for business inquiries.

SE IL NOME DELLA BAND PUO’ SEMBRARVI  STRANO SIETE LE PERSONE GIUSTE ,ESSO E’LA FUSIONE DÌ DUE PAROLE BEN DISTINTE YOGY, IL MAESTRO IL GURU LA MENTE MA NON IL BENE E YETY LA BESTIA L’ANIMALE  L’ISTINTO UMANO MA NON IL MALE QUINDI LA FUSIONE  TRA LA RAGIONE E L’ISTINTO ANIMALE CHE E’ IN NOI.

LA LORO STORIA E QUESTA:

CRESCIUTI A LOADSTONE SI ERANO CONOSCIUTI DOPO CHE IAN AVEVA MESSO UN INSERZIONE PER FORMARE QUELLA CHE POI SAREBBE DIVENUTA LA LORO CREATURA, SCRIVENDO SOLO COSI: ”CERCO MUSICISTI PER TROVARE IL SUONO PERDUTO ALLA RICERCA DEL IL SUONO PRIMORDIALE DEL VAGITO DEL MONDO E VOLEVANO FARLO ATTRAVERSO LA LORO MUSICA”.

“LASCIATE OGNI SPERANZA O VOI CHE’ ENTRATE… “ ….A LOADSTONE, PICCOLA CITTADINA AI PIEDI DELLA CITTA FANTASMA DÌ RHYIOLITE NEI PRESSI DÌ ZABRISKIE POINT NELLA VALLE DELLA MORTE, TUTTI LA CONOSCEVANO, MA PIU’ CHE UNA SALA PROVE QUELLA DÌ IAN,JIN, MARS, E COSMOS  SEMBRAVA UN LABORATORIO ALCHEMISONICO, PREGNANTE DÌ RELIQUIE ROCK RINVENUTE COME ARCHEOSONICI RICERCATORI INTENTI A SCOPRIRE  L’ORIGINE DEL SUONO, DEL SUONO AUREO PERFETTO, IL SUONO FILOSOFALE DOVE IL SUONO NON SI CREA NON SI DISTRUGGE MA TUTTO IL SUONO SI TRASFORMA, E TUTTO TRASFORMERA NEL CORSO DELLE LORO VITE.

Pop Punk/Rock
One man's crusade to bring back dickies and sweatbands (by the elbow or not at all)

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

KEEPING THE ROCK A ROLLIN'..🤘👊


Just an old fart hanging on to life by the strings of my guitar....  An artist weaving my inspirational creations on a canvas void of time, space, texture, tone, colour and sound .....  check it out and enjoy.... Let's Keep the Rock a Rollin'...... on and on and.....on...!!!...  
✌🤘👊🤘✌

I'm still a struggling full time family man and slave to the system, and will be for a few more years I'm sure. But I'm hoping to have my music to fall back on.  I'm only able to be at it part time right now, but have opened my own business with the mission to keep rock alive.  It's an Inspirational Musical enterprise where all your musical desires can be fulfilled.  Show your support by checking it out below...  Let's Keep that Rock a Rollin'..... 

Be sure to show ur support for HVYMTLHPP MUSICAL ENTERPRISES. where we keep that rock a rollin' 24/7 ... we will return it ten-fold.... u may find ur tracks on #the_soundcloud_machine .....

https://g.co/kgs/oCecMv

Listen to the SoUNdcLouD MachiNE....., a playlist by HvyMtlHpp on #SoundCloud
https://soundcloud.app.goo.gl/ZDWtc

#LKTRAR

Check out Wade Farquhar on #SoundCloud
https://soundcloud.app.goo.gl/ik5JD

Follow me on bandlab......
https://www.bandlab.com/hvymtlhpp

Stay up to date with all my latest revisions to my upcoming release.... #inspiredresponses .... 
Check this out on #BandLab https://www.bandlab.com/collections/ac3e4b89-cd0c-ec11-981f-a04a5e798978

https://open.spotify.com/user/daddyfark?si=PhI6_enfRnaPOFF2eVIYtw

https://www.facebook.com/profile.php?id=61567529751145&mibextid=ZbWKwL


Marching At A Cadence Into Hell

Voice of No-One