Remodel (disquiet0576)

Disquiet 0581 - this weeks challenge was to download a rhythmic field recording and make it part of a track or incorporate it somehow.

Thanks to Scott Fletcher for having provided the original material. It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Original track at: https://soundcloud.com/disquiet/helsinki-downspout/

I loaded the field recording into Ableton and put it into a drum rack. I then took all the bits between the beats (hiss and non rhythmic parts) and started to mess about with these, adding filters and effects and also playing them as drum hits - that is how the track opens. 
I them loaded all these hiss parts into a synth and stretched and played them as keys, creating the additional synth sounds with effects changing the sounds somewhat.  After jamming about for 30 / 40 minutes I hit reccord and laid down a fairly basic arrangement. 
I tweaked this slightly, adding a little more effects until I had a nice short experimental track i'm pretty happy with!

More or less the whole track was made with the source sounds but it's debatable if the original sound is recognisable?  However I took the prompot to "to sample and rework the source material" as a guide! 

Disquiet Junto Project 0581: Helsinki Downspout

The Assignment: Use a rhythmic field recording as the foundation for a new track.

Step 1: This is a shared sample project, one in which all the participants will utilize the same provided recording, about a minute and a half long, as the rhythmic element for their own music. Access the track, originally recorded by Scott Fletcher and used with his permission, here:

https://soundcloud.com/disquiet/helsinki-downspout

Step 2: Listen to the provided track several times. Think about ways to map its content, perhaps making notations about when certain unique, momentary aspects surface.

Step 3: Record an original piece of music for which the provided music is the underlying rhythm. You might take this quite literally, using the source as it is, resulting in a track that is precisely 1:35 long. Alternately, you might elect to sample and rework the source material. If you go the latter route, make certain that the original sound is, at least at some point in the finished track, recognizable.

Step 4: Because this is a Creative Commons resource, be sure to identify Scott Fletcher as the original recorder of the source material, and include a link to the source track. Identify the license as: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0).

Audio Obscura - Helsinki Downpour [disquiet0581]

SCUM

MUCS

After my first few tries with Ableton Note ended in 60 BPM Venetian Snares territory, I decided to keep my submission simple and easy to add to. So it is just a simple chord progression made with Microfreak and the fantastic acrostic. I resisted adding layers or effects to it.

More on this 609th weekly Disquiet Junto project, Speed Limit Pt 1 (The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it), at: https://disquiet.com/0609/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0609-speed-limit-pt-1/

Disquiet0609 - Acrostic Speed Limit

One of those moments when the laundry — in this case the droning washer and the dryer, the latter with a zipper rattling — could just as well be a lost single from the Chain Reaction label. (Also: I'm kind of impressed that SoundCloud automatically associated the hashtag "#Krautrock" with this track, based solely on the audio and that previous sentence.)

Chain Reaction (Free & Clear)

Acoustic guitar into Norns RPLS with field recording of visit to Cathedral

Guitar/Ripples

I created this track with samples processed through csound and Steven Yi's "blue" composition tool.

https://csound.com/
https://blue.kunstmusik.com/
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More on this 627th weekly Disquiet Junto project, Just Ice Society — The Assignment: Record the sound of ice in a glass and make something with it — at: https://disquiet.com/0627/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0627-just-ice-society/

Bubbling Ice - Disquiet0627

https://repeater-radio.com/shows/slav-to-the-rhythm/

Slav to the Rhythm (live) with DJ Bunnyhausen and DJ Sarma | 07122024

The Teardrop Explodes - Flipped Out On LSD

Taken from the Psychedelic Sessions Demos 1981-1982

The Teardrop Explodes - Flipped Out On LSD

Sam speaks to Jeremy Gilbert, a cultural and political theory academic at the University of London, as well as a long time DJ and historian of dance music culture. They speak about gamelan music, and the concepts of affect and collective joy in relation to communal music making, prison and mental health.

The Teardrop Explodes - Flipped Out On LSD

The Bridge