Hy1per

Strawberry Letter 2.3 in Dub

Strawberry Letter 2.3 In Dub

East Hampton, NY / Near Oslo, Norway — March, 2024
Born from Kaoss, but carefully composed, Brillman & Tape Lab’s electrifying first colLABoration, Crash Course [Trakor Mix] bridges two distinct realms of the techno spectrum. With roots on both sides of the Atlantic—Brillman near Oslo, Tape Lab in NY/NC, the collaboration highlights a fruitful fusion of sensibility and style.

At the heart of their connection is a shared love for the Korg Kaossilator, revealing a mutual respect for innovation and a penchant for distinctive sounds. As a nod to this shared instrument, Crash Course [Traktor Mix] is imbued with the Kaossilator's unique sounds, adding a layer of trance-like, ambient texture that sets the track apart. Worlds collide, a crash course if you will.

Brillman is an OG and has maintained a prolific musical output for more than 20 years in every genre, while Tape Lab is newer on the scene, releasing music since 2019. Recommended for its raw, unfiltered and fearless approach, Tape Lab brings some wonk and twists to Brillman's refined, technically sophisticated sounds. The blend of immediacy and polish in Crash Course [Trakor Mix] showcases a collision of sounds only they could deliver.

Crash Course [Traktor Mix] is a head-on explosion of ideas—concentrated and intractable—away from the isolating effects of solitary production to a more collaborative, dynamic process. The track benefits from Brillman's experience, patience, and skillful mixing/mastering shining through.

The collaboration saw Brillman taking the lead, meticulously crafting the track's backbone, melodies, and arrangements, while Tape Lab infused the project with a touch of madness—contributing samples from the Moog Subsequent37, modified drum patterns, and elements from the Korg R3 (text by Tape Lab).

Tape Lab & Brillman - Crash Course (Traktor Mix)

**Sound is compresses and quite because of soundcloud,SoundCloud recommends exporting at 48kHz when they know it ruins the audio that people work tirelessly on*
Caradon Hill Cornwall UK
Wind and pylons: interference and resonance
Sounds in the wires

Sound Devices 302 D mixer
Zoom F3
X6 contact mics

I harbour a profound appreciation for pylons and wires. It seems to me that pylons are a great example of multifaceted noise.
The Sonic noise above my head out of reach fizzing and crackle in the ether as high voltages zip and zap along the cables. It’s a noisy sound. crispy crackly textures, at once constant and moving, static and dynamic. 

The wind and rain at Caradon hill as every visit are intense and unrelenting, fog obscures the towers, sheep and landscape, closing down my visual field and opening up my auditory perception. I attach my contact mics directly to the wire as the wind whistles off the wires and send vibrational drones that I record and listen to over hours attuning to the rhythms, harmonies and dissonance vibrations.

The natural frequencies of the wire are determined by the integer harmonics of the fundamental. In very long wires such as the wires here reach at their pinnacle 780ft which are also very thick the fundamental is well below one Hertz. As I listen to wind, and tension of the wires as the wind contorts them creating higher harmonic frequencies which fall into the auditory range of humans (I am interested how the sheep and birds perceive these sounds). The very high harmonics become so crowded they cease to have discrete frequencies but rather tend to beat together, creating second-order frequencies of lower pitch. the length of the wire a family of interacting segments, each with its own fundamental within the auditory range sing in the wind. There is a vocal-like quality of the wires vibrating in the wind containing the sound of numerous ‘voices’, each competing for harmonic dominance.

The method of fixing the contact mics is an art in itself with  no single best method. Rather, attunment and knowledge of wing and weather patterns in which different conditions require different methods, which are established by rre-visits and experimentation.

Caradon Hill Transmission Mast Cornwall UK

Out of space (STBB #898)

07.07.24: Received Tape Lab’s mix a while ago and it already sounded good in it’s original state. “Capacity Bus” included a moog bass, nice synth lines/melodies and the sample “i have the capacity to change…”. Loved it immediately. Now I only had to find the correct bpm and a track to blend “Capacity bus” with. Enter my old track “3 Scenarios” that chugs along with a hip hop style beat and includes the vox of climate scientist Will Steffen. Using Traktor/S8 the 2 tracks lined up perfectly and really complement each other. They form a kind of synthesis where our individual parts blend together as one musical shape/form moving in perfect synchronicity.

Brillman & Tape Lab - Capacity Bus (Traktor mix)

autumn 22 b

last program

musica

Musica (Testo di Anam Hermit)

-- Dissonance N°1 --

Full hardware
- Electribe 2 Sampler
- Elektron Syntakt 

RAVE ON


BREACH

Beauty and Brutality

This VA seeks to unveil the immaculate metric, the perfect alchemy of harshness and gentleness, of grace entwined with violence. For beauty and brutality arise at the very conception of narrative: twin, complementary forces of life that awaken novelty, the eternal cosmic dance of creation and destruction.

The music unfolds as testimony: bass lines that strike with raw force, melodies that embrace with tenderness. Each track reminds us that joy and sorrow are carried in the same breath, that collapse and renewal, despair and devotion, walk hand in hand.

The artists offer fragments of their journeys: trials endured, spirits broken and restored, their commitment renewed in sound. This is not only music but witness, a reminder that to love the world as it is, in its wounds and wonders, is the hardest vow.

Beauty and brutality are not enemies, but mirrors, reflecting us back to ourselves, guiding us toward wholeness and awakening.

Let this compilation speak where words fall short: of darkness and light, of heaviness and grace, of the paradox at the heart of existence. A sonic invocation to face the abyss, and to love it anyway.

Compiled by Razael

Artwork - Sacred Symmetry Design

Mastering -

All tracks mastered by Biolab Studio, except -

Track 16 - D.O.C

Track 22 - XianZai


08.Dattatreya meets Casual Frequencies - Holey Mountain(200bpm)

Caution

Brillman has been an electronic online musician during the last 20 years using many different names: Brillman, Controlfreak, freakcontrol, Red Karma, Atmosphere, Zero Loop, Pan64, Randomcontrol, geometric delay and Superfreak! Brillman mainly creates original sounds from hardware synths but also uses guitar, samplers, vocals or even poetry. He primarily utilizes a 4 to the floor approach. The aesthetics behind the music is about finding a balance between minimalism vs. depth & improvisation vs. programmed.

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Influences: Eno, Tangerine Dream, Kraftwerk, The Associates, Joy Division, Roxy Music, Bowie, Chemical Brothers, Frank Zappa, Hendrix, ELP, Polygon Window, G. Mahler, A. Bruckner, L.V. Beethoven, E. Satie, FSOL, The Orb, Laurie Anderson, Vangelis, Underworld, Led Zeppelin, Jeff Beck, Rory Gallagher, Miles Davis, Massive Attack, Black Sabbath, Prince, Sade, Etienne de Crecy, Daft Punk, Plastikman, Monolake, Japan, Pink Floyd, Resistance D, Talking Heads, Hawkwind, Gary Numan, J.M.Jarre…

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Synthesizers used (past or present):

Kawai K4
Korg Wavestation
Korg Wavestation SR
Kawai K3m
Kawai K4r
Yamaha AN200
Yamaha DX-7
Yamaha TG-500
Oberheim Matrix 1000
Roland SC-55
Roland JV1010
Roland JV1080
Roland JV2080
Korg M3r
Korg MS-20 mini
Roland D-110
Roland D2
Roland MC-505
Roland MC-09
Roland MC-808
Roland TB3
Korg ER-1
Korg MS2000r
Korg microkorg
Korg Kaossilator
E-MU Mophatt
E-MU Planet Earth
E-MU Proteus 1/2
E-MU Proteus 2000
E-MU Virtuoso
Vermona DRM-1 mk iv
Waldorf Blofeld
Waldorf Pulse 2
Moog Subharmonicon
Moog Labyrinth
Moog Mavis
Freebass FB-383
Behringer TD3
Behringer Neutron
Behringer model D
Behringer K2
Behringer Syncussion SY-1
Arturia Microbrute
Arturia Minibrute 2s
Arturia Microfreak
Elektron Cycles
Elektron Digitone
Behringer Crave
Behringer Edge
Novation Mininova
Clavia Micro modular
Clavia Nord rack 2
Access Virus Snow
Twisted Electrons MEGAfm
Data Duo
Blip Blox