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You Might As Well Ask The Cat.

I’m always on the hunt for vintage, psychedelic tracks.
This one — if I had to put it into words — carries a faint trace of the ‘80s. But it’s not about nostalgia.
It’s rooted in my love for dub, layered over breakbeats with a post-rock spirit, and driven by a sharp electronic edge.

It’s like New Order suddenly crashing into a session, and the Bristol crew getting into a brawl right then and there.
Chaotic, yes — but a chaos with intent. Noise with direction.

My music is instrumental. I don’t use vocals.
That doesn’t mean I don’t respect them — on the contrary, I hold vocalists and lyricists in the highest regard.
But the story I want to tell doesn’t need words.
I speak through melodies, I scream through beats, and I question through silence.
That’s my form of storytelling.

I know this track might not be easy to grasp right away.
But if you’re into krautrock, post-rock, alternative, hip-hop, IDM, or experimental electronic music —
you just might find something in it that resonates with you.

I’m Japanese.
And I believe there’s something compelling about how a Japanese mind interprets psychedelic sound.
Maybe not as wildly unhinged as Damo Suzuki’s work with Can,
but this is my own vision of a sonic trip — one that’s more grounded, yet still deeply exploratory.

The result is this track,
ironically named — Classy Slang.

If you give it a listen, I’d be honored.
Come take a journey through my world, told entirely through sound.

The shadow of UK new wave, the depth of roots dub.
Guitar filtered through Tommy Guerrero, broken beats from IDM.
The origin: hip-hop. The destination: undefined.

Progressing like post-rock, sinking into lo-fi.
A quiet homage to New Order, Boards of Canada, and Madlib.


#newwave #postrock #psychedelic #hiphop #idm  
#electronic #dub #rootsdub #lofi #experimental #instrumental #ambient

Classy Slang

Live improvisation - hardware synths. No AI but pure RHI

In what century?

W-Random Nod

Refrain

Yesterday I flew with my wings, I remember it well

Nerdi Meir Elia Savorai - Guitar, Vocals, Mixing, Electronics, Musical composition.

Nevo Savorai - Vocals, Lyrics, Artistic adviser.

הוקלט והופק באולפני "חדר זמני"
מסטרין : אליה נרדי מאיר סבוראי
credits
released September 24, 2025
ח & ח : Nerdi Meir Elia Savorai + Nevo Savorai

סימן לחופש - A sign of freedom

Soft Glitch Version. This version stumbles where the original tried to glide. It’s slower, more fragile, a gentleman’s walk through emotional static. The track explores the tension between presence and detachment, between the desire to act without judgment and the reality of constant failure.
Glitches become gestures. Loops become longing.
It’s not about escaping emotion. it’s about making space beside it, even when that space flickers.
A soft departure, still — but now with broken shoes and a trembling compass.

Soft Glitch

Needed a break from the C-tracks so jammed with my "live setup" that consists of 4 Behringer machines: 
RD-6, Syncussion, Neutron & K2 + the tiny Teenage Engineering PO 35:) 

Only used 1 send delay effect from a small mixer so absolutely a minimal set up compared to the main studio:) A keystep + a Sq1 sequencer were used to trigger the various synths. Melody was programmed;-) 134 bpm.

Unreal

Back to basics:) Recorded in the middle of summer. Enjoy the groove.  320 kb/s mp3 file here. 
Is included on new album "C-tracks" with a total of 9 unreleased tracks. Available next friday (17.10.25)

C-tracks

C03-C04

Astral

Brillman has been an electronic online musician during the last 20 years using many different names: Brillman, Controlfreak, freakcontrol, Red Karma, Atmosphere, Zero Loop, Pan64, Randomcontrol, geometric delay and Superfreak! Brillman mainly creates original sounds from hardware synths but also uses guitar, samplers, vocals or even poetry. He primarily utilizes a 4 to the floor approach. The aesthetics behind the music is about finding a balance between minimalism vs. depth & improvisation vs. programmed.

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Influences: Eno, Tangerine Dream, Kraftwerk, The Associates, Joy Division, Roxy Music, Bowie, Chemical Brothers, Frank Zappa, Hendrix, ELP, Polygon Window, G. Mahler, A. Bruckner, L.V. Beethoven, E. Satie, FSOL, The Orb, Laurie Anderson, Vangelis, Underworld, Led Zeppelin, Jeff Beck, Rory Gallagher, Miles Davis, Massive Attack, Black Sabbath, Prince, Sade, Etienne de Crecy, Daft Punk, Plastikman, Monolake, Japan, Pink Floyd, Resistance D, Talking Heads, Hawkwind, Gary Numan, J.M.Jarre, Alva Noto…

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Synthesizers used (past or present):

Kawai K4
Korg Wavestation
Korg Wavestation SR
Kawai K3m
Kawai K4r
Yamaha AN200
Yamaha DX-7
Yamaha TG-500
Oberheim Matrix 1000
Roland SC-55
Roland JV1010
Roland JV1080
Roland JV2080
Korg M3r
Korg MS-20 mini
Roland D-110
Roland D2
Roland MC-505
Roland MC-09
Roland MC-808
Roland TB3
Korg ER-1
Korg MS2000r
Korg microkorg
Korg Kaossilator
E-MU Mophatt
E-MU Planet Earth
E-MU Proteus 1/2
E-MU Proteus 2000
E-MU Virtuoso
Vermona DRM-1 mk iv
Waldorf Blofeld
Waldorf Pulse 2
Moog Subharmonicon
Moog Labyrinth
Moog Mavis
Freebass FB-383
Behringer TD3
Behringer Neutron
Behringer model D
Behringer K2
Behringer Syncussion SY-1
Arturia Microbrute
Arturia Minibrute 2s
Arturia Microfreak
Elektron Cycles
Elektron Digitone
Behringer Crave
Behringer Edge
Novation Mininova
Clavia Micro modular
Clavia Nord rack 2
Access Virus Snow
Twisted Electrons MEGAfm
Data Duo
Blip Blox

Unreal

Brillman

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