Needed a break from the C-tracks so jammed with my "live setup" that consists of 4 Behringer machines: 
RD-6, Syncussion, Neutron & K2 + the tiny Teenage Engineering PO 35:) 

Only used 1 send delay effect from a small mixer so absolutely a minimal set up compared to the main studio:) A keystep + a Sq1 sequencer were used to trigger the various synths. Melody was programmed;-) 134 bpm.

Unreal

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

J J Samuel
33 | Norwich, UK
Songwriter since 15 | AI-Powered Producer
#RnB #Soul #Pop #EDM #WorldFusion #YODETRONICA

New songs coming soon‼️🚨

I WRITE EVERY WORD. EVERY STORY. 100% ME.
Love, family, resilience – or wild new worlds from scratch. ✍️❤️
I invent fresh concepts, twist genres, and just created:
🎧 YODETRONICA – yodeling meets futuristic EDM. First of its kind. 🚀
AI? MY TOOL, NOT MY VOICE.
I design every prompt, every vibe, every twist.
AI turns my lyrics + ideas into sound.
I don’t sing the main vocals – but I DO use MY VOICE for:
🎤 Yodels
🎤 Ad-libs
🎤 Backing layers & sound effects
All raw, all me.
I’m now TRAINING AI to match HUMAN SOUL.
Through deep research + endless experiments, I’m teaching it real emotion, breath, and phrasing – the way I would sing if I had a studio band.
AI isn’t replacing talent… it’s learning from mine. 🎙️🤖
Vocals: SUNO V5 + my raw demos (yodels, falsettos, emotion)
Mix: I tweak, polish, obsess till it hits hard. 🎧

🔥 NEW COLLABS LIVE
🎵 Climb That Ladder w/ King Chico
🎵 A Little Closer w/ Eric Georgesco
MORE DROPS SOON. STAY READY. 🚨

OPEN TO COLLABS – LET’S CREATE TOGETHER
Got beats? Need lyrics? Want to test AI or build in YODETRONICA?
I’m here to HELP – for FREE.
No hate, just music. Let’s grow together. 🤝🎶

Father | Partner | Day-Job Hustler
Running a business by day, scribbling lyrics at night.
Every idea jotted in spare moments – then AI brings it to life. 📝✨
Hit play. Feel the climb.
Like | Repost | DM me
#SongwriterFirst #AIisMyAlly #WeRiseTogether #YODETRONICA

Brillman has been an electronic online musician during the last 20 years using many different names: Brillman, Controlfreak, freakcontrol, Red Karma, Atmosphere, Zero Loop, Pan64, Randomcontrol, geometric delay and Superfreak! Brillman mainly creates original sounds from hardware synths but also uses guitar, samplers, vocals or even poetry. He primarily utilizes a 4 to the floor approach. The aesthetics behind the music is about finding a balance between minimalism vs. depth & improvisation vs. programmed.

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Influences: Eno, Tangerine Dream, Kraftwerk, The Associates, Joy Division, Roxy Music, Bowie, Chemical Brothers, Frank Zappa, Hendrix, ELP, Polygon Window, G. Mahler, A. Bruckner, L.V. Beethoven, E. Satie, FSOL, The Orb, Laurie Anderson, Vangelis, Underworld, Led Zeppelin, Jeff Beck, Rory Gallagher, Miles Davis, Massive Attack, Black Sabbath, Prince, Sade, Etienne de Crecy, Daft Punk, Plastikman, Monolake, Japan, Pink Floyd, Resistance D, Talking Heads, Hawkwind, Gary Numan, J.M.Jarre, Alva Noto, Philip Glass…

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Synthesizers used (past or present):

Kawai K4
Korg Wavestation
Korg Wavestation SR
Kawai K3m
Kawai K4r
Yamaha AN200
Yamaha DX-7
Yamaha TG-500
Oberheim Matrix 1000
Roland SC-55
Roland JV1010
Roland JV1080
Roland JV2080
Korg M3r
Korg MS-20 mini
Roland D-110
Roland D2
Roland MC-505
Roland MC-09
Roland MC-808
Roland TB3
Korg ER-1
Korg MS2000r
Korg microkorg
Korg Kaossilator
E-MU Mophatt
E-MU Planet Earth
E-MU Proteus 1/2
E-MU Proteus 2000
E-MU Virtuoso
Vermona DRM-1 mk iv
Waldorf Blofeld
Waldorf Pulse 2
Moog Subharmonicon
Moog Labyrinth
Moog Mavis
Freebass FB-383
Behringer TD3
Behringer Neutron
Behringer model D
Behringer K2
Behringer Syncussion SY-1
Arturia Microbrute
Arturia Minibrute 2s
Arturia Microfreak
Elektron Cycles
Elektron Digitone
Behringer Crave
Behringer Edge
Novation Mininova
Clavia Micro modular
Clavia Nord rack 2
Clavia Nord Modular
Access Virus Snow
Twisted Electrons MEGAfm
Data Duo
Blip Blox

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.

© All rights reserved. 
Record Label: Shadow Glass Recordings 
No promoters I handle all my own production.