Channeling the wild imagination and aesthetic enchantment of "Four Dream's" gorgeous album artwork into his songs, Keenhouse (Ken Rangkuty) entrances with soothing, aetherial vocals blended into seraphic synths that illuminate and perpetuate a fantastic fantasy world where magic breathes in iridescent dust of chimeric sound-waves.

Keenhouse’s “Four Dreams” lilts through your subconscious like prismatic clouds bursting with spectral colors. “Echoplants” charms as tropical birds and bugs cry out their lively echos against flora-like bass and synths that reverberate the sounds of a lively amazonian jungle. “Where I Belong” emotionally strings you along with wistful synths that cascade quietly in the background as wind chimes chirp in their high-pitched accents against Keenhouse’s mellifluously medicinal vocals that ache with the pain of a lost heart that can’t find its way home. Transcending traditional electronic music is the resplendent “Taura,” whose lead instrument is a Koto played by renowned new age composer Osamu Kitajima that solos and weeps over swirling pads like teardrops gently drenching the cheeks of a long-lost lover. The record concludes with “The Lullaby of Keenhouse,” a beautiful traditional piano piece played against the peaceful sounds of a babbling brook, as if Keenhouse himself was tickling the ivories beside a mystical creek, in the midst of an enchanted forest.
 

I am a collaborative mood operator.

www.dankndirty.com

@dankndirtydubz: https://solo.to/dankndirty

Radio Show Archives:
http://bit.ly/SashwatRadioMixes

Non-Radio Mixes:
http://www.mediafire.com/?6y6dlggbjgdv8

The Dank 'N' Dirty Dubz Radio Show airs at 10am PST the first Wednesday of every month on DI.FM's Dubstep Channel: www.di.fm/dubstep

Sashwat is a US-based DJ, producer, and label owner that has been pushing high quality bass music since 2007. He's played alongside Avicii, D. Ramirez, The Widdler, Commodo, Swindle, Antiserum, Roommate, Coki, Distance, Truth, Reid Speed, HULK, Goldie, DJ Marky, 6Blocc, AK1200, Hellfire Machina, DJ Kue, Sub Swara, Kraddy, and more. Sashwat's monthly mixes, which he's been releasing since 2007, have featured countless genres such as dubstep, garage, hip hop, dub/reggae, jazz, deep/progressive/electro house, trance, techno, breaks, downtempo, drum and bass, and goa-psychedelic. In 2009, these mixes began airing consistently on the Digitally Imported Drum & Bass channel until the launch of his Dank 'N' Dirty Dubz radio show in January of 2010, which coincided with the launch of the Digitally Imported Dubstep channel.

A year later, in December of 2010, Sashwat expanded his Dank 'N' Dirty Dubz radio show into a bass music label, focusing on a wide variety of forward-thinking sub-genres. The labels releases have received support from the likes of Skream, Funtcase, Downlink, Matty G, NumberNin6, Brown & Gammon, J:Kenzo, DJ Wonder, DJ Allbury, Distance, Von D, Eptic, Genetix, Riskotheque, LOST, and Mat The Alien, to name a few.

In 2012, Sashwat took on the role of Channel Director for Digitally Imported Dubstep and launched the Digitally Imported Liquid Dubstep channel. He hand-picks the content that airs on both channels, catering to thousands of listeners 24 hours a day, 7 days a week.

To stay up to date, follow Sashwat:
http://soundcloud.com/sashwat
http://soundcloud.com/dankndirtydubz
http://www.facebook.com/djsashwat.dankndirtydubz
http://www.facebook.com/DankNDirtyDubz
http://www.mixcloud.com/DJSashwat
http://www.youtube.com/user/DJSashwat
http://www.youtube.com/user/DankNDirtyDubz
http://twitter.com/djsashwat
http://twitter.com/dankndirtydubz

PRIMARY GENRES:
DUBSTEP / REGGAE / HOUSE (DEEP & ELECTRO)

SECONDARY GENRES:
MINIMAL / BREAKS / DOWNTEMPO / TECHNO
GLITCH / TRANCE / DRUM & BASS / GOA-PSY

For Booking Inquiries, Please Contact sashwat@dankndirty.com

Feeling generous or want to support?
http://bit.ly/dankndirtydonations

A native of the small northeastern Louisiana town of Bastrop, Dylan Scott grew up with a passion for music in general, and country music in particular, and a deep and profound love and respect for the outdoors. More than anything else, those two traits define who Dylan Scott is and what gives him direction and purpose in life. Dylan's father, a former guitar player for country legends Freddy Fender and Freddy Hart, taught Dylan at an early age the basics of singing and playing guitar and thus introduced him to the world of music. 

Growing up, Dylan ran with his buddies, played ball, went hunting and fishing, and in general had a normal rural upbringing... with one exception. While his friends were looking forward to going to college, joining the military, or trying to figure out what they were going to do with their lives, Dylan was focused on only one thing... going to Nashville to become a country music singer. He was constantly honing the skills necessary to be successful by mastering the guitar, learning to play piano, dabbling with songwriting, and working on his vocal skills. While still in school, he performed as a solo act at such prestigious venues as the Louisiana Hayride and also toured the southeast as a member of a teenage gospel trio, performing at small festivals, fairs, and churches. 

At the age of 17 on a trip to Nashville, Dylan met songwriter Charlie Craig and recorded four songs with Craig as producer. One of those tunes, "Between an Old Memory and Me" was written by Craig and had been a huge hit for a singer that Dylan had idolized since childhood, Keith Whitley. Dylan's stellar version of the song soon caught the attention of record company executives and he signed a long term recording contract with Curb Records. With famed producer and music label icon Jim Ed Norman at the helm, Dylan recorded numerous songs, one of which "Making This Boy go Crazy" went on to establish Dylan as an emerging country artist with a bright future. To date, the song has sold in excess of 130,000 units with well over 3 millions views of the accompanying music video. Always being appreciative of music in other genres, Dylan recently recorded a cover of the massive Ed Sheeran pop hit "Thinking Out Loud" and filmed a hip black and white music video which he posted to Face Book. Within the first hour, 29,000 people had viewed the video and the numbers started growing exponentially until reaching well over 1.5 million views in less than two weeks. Curb Records quickly made the song available on I-Tunes and in excess of 20,000 were sold within a short period of time, clearly demonstrating that Dylan has cross over potential to people of other genres of music. Even more impressive was that this was accomplished without the benefit of any radio airplay whatsoever.

With his career in full swing, Dylan is quickly establishing himself as a
force to be reckoned with in country music. His social media stats are
exploding and his live show is proving that Dylan is an exceptional entertainer as well as being a world-class vocalist. Booked by the world
renown William Morris Endeavor,  he is busy traveling the country performing in venues of every type and working hard to establish the fan base that will be necessary to propel him to the next level. 

Dylan is currently in the studio working on new music and just released his single, Crazy Over Me to radio. When not recording, writing, or touring with his band, he normally leaves his home in Nashville and heads back to Louisiana see family and friends and to hit the woods in his four wheeler, go hunting, or doing any number of outdoor activities that he loves so much.

Pre-order here: https://utahsaints.lnk.to/US24SC
UTAH SAINTS (Ministry Of Sound) (ffrr)(London Records)

Utah Saints have been making music, dj’ing and playing gigs around the globe since the birth of House music.

The world renowned duo have released 9 Top 40 UK hits, 4 of which hit the Top 10, and sold over 2 million records worldwide (equivalent to 800m+ streams).
Precariously walking the tightrope between genres and also between the underground and the mainstream, Utah Saints roots are in electronic dance music, having met in a club in Leeds at the beginning of the rave movement in the UK and establishing themselves as pioneers of sampling in dance music.
Alongside this success, they set up and promoted award winning and legendary club nights The Gallery and SugarBeatClub and have recorded and presented shows for BBC Radio 1, Kiss and Ministry of Sound. 
Utah Saints are still very much at the top of their game and are out dj’ing regularly each month as well as curating festival stages and putting on an eclectic range of nights. They have played alongside everyone from DJ Zinc to Justice, Zane Lowe to A-Trak, Friendly Fires to Boys Noize and U2 to Public Enemy. They have djed at over 3000 events, from underground clubs to festival mainstages.

When the pioneering DJs aren’t playing at clubs and festivals in various parts of the world, they can be found in the studio working hard on their own material and production as well as remixing other artists as varied as Bring Me The Horizon and Girls Aloud.  As well as running a successful record label, the duo have now added film scores, soundtracks, video game music and production music to their ever-expanding portfolio and are planning to release new music as Utah Saints.
Recent accolades include being listed in Rolling Stone in 2022 as one of the 200 Greatest Dance Songs of All Time with Something Good. 

The remix, Something Good 08, having been the10th most streamed track of 2008 has recently been awarded Gold status in the UK.

"Utah Saints - Legends in the game " - Zane Lowe - Apple Music 
“Two of the most clued up DJs I have ever met” iDJ magazine
“The first true Stadium House band” – The KLF
"These guys invented rave" - Annie Mac BBC Radio 1
“Dance legends” - NME

For Dj Bookings/Remixes  contact - Admin@PunkClubBeats.com

ᐅ Exclusive Soundcloud Underground Stream
ᐅ Deep Tech, Minimal & House
ᐅ Premiere / Re-Post
ᐅ Contact via Soundcloud only!

BOXON RECORDS : music label created in 2007 by Julien Minet alias DCFTD. Based in Bordeaux, France.
For booking, please contact us : contact@boxonrecords.com

/// artists : AERT PROG, FRANÇOIS IER, JOHN LORD FONDA, DEBORAH AIME LA BAGARRE, ANELLI, SPAAM, COSTELLO, SOVNGER, LOÏS PLUGGED & FRUCKIE, SKINLIPS, DCFTD, T.RAUMSCHMIERE, TOM DELUXX, WAT, GOOSEFLESH, THE ZOMBIE KIDS, ECLIER, DILEMN, VALY MO, DEAD C∆T BOUNCE, DAROC, GRS CLUB, KIGMA, AEROTRONIC, BLACKTOYS.

/// remixers : The Toxic Avenger, Will Bailey, Electrixx, Black Noise (Aquasky), Les Petits Pilous, Tepr, Thomas Brinkmann, Cyberpunkers, Blatta & Inesha, Far Too Loud, Loo & Placido, Electrosexual, Just A Band, Xinobi, Fils Unique, Beataucue, Sexual Earthquake In Kobe, Digikid84, Dinamics, Farace, Saint Pauli, Dubsidia.

The Starkiller (AKA Super Hans AKA Che Guerrilla) has been making electronic music and remixes since the late 1990s. He likes to keep things slow - his favourite BPM is 111. 

Influences are (among others) Giorgio Moroder, Kraftwerk, Hall & Oates, Daft Punk, Chic, and lots of other lesser known but equally important artists.

Brit Fellows is following