DUBSTRAND STUDIO 
San Diego, California (USA) 

DubCat presents FEMALE POWER IN DUB Pt. 2
The show aims to promote female artists in dub and will focus on female producers and production combos that feature women.
Listen to it on Mixcloud: https://www.mixcloud.com/Dub_Cat/dubcat-presents-female-powa-in-dub-pt-2-dub-night-radio-28th-may-2021/

About: I got infected with the Reggae Sound System bug the first time i came into contact with it more than ten years ago. I have since been a massive Dub and Steppas lover and been actively involved in the Sound System scene. After i had my first chance to play on a Sound System at Fusion Festival in Germany in 2013 i became a selectress and over the years have had the opportunity to play together with Riot Imagica and Catitah, Siren Sisters, Lion's Den, Plug Dub, Moonbass, Kunterbunt, Digitron and Dandelion Sound System and others. 

My mission is to promote female artists in the dub scene and spread the bassolutionary message of reggae music. 

Let's dance in love for ourselves and leave the shitstem behind! 

 =^..^=

"We have come to be danced
not the pretty dance
not the pretty pretty, pick me, pick me dance
but the claw our way back into the belly
of the sacred, sensual animal dance
the unhinged, unplugged, cat is out of its box dance
the holding the precious moment in the palms
of our hands and feet dance

We have come to be danced
not the jiffy booby, shake your booty for him dance
but the wring the sadness from our skin dance
the blow the chip off our shoulder dance
the slap the apology from our posture dance

We have come to be danced
not the monkey see, monkey do dance
one, two dance like you
one two three, dance like me dance
but the grave robber, tomb stalker
tearing scabs & scars open dance
the rub the rhythm raw against our souls dance

We have come to be danced
not the nice invisible, self conscious shuffle
but the matted hair flying, voodoo mama
shaman shakin’ ancient bones dance
the strip us from our casings, return our wings
sharpen our claws & tongues dance
the shed dead cells and slip into
the luminous skin of love dance

We have come to be danced
not the hold our breath and wallow in the shallow end of the floor dance
but the meeting of the trinity: the body, breath & beat dance
the shout hallelujah from the top of our thighs dance
the mother may I?
yes you may take 10 giant leaps dance
the Olly Olly Oxen Free Free Free dance
the everyone can come to our heaven dance

We have come to be danced
where the kingdom’s collide
in the cathedral of flesh
to burn back into the light
to unravel, to play, to fly, to pray
to root in skin sanctuary
We have come to be danced
WE HAVE COME"

by Jewel Mathieson

ReCréateur œuvrier d'images & de sons, VDJ (Video Disc Jockey)
SCOPITONEYO aka Antoine Hacquin Tonio

Originally from the hills of western Lyon, the duo of Watt A Gwan first approached reggae music through the live band with the roots reggae group Ruderal. Respectively bassist and singer, Lucas and Florian started composing original riddims around 2016. Then in 2020, they plan to create productions for sound systems.

YAGA clique till my heart stops.

Most tunes are free DL <3

Reppin Headway Hifi + Spook. Audio

French Dub maker 

Contact me for any featuring or remix

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