Bedlam

Bird Views Feat. Brodinski

Taken from @b4mba new EP NGELAW, out July 5, 2024, via @raghoulmusic.

Pre-order: https://rb.gy/jekwex
Read: https://shorturl.at/FZBmM

NGELAW - which translates to 'wind' in Wolof - is the latest 6-track EP by the Senegalese Hispanic producer and DJ B4MBA and is expected to be released on Friday, June 5th, on the Moroccan label raghoul, adding to his discography of Industrial Dancehall, Jungle Breaks, and all sorts of bass. For this EP B4MBA linked up with the Moroccan 3D artist Misfit and Jokkoo Collective member @mooquidi-alcaline to create the visual universe of this release.

Artwork by Misfit and Mookie

Released by raghoul

NGELAW

Premiere: B4MBA - NEURO ALPHA CENTAURI [raghoul]

Data

Dread

Performed by Squid Land 
Produced by Brodinski & Slikback
Cover by Babybrusher 
Mix & Master by Eric Najar
Distributed by Newwrld 

Brodinski, Squid Land & Slikback - Da Twinz

Sample ‘Glass’ by The Future Sound of London.

Broken Glass

Listen to "CHANG" by jjjacob taken from "FLORAS" out on May 21st via katharsis

Pre-order: https://katharsis-label.bandcamp.com/album/floras

FLORAS is the new album from katharsis founder jjjacob, releasing on May 21st to mark the five-year anniversary of the label’s first output. A celebration shaped by time, patience, and transformation, FLORAS is an assemblage of seven tracks - each with its history. The oldest dates back to 2018; the newest bloomed only months ago. Initially intended for other projects or collaborations that never fully took root, these compositions have been reworked, reimagined, and refined - transformed by years of quiet attention. Stylistically, the release moves between the physical and the introspective - crushed drumbreaks, poignant basslines, grand synth melodies, and obscure granular vocals.

Each track is like an ancient, fluorescent flower rediscovered in a distant cave, alien in form yet deeply familiar. Cyclical in structure, they mirror the seasonal processes: emerging, flourishing, decaying, returning. There’s a strange botanical logic at play, as patterns and shapes reappear like genetic echoes, and even discarded stems sprout new life. Melodic ideas and textural procedures reverberate across tracks like shared ancestral material, connecting them like a hidden underground network. Some tracks still bear traces of feedback or collaboration that never fully materialized - ghost limbs and branches that helped shape the whole.

Built from ambient textures, hard-hitting percussion, and sonic details that reward deep listening, FLORAS is a meditation on growth, time, and potential. The release reflects not only a shift in jjjacob’s personal process, but also a new chapter for katharsis itself: after five years of near-monthly releases, the label now turns toward a slower rhythm - giving each release more space to breathe, settle, and take root before moving on. 


Links:
jjjacob
https://soundcloud.com/jjjacob
https://jjjacob.bandcamp.com
https://www.instagram.com/jjjacobdk
katharsis
https://soundcloud.com/katharsislabel
https://katharsis-label.bandcamp.com
https://www.instagram.com/katharsislabel

artworks & mastering by jjjacob

pre-order / bandcamp

jjjacob - CHANG (katharsis)

From @ssssofiiiii 's new EP "I want this feeling to last forever"

Stream & download: push.fm/fl/iwtftlfep

Emerging artist sofii, also known as Sophie Koella, announces her deeply personal debut EP I want this feeling to last forever, a self-produced meditation of 4 songs on emotion, memory, and the echoes of the unlived. Born from the necessity to process, the project weaves classical elegance, electronic textures, and lyrical repetition into a trance-like exploration of nostalgia: past, present and future.

Born in New Orleans to a French guitarist (who used to play with Bob Dylan) and an American mother, sofii’s life has been scored by contrasts: ballet and classic music discipline, jazz’s improvisation, and the restless energy of cities like NYC and Paris where she cut her teeth in its underground scene. After years modelling and djing, she stepped into music direction for Courrèges alongside Erwan Sene before claiming her voice as a solo producer. In 2024 she co-founded the Paris collective and event series More Hard Feelings alongside Emma DJ, Julia Lemaire, and Matière Noire inviting the likes of Skrillex, Varg2TM, Safety Trance and Bill Kouligas.

The EP’s lead single and title track is released with the album announcement with a music video. She elaborates:’Iwtftlf’ is a song about nostalgia for something we don’t yet know or have lived—also known as anemoia. It’s about a moment in time that stands perfectly still, a fraction of a second we wish would never end. This stillness, this calm before the storm, is at the heart of the track. It portrays a story suspended between the lived and the unlived, a memory that doesn’t belong to us yet aches like it’s already gone.

As for the rest of the EP, “Cry for Me” (reimagined with Greek producer Raed Raees) layers vocals like a cleansing tide, dissolving into a piano finale that nods to Sofii’s classical roots. The mantra “say it over” loops, invoking meditation’s rhythmic solace. “Remember“, penned in Paris, twists a crisis-born text message into pulsing synths and the EP’s only percussive heartbeat. And “Pocket Dial” samples a 3-minute voicemail from sofii’s grandmother—an accidental, aching relic of connection—set to wordless strings and synth.

Written, performed and produced by sofii
Additional production on ‘Cry for me’ by Raed Raees
Additional production on ‘Pocket Dial’ and ‘Iwtftlf’ by Lux18
Artwork by Marie-Mam Sai Bellier
www.instagram.com/sai.mam/
Master by Lorenzo Targhetta

Stream & Download

sofii - iwtftlf

PREMIERE : jjjacob - GREAF [katharsis]

Taken from SBKT070: estoc - Are We Doomed to Bow to the Stupid and Cruel?
Release date: 26th June 2025
Artwork & Design: Amber Jean
Mixing & Digital Master: Nori Kin
Vinyl Master: Raphael Valensi

----

estoc presents the newest manifestation of her artistic practice: an attempt to make sense of a world seemingly hellbent on violence as its chief export. Art written as a direct response to the conditions felt both at home and watched across oceans through a phone. This album exists as an acknowledgement that our fates are inextricably intertwined, yet, our (temporary) comfort is extracted from the third world. Across 10 tracks the question is: Are We Doomed to Bow to the Stupid and Cruel? Answers are posed and then brushed away, like dust from a shelf. By the end, nothing is settled and we are left with more questions than answers.

Collaborators and co-conspirators weave in and out of the compositions, their presence felt as both adornment, and as integral infrastructure. DJ Haram opens the album with ‘Heretic’. Her voice swims through crackling noise, throbbing basslines — a guided meditation as much as a late night conversation. ‘The Weight’ follows directly after. AZADI.mp3’s smoky chants hover in the air above a smouldering fire of trip hop drums and synths, devolving to a miasma of distortion and swirling screams. The next song, ‘Where Do We Go Now’, builds and swells with rumbling synths, arriving fully as breaks crash forward and Military Scientist’s voice cries out over a chaotic sea. The first solo composition of the album comes in the form of ‘The Poison of the Centre’. A solemn yet off-balance meditation of drums, cut over an uneven and shifting beat. This rhythmic fervor is multiplied tenfold on ‘No Glory’, a harsh bath of bass and drums, constantly fighting for space to breathe through the manufactured scarcity of the mix.

‘Scorched Earth’ lends us our first breath of fresh air. Mia Carucci sings a lullaby over growling instrumentation, Exploited Body’s co-production threatening to boil over at any moment. A momentary break in the clouds, a beam of sunlight shines through before being quickly swallowed back up by the storm; gone as quickly as it came. It is here that we plunge even deeper, as the heartbeat of ‘Heaven Defined for Another’ rattles through. Machinery and exasperated breathing become inexorable, both driven to their breaking point by a rolling wave of thunder. This mechanical terror roils forth on ‘Cradling’. Miedo Total sets clattering steam and cogs over crying strings that threaten to throw themselves to pieces. The penultimate entry sees Violence lend voice and production to ‘Bones Broken, Many Things Left Unsaid’ — a deep terror lurches, shuddering and crashing like ocean waves. A gentle chorus of strings ushers in the final piece, ‘Scratch a Liberal’ — a rare, but fleeting moment of tenderness on the album. Heavy towers of bass throw the composition into shadow, tension builds and grows before collapsing in on itself, revealing the fear and violence at the core of this project. At the end of it all, we are left alone to contemplate what is to be done.

estoc - The Poison of the Centre

https://quemalotodo.bandcamp.com/album/qu-malo-todo

Brodinski, Squid Land & Slikback - Da Twinz

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