композиция в жанре "плохо записанный рок 70х" // a composition in the genre of "poorly recorded 70's rock"

слушать не здесь // listen not here:
https://band.link/KZCin

дополнительный контент(вариант проведения досуга под этот трек))// additional content (leisure option for this track)):
https://youtube.com/shorts/ySlNIUt0X98?si=ipA7mNlWIZeTYC9i

монстры в туннелях

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Me gusta toda clase de música ritmos, melodías, beat, sampler para inspiración en lo bueno y quedarte con lo Positivo, que sirve para aprender y entender la vida, como  buen melómano,  actividad musical.. https://open.spotify.com/user/31khce5eg7hjeldt6fqquyuukvym …      
     Estuve en un coro cuando era niño durante mucho tiempo, cuando era más joven, también algunas colaboraciones en un local  y ensayos… 
     Me gusta Music conceptual, https://youtube.com/@Inscreup ,electro alternativa con clásicos y visualizar vídeos de todos estos estilos musicales. Sobre todo terminando en crear-componer estos discos-single.. https://youtube.com/@jesush1973 (1.Home-2.Nighy home-
3.Synthetizer-
4.Natural-5.La Experiencia (edad media)
-6.Ambient&Dance. 
Algún formato cd con 
 rock CD, etc …) 
     En vídeos es “homedj1973VEVO” https://youtube.com/@homedj1973vevo con sintetizadores  algún Daw Casas Steinberg, ableton, piooner, tambien VST Native también actualizo algún DAW o VST etc… Arreglos ozone y editor de vídeos seguiré haciendo música para poder realizar https://youtube.com/channel/UCCSRIiRettDsI1UmTD_Q2_A el groove, jazz o hard rock con fusión electro-techno-house, cinematográficas y músicas alternativas-sicodelica con vídeos clip…. 
     La música  que escucho con audial en alternativa como electro progresivo inglés house-dance-tecno.. Groove americano y psicodélico-electro Noruego , Goa alemán o español. jazz o rock-heavy-blues funky o pop.
     La Música “home dj” es seguirla y  disfrutarla.(Al final apoyo por mi cuenta en mi banco a UNICEF en vida y Donación en campañas).
     Apoyar aportar en ayudando a hacer mi música…
 ( https://paypal.me/jeshdez )
     Agradecer familia amigos safecreative…
( https://www.safecreative.org/user/Jeshdez ) y a las Radios, rockCd, SoundCloud, ditto, mil gracias…

LIVE!! on Radiovalencia.fm
LP Lounge Tues 10am-noon(PDT)
I grew up a drummer in a death metal band, this is something I always wanted to do😎follow, like…all that crap🤣

Never any AI in my music, just the pictures 😆🤷🏻‍♂️i can’t draw, but i can play just about anything 🤘🏻😎🤘🏻

https://open.spotify.com/album/3AJW2Z9Y1535vT9Adldd26?si=iXEIAC0ARcS1s5_-Dw1sQQ

http://itunes.apple.com/album/id/1792559626

https://music.amazon.com/artists/B0DTK23TK4?ref=dm_sh_iff5hslqCAMDYZmdRuamn7R8l

My name is Julian Maramieri. Better known as Nostromo. I produce the genres: New Beat, Techno, EBM, Industrial and Minimal Electro. Between 2004 and 2007 I built my own recording studio called "Oalanka Studios". So a lot of projects were created with musician colleagues. You can hear me on my site 
under my stage name Nostromo and other projects.

By the way, before I forget. The music style “New Beat” that I produce was a created music style in Belgium from 1986 to 1992. 
Maybe my "New Beat" isn't the original from Belgium. But then I developed my own “New Beat” style. 

Nevertheless, thanks to all Belgian "New Beat" producers and the inventor of this brilliant genre. Marc Grouls, Olivier Abeloos, DJ Dikke Ronny and In-D. Unfortunately I wasn't able to get to know you personally. Have fun listening...

Julian Maramieri (aka Nostromo)

DISCOGRAPHY Nostromo: Singles 2013 to present

2016: I Look To The Other Peoples
2017: Rebel Robots (Move Your Body Mix)
2017: Walking
2018: El Ritmo Oscuro
2018: Caravan
2018: Professor Snape
2019: Markarian 231
2019: Impulse To The Groove
2024: On Command
2025: Mechanic In The Seventh Hall
2025: We Dance In Belgium
2025: Again
2025: NA-I-MI-NA

DISCOGRAPHY Nostromo: Album 2018 to present

2017: Mystery
2018: Beat It Up
2019: Boccaccio
2025: Move Your Body

My other projects are:
The Osman B
Klangfokal
Circuit C
RD61
Sequenz Frequenz
AD&JO
Staircase Child
Vitamin F
Area Street Eight
Raum 203

... возможно, это гитарный лоу-фай хип-хоп...//...perhaps it's guitar-based lo-fi hip-hop...

aimlessambience is the culmination of my 25 years of musical exploration, a project driven by a relentless desire to evolve and grow in both musicianship and production. With a deep-rooted passion for sound design and composition, I craft immersive landscapes that blend ambient, electronic, and experimental elements—each piece unfolding like a cinematic journey through emotion and soundscapes.

Music has always been a space for me to aimlessly explore, to capture fleeting moments of introspection, tension, and beauty. My sound is constantly shifting, shaped by a love for synthesis, glitch aesthetics, and the raw imperfections that make music feel alive. From intricate synth layers to hypnotic textures and evolving soundscapes, I aim to create something that resonates—not just as background ambiance, but as an experience that pulls listeners into a world of emotion and movement.

This project isn’t about staying in one place, it’s about growth and taking on new elements and techniques. Every track is a step forward, an experiment, a challenge to break past creative limits. aimlessambience is a reflection of that journey, and I’m excited to see where it leads next.

Now available on all major platforms.

https://www.facebook.com/aimlessambience/

https://www.tiktok.com/@aimlessambience

https://www.instagram.com/aimless4111/
 
https://open.spotify.com/artist/23UMSuRDwu5TYFRrh39NME

https://music.apple.com/us/artist/aimlessambience/1801413918

https://www.iheart.com/artist/aimlessambience-46068925/songs/

https://www.youtube.com/channel/UCgidoj5GXsdpcWgpA62UZ8A

lolothebee@yahoo.com

/
Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

Three men who like rocking garage heavy metal (80s and 90s thrash metal, oldschool death, punk, grind rock and stuff), drinking beer and texting funny, amazing and bloodthirsty lyrics (Highschool problematics, German historical problematics, frogs, panters/lepards/tigers etc., cold war, Punic Wars, Sioux wars, murderer, true crime etc). And drinking beer.

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
Original music from real synths.
© All rights reserved

PLEASE NO PROMOTERS . I DO MY OWN !

"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou

AI music and voice production infects human creativity and inspiration.

Playing keyboards from 80s / Recording music from 90s. CHRIS JUNOS, based in Alexandroupoli, Greece, is known for his DAWless, live-recorded electronic music with a Balkan/Mediterranean influence, as seen in his earlier work ΕΛΕΚΤΡΟ-ΝΙΚΑ (2022), which blends ambient, synth-pop, and ethnic Greek elements, suggesting GREEK DRAMA may continue this unique fusion.

https://chrisjunos.bandcamp.com

Don't worry, friends, 90% of my replies to your comments are deleted on their own (with the help of SC)... but I appreciate your messages and I'm listening to you.

Thanks to all my friends who agreed to lend their voices and their texts.
In alphabetical order (And out of gallantry...Ladies first):

Albert Paule
Special Cecilia
Wildsilences
Epicsoundtracks
Frawstakwa
Gommearababic
Ian Greaves (IPG1)
Jumpingbunny
Maedali
Marty Andersson
ET.....(drum roll)
Monsieur Madeleine

Je dois aussi remercier Eric Miller qui m'a donné le goût de me lancer dans l'EDM et ses conseils m'ont été des plus précieux. Eric Miller est un compositeur très estimé pour son talent de mélodiste. Il a produit un album chez pomme music en 1995, a coécrit avec     Jean- Loup Dabadie, a collaboré avec Michel Berger, Jean-PierreJaniaud, Hervé Roy, Hervé Leduc, etc... Il collabore à Performing Arts et assiste régulièrement Sarah Sanders. 

https://soundcloud.com/ericmillercompositeur?utm_source=clipboard&utm_m
-------------------------------------------------------------------------
Alternative Electronic Music By Zitou Itou.....born in 2022 
-------------------------------------------------------------------------
zitou itou is also elsewhere ---> YouTube !
https://youtube.com/@ZITOUITOU?feature=shared

монстры в туннелях

brkn_dctphn