interesting song.   beautiful voice.  love the edgy guitar textures.  

Tobi's Fresh Net Favs 2021

Lyrics

I fall back into my teens
Whenever I get close but

You don’t feel like home
To me anymore
You don’t feel like home
But you did once and if time stood still

I’d wait for hours for a glimpse of those child like chills
But all the things i’ve said move further from my mouth

You don’t feel like home
To me anymore
You don’t feel like home
When I fall backwards

You’re no more than births and funerals
You’re no more than all I’ve been
Where there once was grudge there’s now peace and a sense of end
I’ll mourn your gradual death but cherish every breath

You don’t feel like home
To me anymore
You don’t feel like home
When I fall backwards
You don’t feel like home
To me any more
You don’t feel like home
But you did once

You Don't Feel Like Home

Part of A Litany of Failures Vol. III compilation available for purchase here: https://litanyoffailures.bandcamp.com/album/a-litany-of-failures-volume-iii

Pitter Patter

Written by Katie Mackie.
Produced by JP O'Grady. 
Photo by Louis Martin.

Glow

Sunk Foul Brother

Track 11 of 12 

A crippled space laboratory falls rapidly towards the Earth...

We're Losing The Will To Survive (The Skylab Disaster)

from propeller (inner workings), released December 4, 2020 
https://hungersleeprecords.bandcamp.com/album/propeller-inner-workings

An unplugged version of The Cage from GRICE'S album Propeller featuring the late (magnificent) Raphael Ravenscroft on sax.  

The album cover and track artwork images are also early incarnations of the Propeller CD artwork. (original artwork courtesy of British artist Elizabeth McAlpine)

GRICE: lead vocals, electric guitar, horn arrangements. 
Raphael Ravenscroft: saxophone. 
Joe Breban: drums 
Jerri Hart: trumpet 
Ondrej Pochyly: acoustic and electric violin 

Album cover images originally from 'Quintet’ courtesy of Elizabeth McAlpine. 
Cover designs: GRICE 

Recorded at Sound Gallery Studios, UK 
Engineered by Duncan Chave & GRICE 
Mastered by Duncan Chave 
Composed, arranged and produced by GRICE 

www.gricemusic.co.uk 

© 2020 GRICE 
℗ 2020 Hungersleep Records

Propeller (inner workings)

The Cage (Bird Cage mix)

Ave Life

Helly Hansen 4

Pivotal Orbit

Look what happened when Rope Store got back in the studio in 2020.

Because 2020's been a very 'different' year, this is a very different Rope Store!

Written, played & sung by Jason & Gemma.

Recorded, mixed & mastered at The Crunch, UK.

Isabella

Two brothers versus the machines. Clusters of Eyes debuted at Smugglers Festival 2018 and have since been inhabiting coastal Kent’s subterranean network of tunnels, honing their set of gritty electronica and robot-rock.

This latest track features guest vocals from Troy of punk/hardcore band The Long Knives.

Imagery of a dystopian post-Covid, post-Brexit landscape is set to an irrepressible groove - inspired in equal parts by The Fall’s ‘Blindness’ and Death In Vegas’ ‘Aisha’.

Watch the video here: https://youtu.be/QaII3ePbDtc

This Is Transformation (feat. Troy)

Your Silence is an introspective and reflective song which stems from a scientifically proven fact that the brain responds to being ignored in the same way as it does to physical pain. Your Silence captures both the agony and ferocity one encounters in this situation, as well as the elements of undisputable beauty experienced alongside silence itself. 

Made in collaboration with hugely talented Alex Hall, praised by DJs, press and critics for his DIY approach to his 'British Pop' sound, and heavyweight mix engineer Jay Pocknell (whose past associates include Alt-J and Marika Hackman).

Your Silence

I am the garden
that backs on to your train;
graffiti on a hoarding
sordid reading at close range.
Tights in the gutter.
Another shutter down forever.
I am bouquets at the side of the road.

Look for me in the tailback
as you drive the flyover.
I’m the wall of the underpass
Everyone’s eyes slide off me like egg. At last.

I’m the dark sockets
of a house with no power.
Trip switch lips.

Look for me in the now.

Have I broken into your heart yet?
Have I broken into your heart yet?
I’m talking in tongues again, I know. I know.
But have I?
Broken into your heart yet?

Look for me in the trees
at every roundabout you approach,
in hot black rubber tracks.

I am nettles in the hedgerow
a balloon, a blister pack.
I’m teething again
but this time it’s words, it’s words.

Stand firm Kate:
I make a sweep of my face,
and fake my forehead terror proof.
This is not the time to step out into your headlights.
Look for me in the now.
This is not the time to step out into your headlights.
Look for me in the now.

It’s in the words, the words, the words.
The words, the words, the words.
Look for me in the now.

The Now

I won’t lie - I wanted to make this quickly. I didn’t want to spend weeks or months agonising over choices that I only I would ever know I’d made. I didn’t want to allow my ego to get in the way of what I had created. I wanted to make it and then respect what I had made.

And so, this is an album that was recorded in an afternoon in January (with the exception of one track which was recorded in May). It is imperfect. You can hear my chair creak; you can hear the world outside my window; you can hear my dog move in his bed; you can hear my daughter making dinner. 

It is what it is: a moment captured in zeros and ones via two microphones. Some of these tracks are several years old, some are new compositions, and some have only ever been played at the moment they were recorded for this album.

So often I stress and worry about each and every little thing but there are many moments when I play guitar that all that worry leaves me; I am in and of the moment. In contrast to when I sing a song, playing instrumental music allows me in some way to bypass the inner critic, the internal filter that anticipates and then checks an upcoming mistake or emotional lapse. 

Perhaps it is because the voice is so personal, such an expression of our physical self, that I cannot turn off this filter, there must exist a barrier between my thought and the sound. Playing instrumental music renders this barrier transparent, invisible, vanished.

And so here it is, Moment.

Moment is available from https://benmorganbrown.bandcamp.com/album/moment with a wider digital and streaming release coming in March.

Website: 	https://benmorganbrown.co.uk
Facebook:	https://www.facebook.com/benmorganbrown/
Bandcamp:	https://benmorganbrown.bandcamp.com
Twitter:		https://twitter.com/benmorganbrown
Instagram:	https://www.instagram.com/benmorganbrown/

Recorded 21/01/21 by Ben Morgan-Brown, except Scarborough Fair recorded 15/05/20.
Mixed & mastered by Ben Morgan-Brown

Grungey DIY alt-rock track with Laura on vocals and guitars and Paul on bass, synths and drums.

I found my peace in the middle of a war
became the beast but forgot what for
smashed through the ceiling which was also a floor
feeding the plant but killing the soil
Bleach it and start again
Been awful civilised
Being awful civilised
Been awful c*^%$
I cut my teeth as a professional whore
on my knees I can see much more
saving yourself is killing us all
Bleach it and start again
Been awful civilised
Being awful civilised
Been awful c*^%$

Voices In a Hurricane

Bleach it

Slap you round the face with 80/90s new wave!

The Reality TV - Beats - Master

Weakness

Powerfully uncool electronic pop grooves for sarcastic introverts.
Working the Recovery Chronic Depression/Anxiety
Trekkie 🖖

Bleach it

BROKEN BEAR

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Miaow McDonald

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