Ambient #159

Melodic 42

Recreation  19

wandering

A       162

nevermind, everything’s okay- dreamcorp

nevermind, everything's ok

Yume Nikki - Snow World (slowed)

•*ೃ Sugar Star Planetarium ⋆.࿔࿐

✧･ﾟ

working on new recordings

I'm going to EU this summer 
hit me up if you are interested book me in your show

scratch the clouds

In the hushed serenity of winter's embrace, the ethereal melodies of the Melody of Broken Cake Plates gently weave a tapestry of mellow, soft, and melancholic snow songs. Born from a deep connection to the quiet beauty of winter landscapes, the Melody of Broken Cake Plates's music captures the essence of snowfall and the delicate dance of frost-kissed moments.

The essence of the Melody of Broken Cake Plates's sound lies in the delicate fusion of acoustic warmth and the crystalline purity of winter's touch. The hauntingly tender compositions invite listeners to immerse themselves in a world where time slows down, and every note is a snowflake gently settling on the soul.

The World Feels Empty

DC Promo Tracks #1332: "Too Much" by Rayko & Elena HIkari is part of the release "La Estrella" on Rare Wiri @rare-wiri-records  

Buy Now: https://www.junodownload.com/products/rayko-elena-hikari-la-estrella/6500433-02/?ref=dc 

More Promo Tracks: https://www.dreamchimney.com/promo

DC Promo Tracks: Rayko & Elena HIkari "Too Much"

Door Into Summer

CAST OF CHARACTERS:

Llanpsych-- @llanpsych -- Tez – Initial composition/seed idea, foundational acoustic and electric guitars, distorted electric guitar
Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix
TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric rhythm guitar
J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Composition – The Eclectic Collective

This song began as a haunting guitar chord progression that Tez came up with and shared with the rest of us. He also did an additional accoustic accompaniment and that crunchy distorted guitar once some of us started adding parts. Ken was first up, adding his reggae-tinged drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. Mark then came up with some dark lyrics and added his unique, Tom Waitsian vocals. He also added the high organ during the banjo solo, followed by a toy piano which you can faintly hear right after the solo. Also for the solo he created a clanky percussion arrangement, blending in elements from Ken's percussion sound too. Stephen followed shortly after with the atmospheric reggae-style guitar chords, and also came up with the amazing banjo solo you hear around the middle. Last, but not least, JJ came in with his trademark organ sound and paired up a piano and flute track to seal the deal with some melodic ambience. Then he and Mark added the cool creaking door & rain storm effects that open and close the song, and in other spots. Mark filled the main production duties on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team. Both Ken & Stephen provided a choice of mastering options to choose from… a nice gesture to put a bow on this one. 
This song is an homage of sorts to the great Tom Waits - we're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
ORIGINAL LYRICS BY MISTERMARK:

I got something hidden in my closet 
that I don’t want you to see 
a little like a shady deposit
and it’s bound to incriminate me

Well now some might call it a skeleton 
like a raincoat filled with bones
see I been hangin’ it there since I don’t know when
and I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
and the hand bone’s connected to me
and every day my secret’s gettin’ bigger
soon enough I’ll be swinging from a tree

(swing it boys)

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
and it’s bound to incriminate me

Well now some might call it a skeleton 
like a raincoat filled with bones
see I been hiding it there since I don’t know when
and I just can’t leave it alone
(repeat)

Bones (The Eclectic Collective)

Recorded in Modesto Ca.   Featuring Gibson 335 Electric guitar solo. Alto Saxophone solo. Fender Electric Bass. Roland Synthesizer Bass. Hammond B3 Organ Rhythm. Horn Section, Baritone Saxophone Background, Trumpet Background. Trap Drum set full kit. Percussion Ago go Bells, Tambourine, Bongos.

Midnight Funk

Happy Hour

A fun demo of a super silly song

Vocals/lyrics: Annie Stone
Piano: Russ Stone
Production/Guitar: Graham Carpenter 

***THIS SONG HAS A SWEAR IN IT!!!!!!***

F*** You Money Demo

#HSMPREMIERE
Artist; Didacta & Emilio Mustafá 
Track: #116
Release name: SÍ HAY PARAIS0
Label: Discos Páramo
Release date: 13-Sep-24
Buy: https://discosparamo.bandcamp.com/track/116

The highlands of Bogotá are the thematic pillar of SÍ HAY PARAÍS0, the third EP by Didacta. This work exudes dense sounds and mountainous progressions across four tracks, all influenced by house music currents. Each track on the EP weaves a pristine narrative that contrasts vividly with the frenzy and artificiality of the Andean city.


Didacta
https://soundcloud.com/didacta
https://www.instagram.com/didacta360/?hl=es-la

Emilio Mustafá
https://soundcloud.com/emil1o
https://www.instagram.com/emiliomustafaa/?hl=es-la

Discos Páramo
https://soundcloud.com/discosparamobogota
https://www.instagram.com/discos_paramo/?hl=es-la

PREMIERE: Didacta & Emilio Mustafá - #116 [Discos Páramo]

Boards Of Canada - Music Is Math

SANTA ESMERALDA  The House Of The Rising Sun

A faint signal

Les Plus Grands Succes 2

Tombe La Neige

Bobby Oroza’s debut single “This Love” has already made it’s way from Finland where it was recorded around the world and into the hearts of soul music lovers. Bobby’s emotion drenched vocals paired with Cold Diamond & Mink’s production make for a modern day soul song that walks the line between gritty and sweet. Already a favorite in the Chicano Soul / lowrider scene this tune leaves everyone who hears it waiting for more. Bobby Oroza’s full length debut is due out in late 2018 on Big Crown Records. Stay tuned.

Buy the single in all formats here:

BIG CROWN WEBSTORE: 
https://bigcrownrecords.com/store/this-love-single-version/

Follow Bobby Oroza:

https://open.spotify.com/artist/7DIW7zcnjQFBTMxhK6V2VQ
https://www.instagram.com/bobbyoroza/?hl=fi
https://fi-fi.facebook.com/Bobby-Oroza-1167328409981246/
https://twitter.com/bobby_oroza?lang=fi

Visit us at:
www.bigcrownrecords.com

Follow Big Crown Records: 
open.spotify.com/user/bigcrownrecords 
www.instagram.com/bigcrownrecords
www.facebook.com/bigcrownrecords
twitter.com/bigcrownrecords?lang=en
www.mixcloud.com/BigCrownRecords

Buy at BCR

Bobby Oroza - This Love Pt. 1 - BC064-45 - Side A

Summer Nerves

Ryuichi Sakamoto - Theme For Kakutougi

Chosen instrument: 3/4 Basta Contrabass
Artist: https://soundcloud.com/ottolindholm
Instrument information: https://bit.ly/2PwXenU

~ Four passes with the giant ~

Otto Lindholm used a technique that was developed by the Italian bass player and composer Stefano Scodanibbio. This technique consists in playing the different overtones of each string with two hands simultaneously thanks to the thumbs.

Otto Lindholm - 3/4 BASTA Contrabass (1905)

Voyage To Arcturus

Vakula - Joywind

Santa Esmeralda - Things We Cannot Change

Let's Call It A Day

C-Sick

happy birthday lunaaaaaaa im love


babeyyy

she's the only one (for luna)

From the earlier days of Psybient.
20 years ago 'Midnight’s Children' made their way into the hearts of music lovers.
For our 2nd LP we were searching for deeply pulsating grooves and dark atmospheres within the framework of psychedelic ambient.

Danceable Listening Music is the name of this secret.
The Saafis returned to the studio in 2000, delivered their second longplayer on Blue Room, "Midnight’s Children". The album represented another perfect demonstration of the Saafi-style made up of the will to experiment and get deep into low-down dub and beats, that get the tunes rocking.

Powerfull Chilling, tension and relaxation - the oil which is needed for
the motor of those two creative producers from Frankfurt, Kohlbecker and Gabriel Le Mar.

The World Feels Empty

The Melody of Broken Cake Plates