The Best Laid Schemes of Mice and Men

BROKEN LINKS express melodic and hook laden alternative rock that is dark, haunting and potent. Loaded with atmospheric guitars, melancholic vocals and electronic soundscapes. Originally drawing influences from an assortment of areas stretching from the Manic Street Preachers, Depeche Mode, and Nine Inch Nails to The Chemical Brothers and Massive Attack, BROKEN LINKS have meticulously formulated a hugely unique sound that is stacked with integrity and is utterly all-conquering.

The three piece consist of Mark Lawrence (Vocals/Guitars), Lewis Betteridge (Bass), and Phil Boulter (Drums), and hail from Eastleigh, UK. Since their inception in 2008, the threesome have constantly pushed boundaries, endeavouring with much success to create new pathways and avenues for their ever-evolving sound.

BROKEN LINKS have built a formidable and loyal fanbase following the self-release of three EPs and two albums, and by playing shows with the likes of British Sea Power, The Boxer Rebellion, InMe, My Vitriol, and The Chameleons in the UK, Germany, Austria, Belgium, Czech Republic, and Italy.

A passionate fan of Depeche Mode, Muse, Bring Me the Horizon, Three Days Grace, and Broken Links, I draw inspiration from a wide spectrum of rock and electronic influences. My sound blends driving rhythms with dark, cinematic textures, reflecting both my musical roots and my love of modern production.

My current setup includes a Roland RD-88 stage piano, a Komplete S61 controller, and a Seaboard M, complemented by an extensive collection of instrument packs from Native Instruments, Arturia, Serum 2, and more. These tools allow me to experiment with everything from lush analog synths to cutting-edge digital soundscapes.

I began my journey in music many years ago, starting with early computers like the Atari ST. Even back then, I was fascinated by the fusion of technology and creativity. Today, I’m continually exploring the incredible possibilities offered by modern music production, always searching for new ways to shape sound and emotion.

While I follow technological advances with great curiosity, I approach the rise of artificial intelligence in music production with caution. To me, it feels uninspired when AI takes over the creative process—music risks becoming interchangeable and impersonal. For this reason, I prefer to use technology as a tool for creativity, rather than a substitute for it, striving to keep my music personal and authentic.