Altan Urag – Dawn

For Piano Day 2022 (do not share).

Release date: 29th March '22

Snowdrops

Each year, Piano Day is celebrated worldwide. It's the 88th day of the year, which are the amount of keys on a piano keyboard. In 2022, I want to dedicate my track to the unfortunate people of Ukraine. I've titled my piece "Empathy", as I feel the world collectively, needs to feel the pain these innocent bystanders are suffering at the moment. I hope globally, everyone can draw attention to the plight of the Ukrainians, using any means possible. In my case it's my art.

Empathy #Piano Day 2022

Lisa Linsky is a contemporary solo pianist and composer as well as a voting member of The Recording Academy

Her original heart-felt solo piano compositions are a form of “musical storytelling.” Lisa’s music is a regular favorite on iTunes, Pandora, YouTube and most music streaming platforms. Lisa performs internationally, both publicly and privately. 

Lisa’s debut album, entitled "Sanctuary “ was awarded the prestigious Parents Choice Award for its calming effect on children.

“Lisa Linsky is a pianist who is truly in touch with her musical muse. “ Steve Sheppard, One World Music Radio

"Lisa is obviously a very accomplished pianist, but it is the depth of her heartfelt music that will draw you in and make you want to keep listening.
~ Kathy Parsons, Mainly Piano (mainlypiano.com) 

“Desert Darkness is a solo piano piece that I composed when I was seventeen years old. When composing “Desert Darkness," I attempted to describe the  sense of isolation, danger, despair, sadness, longing and devastations of war. 

Music has the power to express and evoke a wide range of our emotions, in this piece I tried to capture the darkness and heartbreak of innocent lives lost. 

ANGELS AMONG US 

“By exploring the struggle between good and evil in the world, I hope “Angels Among Us” allows the listener to reflect, to find  hope and positivity even in tumultuous times.

I believe that there are forces of light and goodness working behind the scenes to guide and protect us, but also there are dark forces that attempt to mislead us away from The Light. 

Through my music, I hope to create an opportunity for listeners to contemplate the presence of good and evil, the existence of angelic beings, and the positive impact that individuals can have on one another, to contemplate their own role in contributing to the betterment of the world.

It is my intention to engage listeners and create thought-provoking and emotionally stirring music.

It is through music that we endeavor to have a deeper understanding and empathy for the experiences of others, even if we haven't directly experienced those situations ourselves.” -Lisa Linsky . 

https://lisalinsky.com/

Desert Darkness

Website

The Pachas are the "worlds within worlds", an ancient Incan concept for dividing the different spheres of the cosmos. Not unlike modern-day physicists' concept of "Universes within the Multiverse"! So Pachamama refers to the mother of the UNIVERSE, the mother of us all, including our dear Mother Earth Pachamama's Daughter, Gaia

Pachamama (World Mother)

Brombaer Complete Discography:
https://open.spotify.com/playlist/5Tb2Ely0vng2ikdeEBnSda

Spotify ▸ https://open.spotify.com/artist/6YfaSFnkikJYEHnjmau9cJ
YouTube  ▸ https://youtube.com/channel/UCuCOvssxIhl71OAsXcfqTJQ?sub_confirmation=1
Website ▸ https://brombaermusic.com

Sky Nomads

The Wind Explorers

Brombaer - The Wind Explorers

Dear friends,

I’m excited to share “Once Upon A Time”, the first piece from my Music & Score Series. This composition has been with me for many years and remains a favorite—not just for me, but for many listeners. Every time I play it, it feels like embarking on a sentimental journey, a moment to drift away in thought.

Some of you have expressed interest in playing it yourselves, which truly makes me happy! That’s why I’m making the sheet music available for you. It’s a relatively easy piece to play but leaves plenty of room for emotion and personal interpretation.

You can download the music and sheet music (PDF) for free (pay what you want) on my Bandcamp page. 
https://sebastianmorawietz.bandcamp.com/album/once-upon-a-time-free-sheet-music-pdf
Enjoy the music, and let it take you on your own journey!

Yours truly,
Sebastian Morawietz

Video: https://youtu.be/_L0K9oNoRhg

>> FREE Sheet Music <<

Once Upon A Time + FREE Sheet Music

Prelude Holy Grail

My second album "Different Ways" is now on Spotify!

https://open.spotify.com/intl-tr/album/1KKm4xk6RZ4Ty4O5dGjxY5?si=EIb-PsrLSxOwN-pBk-FTKQ

Chaos

From the album With Voices available January 18, 2019 from Western Vinyl.

Bandcamp https://machinefabriek.bandcamp.com/album/with-voices-2
iTunes hyperurl.co/806yif
Spotify http://open.spotify.com/album/3dDRn42zqNUv4vITI2Z3CU
WV http://westernvinyl.com/shop/wv185

With Voices is the newest recording by Dutch composer Rutger Zuydervelt under the moniker Machinefabriek. True to its title, the album’s eight pieces exhibit Zuydervelt’s use of cassette recorders, tone generators, radios, synths, and other hifi curio to construct bewildering aural architecture around vocal contributions from Peter Broderick, Marissa Nadler, Richard Youngs, Chantal Acda, Terence Hannum (of Locrian) and others. These human voices are featured as musical instruments rather than mere vehicles of lyrical content, resulting in a sub-linguistic mosaic of primordially stirring moods.

The initial spark of With Voices was kindled while Zuydervelt was in Taipei creating music for a dance company. In the final days of his trip, a dancer named Wei-Yun Chen caught Zuydervelt’s ear with an instagram video featuring a voice that turned out to be Wei-Yun’s own (she would end up on the album’s seventh movement, a piece that features dissected bits of Taiwanese poetry amid low-pitched murmurs and whispering fogbanks of static). The encounter stirred Zuydervelt to create a single 35 minute soundscape upon which each vocalist on With Voices was encouraged to improvise, be it talking, reading, singing, or wordless, guttural intoning. Such vocal smatterings were then used to determine how the other tonal elements should be arranged, dictating where each musical passage would ultimately lead. “The idea was for everyone to just do what came naturally” he recalls, “the element of unpredictability was important to me.” 

Indicative of this approach “III” (the tracks are simply titled with Roman numerals) slowly winds like ivy through staccato phrases spoken by Zuydervelt’s peer Peter Broderick, whose micro-incantations skip along mechanically only to telescope into monastic grandeur at the track’s midpoint; the vibrations of vocal cords are often stretched to a seismic hum to form the heavy implements in Zuydervelt’s toolkit. On “V”, tape recordings of Berlin electronic artist Zero Years Kid (aka Joachim Badenhorst) sputter with their own apparent intelligence like a faulty AI attempting to interpret reels of human speech in some ruinous library of the distant future. Finally, a siren-like Marissa Nadler leads the suite to its lullabic endpoint with overlapping wisps of harmony devoid of accompaniment ending the album on an angelic note.  

In these moments, like much of With Voices, warm-blooded arteries seem to have grown around bits of well-designed artifice to form something warmly alien, soberly futuristic, and inherently satisfying. More than simply an album of collaborative features, With Voices is a mutating collage of modern minimalism that challenges as often as it comforts. There is an alchemical, metallurgical quality that arises from Zuydervelt’s unique way of merging humanness with abstraction, harshness with beauty, and unintelligibility with familiarity on what may be the most affecting Machinefabriek release to date.

Machinefabriek - "VIII (with Marissa Nadler)"

Forbidden

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Independent composer and producer from the Netherlands, deeply passionate about creating original projects and compositions.

No AI: 100% human-made art & music.