Taken from the upcoming album 'Watering a Fake Flower'.

..........

Open to the Sea are Enrico Coniglio & Matteo Uggeri...

Enrico Coniglio: piano, organ, Yamaha TX7
Matteo Uggeri: rhythms, field recordings, samples, sort of backing vocals

with:

Mattia Costa: drums
Alessandro Sesana: trumpet
Andrea Serrapiglio: cello, drones

Recorded by Enrico Coniglio and Matteo Uggeri in Venice and Milan.
Drums recorded by Gianmaria Aprile at Argolab, Varese.
Cello recorded by Andrea Serrapiglio.
Additional VOG treatments on “I Can Hear…” by Gianmaria Aprile.

Mixed and produced by Matteo Uggeri
Mastered by Ian Hawgood
Artwork by Daniel Crossley

www.fluidaudio.co.uk

Watering a Fake Flower

Open to the Sea - If One Moment Could Be My Entire Life (Pt 1 & II)

Brombaer Complete Discography:
https://open.spotify.com/playlist/5Tb2Ely0vng2ikdeEBnSda

Spotify ▸ https://open.spotify.com/artist/6YfaSFnkikJYEHnjmau9cJ
YouTube  ▸ https://youtube.com/channel/UCuCOvssxIhl71OAsXcfqTJQ?sub_confirmation=1
Website ▸ https://brombaermusic.com

Sky Nomads

The Wind Explorers

Brombaer - The Wind Explorers

Klänge des Südens

Taken from PERILS - S/T (Pathway010)
PERILS is Benoît Pioulard and Kyle Bobby Dunn.

Mutual admirers of each other’s work, Thomas Meluch (Benoît Pioulard) and Kyle Dunn (Kyle Bobby Dunn) endeavored to put together a collaborative recording that ruminates on painful realities, disappointments, and transitioning to new homes, in the hopes of finding a coping mechanism to bring them through to the other side.
PERILS began auspiciously in 2012 at transitional points in these artists’ lives. Kyle was living in a small town called
Belleville, Ontario trying to complete Kyle Bobby Dunn and The Infinite Sadness (Students of Decay) and coming to grips
with the fact that this great endeavor was at its end. Given the enormity of the record and the emotionally and physically
exhausting process of recording the album, Kyle found himself drained with unforeseen questions and confusions. Working only at night, Kyle immersed himself into this newfound nocturnal work, finding a path in the midst of wondering. Thomas, meanwhile, was in a state of literal transition: uprooting from the UK and relocating to Seattle during the recording process of PERILS. In a state of flux, nearly drowning under the anxieties of living on uncertain ground, Thomas channeled these emotions into musical escapades. Thomas recorded in his spare moments, sending sonic puzzle pieces one by one to Kyle, who would in turn explore the musical sentiments Thomas had shared, adding his own billowing sounds to the seething mix.
The ten pieces created for this release are culled from a poutine- and whisky-fueled trudge through the dark corridors of an as-yet undiscovered or possibly imaginary mystic temple. Commencing with the shimmering guitar and tape loops of “Colours Hide My Face,” the album crawls out of the grooves with a slow-churning turmoil, coaxing the listener to embark along its path. The dirge-like guitar clang and vocals of “(Dead in the) Creekbed Blues” could be an 18th century blues standard emitted from a buried radio. On PERILS, Thomas Meluch and Kyle Bobby Dunn lock arms and together chart the upheaval in their lives to bridge the liminal gulf between the once-was and the soon-to-be.

PERILS - Flaw

I've been recording this piano record in my living room with a lovely American made Charles Walter upright piano that I found on Craigslist - or maybe it found me - but this record captures three weeks in June when I create some compositions with it and added a few string parts as well.  Enjoy.

An advance look 
Music by East Forest
Recorded in Portland Oregon in my living room.




info

Provenance

Jordan Klassen's Curses will be released March 3 2017 via Nevado Music. This is the title track from that album.

Jordan Klassen - Curses

Such a light Tuesday November Morning in Berlin. Inspiring! 
I drop a Waltz. #Daybyday Project continues:
http://listentolambert.com
Maybe I play it live on some of the shows:
15.11 Köln / Kulturkirche / http://bit.ly/2sP20yd 
16.11 Wuppertal / Börse / http://bit.ly/2ucQ8tp 
17.11 Bielefeld / Bunker Ulmenwall http://bit.ly/2vbzOXj 
18.11 Paris (FR) / Les Trois Baudets / http://bit.ly/2tM4W1N
22.11 Berlin / Funkhaus / http://bit.ly/2rVzm0M
23.11 Yverdon (CH) / Theat Benno Besson/http://bit.ly/2rVntYs
24.11 Amsterdam (NL) / Vondelkerk / http://bit.ly/2swRHPt
30.11 London (UK) / St.Pancr Old Chr / http://bit.ly/2tEQSW1
01.12. Athen (GR) / Plisskën Festival / http://bit.ly/1tJvEy1
22.12 Lübeck / Kulturwerft Gollan / http://bit.ly/2xZ8gpz
23.12 Hamburg / Elbphil / (Sold Out)

Lambert - Lume (Day By Day Project - Tuesday Waltz)

John Surman- Jack DeJohnette - Mysterium - Kissvk.com

DreamMan - Neytiri's Song (Chillout Version) 🎶
Stream & Download: http://hyperurl.co/NeytirisSong
🎧 Spotify Playlist: http://bit.ly/AmbientSpotify

#Ambient #Chillout #Drone

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💬 Silence is the sleep that nourishes wisdom.
-Francis Bacon

🧡 DreamMan
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https://dreamman.bandcamp.com/

💿 Suggested track: https://youtu.be/4dAWbNHIfWU

📷 Picture by Alecsander Alves
https://unsplash.com/photos/n_LdLfRke6g

✅ Check out our 24/7 livestream
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Neytiri's Song

Stream & Download

DreamMan - Neytiri's Song (Chillout Version)

from 'Spectral' [CD|LP|DIGITAL]
Denovali Records · den335
available on all formats at http://denovali.com/robinschlochtermeier

Robin Schlochtermeier is an Anglo-German composer who has written the music for several award-winning broadcast documentaries and features. Classically trained, his music often combines organic sound design elements (and occasionally synthesis) with more traditional instrumentation (piano, orchestra).

Most recently Robin composed the music for 'The Spy Who Fell to Earth', an international espionage documentary which was released on Netflix worldwide in 2019. Robin, among others, also scored 'Virgin Queen's Fatal Affair' (Best Specialist Factual - Royal Television Society Awards), the features 'Queens of Syria' (Black Pearl Award - Abu Dhabi Film Festival), 'Retreat' (Premiere at Screenplay Shetland Festival, curated by UK film critic Mark Kermode), 'Oh No, Not Rudy Again!' (Cannes film festival 2015), and 'Strings' (British Independent Film Award).

"Spectral" is the first solo album of Robin Schlochtermeier. It's a set of slow, sometimes ambient pieces that function like distant echoes of childlike experiences of the natural and material world.

“My inspiration for the album is tied up in having become a father recently,” says composer Robin Schlochtermeier. ”As my daughter’s consciousness was forming I would often catch an amazed look on her face or notice that she stopped and stared at some small detail in her environment. This would frequently evoke a profound sense of mystery in me, and I grew curious as to what was causing her to react in such ways.”

The pieces on Spectral are attempts to capture some of this mysterious, nebulous spirit of bafflement and wonderment. “Seeing the world through my daughter’s eyes reminded me of the experiences the world can produce in our minds when we are open, receptive and boundary-less”, says Robin. “I started to wonder if I was half-remembering my own experiences of the world from when I hadn’t yet been trained to carve it up into neat concepts.” The result are pieces like “Lapping”, which in its slow, circular motion points to a rhythm of life unaffected by expectations of busyness, while rooted in a sense of grandeur and timeless wonder.

Spectral was recorded using a British upright piano from the 1950s with original worn strings, which are occasionally dampened with poster putty. The other elements are all forms of electronics and sound design, including a software synth (Retrologue) and custom programmed sounds generated from the composer’s bank of original sample recordings.

One of the aims for the album was to explore a limited palette of sounds. Some pieces only contain 3 layers of sound, while some are a little more complex. “The intention was to create space and openness in the arrangements”, according to Robin. “This principle also led me to explore longer and longer forms. As I went on I felt increasingly drawn to longer emotional arcs, resulting finally in Sonnenstaub."

Spectral

Robin Schlochtermeier - Woodlouse

Ultimae proudly presents "Hereafter", a collection of past and present works by Mihalis Aikaterinis aka MIKTEK to which the Greek composer desired to give a second breath and offer a new dive into his deep musical world. All tracks were carefully chosen, revisited, reedited, recorded live, remastered and assembled with two unreleased ones to create a smooth melancholic journey.

Washed out blissful pads and slow idm rhythms are to be expected as the foundation of this release. From the warm ambient vibe of Dawsonia to the dubbed out landscapes of Omniprescence and the glitchy rhythms of Atmosphere of Neglect, Mihalis cruises through multiple electronic territories while keeping a coherent sound along the way. 

Sometimes reassuring, sometimes dark, but always captivating, these pieces feel like a never ending ascent to the lights above.
During the troubled times we're experimenting, "Hereafter" resonates with a touching singularity. While the title might evoke dismal images, what we hear is an invitation to look farther than anything else, farther than our present times, to journey to clearer skies and quieter waters.


Credits 
Written, arranged, mixed and produced by Mihalis Aikaterinis, except “Parenthesis (Ozora live edit) » by Mihalis Aikaterinis and Vincent Villuis
Mastering by Vincent Villuis @ Ultimae Studios
Artwork by Arnaud Galoppe and Vincent Villuis
P&C 2020 Ultimae
inre103

Hereafter

Deep Dive Conversations

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MIKTEK | Deep Dive Conversations

Not active on Soundcloud anymore.
Follow me on Spotify, YouTube or Bandcamp.

Independent composer and producer from the Netherlands, deeply passionate about creating original projects and compositions.

No AI: 100% human-made art & music.