This piece explores the idea of sound romances (1) and aural memories that connect us to a specific time and place in our lives. Changing soundscapes can tell us a lot about the history of a place and how it is has changed over time. The sounds may have changed due to industrial engineering and economic developments. As composers we can create virtual soundscapes that can document the sounds of the past and recreate it. We can use the medium of Electroacoustic music to express the importance of changing soundscapes through the creative use of field recordings and spoken word. It is interesting to see what sounds people remember from their past. Why do they remember certain sounds more than others? Is it because they are disturbing? Is it because certain sounds are associated with a particular feeling from a specific time and place? 
This composition brings together elements of soundscape composition, spoken word and electroacoustic techniques within an 8-channel speaker setup. 
Sound Romances: Any past or disappearing sound remembered nostalgically, particularly when idealized or otherwise given special importance. Whereas new sounds are often experienced as sound phobias, old or past sounds are often elevated to the category of sound romances in memory.
Truax, B. (1999), Handbook for Acoustic Ecology (CD-ROM), Vancouver, Cambridge Street Publishing.

Spoken Word: Tiernan Martin 

A Bit Closer to home

Revisiting some under-explored experiments in "self-directed" sonic systems from Design After Nature project in 2008.  An experiment in maximal minimal generative systems (most variety, from simplest system).

What if sound determined the conditions of it's unfolding? 

In this example a tap dripping controls its own playback.

Pseudocode: 

Play sample
Listen for onsets
If above threshold (probabilistically) 
- change direction and speed (as an inverse function of the frequency of strongest partial -- to create a simple homeostasis) 
- resynthesise N partials according to the original energy distribution at the point of onset detection.

This simple routine draws out and explores the latent rhythmic and spectral content of everyday sounds. Endlessly. 

Best listened late at night on headphones.

It has a of life of it's own that I find quite pleasing. But I have been living on my own for nearly 3 months now : ) 

Implemented in the excellent beads for processing by Ollie Bown
http://www.beadsproject.net/

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A Bit Closer to home

Brona Martin

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