Bootleg Firecracker

"Fuego Cruzado" es una balada de synth-pop oscuro que explora el dolor de una ruptura, pero con una perspectiva de empoderamiento y renacimiento. La canción utiliza la metáfora de un "fuego cruzado" para describir un momento de intensa confrontación emocional, donde las palabras duelen como balas, pero al final, el calor de la batalla purifica y transforma.

La producción es una mezcla melancólica de electrónica y pop. La canción arranca con unos sintetizadores atmosféricos que crean un ambiente introspectivo y dramático. La voz, llena de dolor y vulnerabilidad, se adentra en el recuerdo de una relación que se desmorona. El coro es el punto de inflexión de la canción, con un grito de guerra que proclama un deseo de dejar el pasado y de quemar los recuerdos. La canción se desarrolla a través de un estribillo susurrado, que añade una capa de intimidad y fragilidad, antes de que el estribillo final estalle con una energía que se siente liberadora.

Esta canción es para aquellos que han vivido una ruptura que se sintió como una guerra, pero que, al final, los hizo más fuertes. Es un himno a la resiliencia y a la capacidad de encontrar la libertad y la esperanza en medio del dolor.

Fuego Cruzado

Now That The Light Is Fading

Dog Years

On + Off

I Don't Want U Back

Saturdays (feat HAIM) the new song from the upcoming album Caer coming April 27, 2018. #SCFIRST

Stream or Download Saturdays here: https://TwinShadow.lnk.to/Saturdays
Watch the video for Little Woman here: https://TwinShadow.lnk.to/LittleWomanMV

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"Saturdays" (feat HAIM) Lyrics:

This could be the last time 
That could be the fault line slipping away 
This could be your last line
Care about everything that you say 

This might be the last ride 
Every road could fall right under our feet 
and Sink into the ocean 
This will be a lost street 

When you open your eyes 
It's like nothings real 
When you open your eyes
its like 


Saturdays 
When we dance in the dark in the room 
Where it all gets real 
I know you know how It feels

Saturdays 
When the moon light lit up your face 
And let love spark 

I traveled around a bit 
Makin my chrome heart sick 
No one could make me stay 
No one could make me sit

Maybe we are a fault line 
Maybe we're a phone line ready to break
Maybe you're a time bomb 
I don't care what your boyfriends say

When you lift up your head it's like nothing's real 
When you open your eyes 
It's like 

Saturdays 
When we dance in the dark in the room 
Where it all gets real 
I know you know how It feels 
Saturdays 
When the moon light lit up your face 
And let love spark 

Did the good days go away 
in the bright lights did it fade
we were heavy 
we were side ways 
when we danced in the dark over my place
If its my face 
you remember 
from all the sundays in the summer 
then you'd know there was so much more than a spark 
enough to make me run and follow you in the dark 

Saturdays 
When we dance in the dark in the room 
Where it all gets real 
I know you know how It feels 

Saturdays 
When we dance in the dark in the room 
Where it all gets real 
I know you know how It feels 

Saturdays 
When the moon light lit up your face 
And let love spark

Saturdays (feat. HAIM)

Heard It In A Past Life

Fallingwater

Everything Goes (Wow) out now: https://BROODS.lnk.to/dftpm-outnowSC

From BROODS' album "Don't Feed The Pop Monster" available everywhere now.

Everything Goes (Wow)

Rostam's new song "4Runner" is off his upcoming album, Changephobia, out June 4th.
• Pre-order: https://rostam.ffm.to/merch​
• Pre-save: https://rostam.ffm.to/changephobia​
• Listen: https://rostam.ffm.to/4runner​

LYRICS
the first time they took me down
i went down swinging
second time, i didn’t put up a fight

i take the keys down from the hook
i pick you up from work
we stick to the straight roads up the west coast 
and i feel a part of me slide 

when the trucks drive by
i feel ‘em sway us side to side
you’re underneath a blanket on the backseat
i’m going station to station on the dial

don’t wanna be pretty like a girl
i think i’m pretty much your boy
you wear a baseball cap all the time
and keep a knife in the passenger door

***

sleeping behind the wheel
pulled over on the freeway
4Runner , stolen plates
long, long gone

take off a shift for me
i’m waiting down the street
take all the time you want
to come come come 

***

last time we did it
we both knew it hit different
lying down across the front seat
used to leave you weightless and listless

when the trucks drive by
i feel em sway us side to side
i used to keep u up all night
u used to drive when i got tired

chorus

i think we’re getting close
i think we’re getting closer
we got this 4runner
and we been good together

4Runner

Shop SPACE ISLAND Merch & Vinyl: https://linktr.ee/broodsmusic

The fourth full-length from BROODS, Space Island is an exploration of grief and all its many dimensions. In keeping with the New Zealand-bred duo’s unfettered imagination—an element they’ve brought to multiple platinum-and gold-certified records so far—the album’s 10 tracks exist in a surprisingly radiant sonic realm, its aesthetic equally inspired by ’60s sci-fi B-movies and the balmy exotica of composers like Les Baxter.The most high-concept output yet from BROODS—a ten-time New Zealand Music Award-winning act who’ve amassed over a billion streams to date, collaborated with the likes of Lorde and Tove Lo, toured with HAIM and Taylor Swift, and taken the stage at major festivals such asCoachella and Lollapalooza—Space Island came to life during a period of serious upheaval for lead vocalist Georgia Nott. Having married at the age of 21, she went through a difficult divorce soon after the release of BROODS’ previous album Don’t Feed the Pop Monster(a 2019 effort that led to appearances on“Late Night with Seth Meyers” and“The Late Late Show with James Corden”). As Georgia turned to songwriting as a means of processing her grief, she and her brother/bandmate Caleb Nott discovered an unlikely but wholly fitting vessel for that emotional outpouring: the album’s gorgeous constellation of otherworldly beats, swooning guitar tones, and effervescent synth lines. As a result, Space Island introduces a dazzling new intensity into BROODS’ atmospheric indie-pop while providing a powerful conduit for catharsis. 

MANAGEMENT:
Slush Management - Neal O'Connor / Sam Luria

BOOKINGS:
THE AMERICAS - mhayes@apa-agency.com
AUSTRALIA / ASIA - swald@wmeentertainment.com
NEW ZEALAND - reuben@banishedmusic.com