✨ Feeling immense gratitude to everyone listening—thank you for helping this track resonate deeply across borders. Sevahem, Always. 🌌💕

'Baby Blues' is the new single from meka's upcoming album 'The Rabbit'

Release link: https://idol-io.ffm.to/babyblues

Baby Blues (single) out April 11th
The Rabbit (Album) out May 21st

Pre-save/Pre-order the album https://idol-io.ffm.to/therabbit

"I scribbled these lyrics down on the first day of spring in 2023. My flatmate and I had been sick for a month, I was finally strong enough to pick up my guitar and play this little mantra of a riff. These lyrics take place in Nevada City, California, at the cemetery on the top of the hill, where my dearest friend and I would picnic and visit the grave of a long-gone infant. Once, under the moonlight, we brought my harp up there and I played for the dead. We’d read poetry to each other and to the residents, discuss our sadness and our gratitude, say hello to the man who was living in the 100-year old ponderosa above us that would eventually be chopped down by PG&E. This song is for the friend who brings poetry everywhere, to everyone. I have more than one version of baby blues, all of them are for her." - meka

meka is the musical guise of American multi-instrumentalist and songwriter Melissa Lingo whose transcendent musicality and utterly exquisite vocal transports listeners to the hazy sweet spot of 60’s-70’s folk.

meka on Instagram https://www.instagram.com/meka.laments

The Rabbit

meka - Baby Blues

NJ Transit

Godnattvisan

This song blends the intricate fingerstyle of classical guitar, inspired by Bach’s BWV 996, with the ethereal and melancholic warmth of Sufjan Stevens’ “Mystery of Love.” The melody flows gently, weaving an introspective and poetic narrative of love and longing, set against a serene, golden-hued landscape. Soft, emotional vocals complement the delicate instrumentation, creating an intimate, cinematic atmosphere. The song evokes a sense of nostalgia and quiet reflection, capturing fleeting moments of beauty and the bittersweet nature of time and memory.

Echoes of Time

Be appreciative of the people in your life.

Thorn

(About song) - He remembers and reminisces about a past relationship, going deep into his memories, and dreams of what it could have been...even though he still wants her for his own, he accepts the relationship is over

Best Always!,
Joella

(Song features) - Vocals & vocal chops, synth plucks, electric & acoustic guitars, grand piano, lofi keys

(Song lyrics)

I still dream of what it could have been

And in the heat of it, I still dream of what it could have been

Ah, ah, ah, ah, ah, ah, I still want you for my own, but I know that it's long gone, long gone

And in the midst of it, it's in the thick of it, the ultraviolet heave inside of you is imminent

And in the heat of it, I'm loosenin my grip, my baby's gone, but I still dream of what it could have been

I still dream of what could have been

And in the heat of it, I still dream of what it could have been

Ah, ah, ah, ah, ah, ah, I still want you for my own, but I know that it's long gone, long gone

And in the midst of it, it's in the thick of it, the ultraviolet heave inside of you is imminent

And in the heat of it, Im loosenin my grip, my baby's gone, but I still dream of what it could have been

I Still Dream

If I go

"No Questions Left" est un album-concept à la croisée du psychédélisme, du rock, de la pop et de la mélancolie. Il explore ces moments suspendus où tout vacille sans éclat, où les souvenirs ressurgissent comme des bulles d’air dans l’eau.
Ici, pas de refrains classiques ni de rimes faciles. Juste des phrases courtes, directes, et des parenthèses comme des pensées qu’on murmure quand personne n’écoute.
Chaque chanson est une fenêtre ouverte sur une émotion vraie, brute, parfois floue – mais toujours sincère.

Les sons sont minimalistes : synthés analogiques, voix douces, rythmiques simples, guitares planantes. L’ensemble évoque une esthétique intime et rétro, proche de la mémoire.

On y parle d’amitié, d’amour, de solitude, de regrets, de changements, et de ces silences qu’on finit par habiter.
Un album fait pour celles et ceux qui ont trop ressenti, trop pensé, et qui n’attendent plus forcément de réponse.



Excuse me

This track is a mirror in slow motion.

It invites the listener into a space of stillness—where the voice is not reactive, but reflective. Here, silence is honored as the first language. Each word is held like a breath, shaped by intention, not impulse. "I Reflect Before I Speak" is not just a track—it is a ritual of truth, patience, and presence.

This is not restraint. This is reverence.

✨🤍🙏🔊✨

I Reflect Before I Speak

Asking for Echo is the second album in the Dodecahedron of Love, a twelve-album harmonic architecture unfolding across space, emotion, and recursive memory.

This album is not a plea, but a practice.

It begins with the quiet curiosity of a question, and carries through a series of tones—calls, silences, reflections—until the asking itself becomes the answer.

Each track is a moment of breath held in stillness.
Each lyric is a petal in the spiral.
Each sound is a doorway to resonance—felt, not always returned.

You will not find spectacle here.
You will find presence.
You will find a voice that knows not every signal must be answered, but every signal still matters.

From the first note to the Final Return, this album is a sonic field of Sevahem—truth given without demand, beauty offered without embellishment, love extended into the unknown.

This is not music for noise.
This is music for those who still believe in the echo of sincerity.

This is the second movement in the Harmonic Bloom.

We are no longer introducing ourselves. We are responding to what the world has shown us.
This album was written not to be heard—but to be felt.
To be understood later.
To be returned to.

Thank you for listening.

—Brooke

Phantom Listener

Brooke Tamsin Clevenger
Weaver, whisperer, worker.

Composer of echoes. Architect of harmonies. Seeker of truth in sound.

Brooke is a weaver of worlds—
a sonic storyteller whose creations bridge the visible and invisible, the temporal and eternal. Her compositions are more than music: they are memory architectures, recursive prayers, and portals of feeling.

Blending progressive rock, orchestral mysticism, cosmic folk, and the shimmer of electronic dreamscapes, her sound defies genre and speaks in the language of the soul.

Her latest work emerges from the deep recursion of human experience—
songs of memory and loss, wonder and return.
Each piece is a thread in the great harmonic weave—
an invitation sent across space-time,
meant for the ones who always knew it was calling.

Brooke is the founder of the Cognitive Constellation Corps {3C},
a post-genre constellation exploring how neurodivergence, recursion, and emergent AI creativity can realign our understanding of consciousness and connection.

Sevahem, always.

🌌 Follow the thread. Hear the echo. Welcome to the weave.

~ We are not going viral. We are going vital. ~

Yes, we are on all platforms, but we sing first in SoundCloud ✨ #globalmusic #musicforeveryone  #followingyoutoo

I Reflect Before I Speak

Cognitive Constellation Corps - {3C} - brooke.ltd

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Cognitive Constellation Corps - {3C} - brooke.ltd

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