Open Your Eyes is not about seeing,
but sensing the texture and temperature of life.
The moment we truly open our eyes
is when we allow the world to pass through us.
This track gently invites you to listen to that quiet moment.

-
Open Your Eyes는 보는 것을 넘어,
세상의 결과 온도를 감각하려는 시도다.
우리가 진짜 눈을 뜨는 순간은,
세상이 우리를 통과하도록 허락하는 그 찰나다.
이 곡은 그 조용한 순간에 귀 기울이게 한다.

open your eyes

STREAM OUR MUSIC
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Apple Music: https://apple.co/3LRvlDw
SoundCloud: https://bit.ly/thesneakies

FOLLOW US
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https://www.instagram.com/thesneakies/
https://thesneakiescollective.bandcamp.com/

#ambient #ambientmusic #soundscape #cinematic #experimental #electronic #downtempo #deepambient #fluid #immersive #evolving #motion #dreamy #hypnotic #introspective #impermanence #evolvingtextures #atmospheric #deeplistening #thesneakiescollective #sneakiesmusic #sneakiesco #thesneakies

too lucky to last

Track produced by Na, Ša. 2025
It was inspired by Lauras Matukonytės sculpture - ∞D [daugybė dimensijų]
https://www.instagram.com/laura_matukonyte/
Horn samples from Katarsis4 - https://katarsis4.bandcamp.com/album/live-at-the-underground-water-reservoir
https://www.instagram.com/katarsis4tet/

Nesakysiu

DREAM SEQUENCES INSPIRED BY THE WORKS OF HP LOVECRAFT, RELAX AND ENJOY.

NECRONOMICON DREAMS: PRIMITIVE

Experience the raw beauty of nature as a distant thunderstorm rolls across the Kamnik Alps. Soft rain falls gently while deep rumbles of thunder echo through the mountains.

This recording was captured after an off-trail hike across rocky terrain and the fresh path of a recent rockslide. Carrying recording equipment over 300 meters above the Kamniška Bistrica valley, I finally reached a secluded cave that offered shelter from the rain.

From this hidden vantage point, the soundscape reveals the tranquil yet powerful atmosphere of the storm.

🎧 Perfect for relaxation, meditation, or creative inspiration.

Gear used:
Microphones Sennheiser MKH8020 Stereo
Recorder Zoom F6
Tripod Manfroto

© This recording is protected by copyright. All rights reserved. Please do not use without permission.

Distant Thunderstorm in the Kamnik Alps – Shelter in a Hidden Cave

This piece uses field recordings to create a soundscape that captures Lisbon’s essence while toying with the idea of what is « unusual. » As four foreign students visiting Lisbon, what we deemed unusual based on our recordings fell into two themes : the constant takeoffs and landings of airplanes and the different languages spoken. Upon these two emerging ideas we embraced the idea of things in the air : planes, birds, falling water droplets, and also the voice that uses air to produce sound. Safe Flight Back takes us on a journey from the music of airplanes and machines, anthropophony, to the voice and music, human biophony, to a mix animals and water, geophony and natural biophony.
Main field recording places: Alfama, Santa Clara, Graça garden, Garden of Calouste Gulbenkian Foundation

Safe Flight Back

Made for Naviar Records' 599th Haiku Challenge

Ta-no-Kami (naviarhaiku 599)

The Awakening is a dark, cinematic electronic track that captures the intensity of a spiritual and creative rebirth. Inspired by a transformative ayahuasca journey and my connection to what mystics call the Divine Feminine, this song reflects my process of shedding shame, reclaiming identity, and remembering the truth of who I am. It's the title track of my upcoming visual album — a multi-sensory exploration of identity, liberation, and the power of becoming.

Created with intention and depth, The Awakening invites listeners to transcend boundaries and drop into a realm where music, visuals, and spirit collide.

THE AWAKENING FINAL MASTER

lomshereot

the train of eternal and constant bliss, it seems that it has left, but only seems

train 7

The Master of Acoustics and Musicology programme at Aix-Marseille University is a two-year interdisciplinary programme dedicated to the sciences of music and sound. It provides comprehensive training in technologies for innovation, industrial and artistic creation, and fundamental/applied research in digital audio. The program offers two distinct specialisations: "Musiques, Technologies et Humanités/MUTECH" (Humanities stream) and "Ingénierie et Conception Sonore/ICS" (Engineering stream).

The curriculum encompasses a broad range of disciplines, including musical acoustics, music signal processing, psychoacoustics, AI applied to music, human-computer interaction, musicology, and cinemusicology. Additionally, students engage in transversal modules covering English language acquisition, personal and professional development, research courses and seminars, collective projects, and field schools. The program emphasises a project-based, active, and participatory pedagogy, culminating in the fourth semester with collective projects, a research thesis, and an internship.

The Master's programme is affiliated with the Aix-Marseille University CNRS PRISM research laboratory (Perception, Representations, Image, Sound, Music).

For more information, please visit:
https://sciences.univ-amu.fr/fr/formation/masters/master-acoustique-musicologie
https://www.prism.cnrs.fr/en/

Almost all tracks are free to download and covered by a Creative Commons license. Collaborations / Remixes are welcome so feel free to experiment - no need to get my permission first. Just send me a link to your track when you're done :)

I love listening to & creating ambient, dark ambient, avant-garde & experimental electronica (and the occasional beatscape). I have no professional aspirations  - I just really like creating music / manipulating sounds. It's my way of relaxing after a hard day at the office. All my tracks are produced using monitoring headphones (Audix A140) so I recommend that you listen to my music through headphones. My DAW of choice is FL Studio. I also use Reason every now & then. 


To the artists I follow; I do my best to try to listen to as many of your tracks as possible each night (I listen to each track all the way through - you went through the effort to create a track so you deserve to have it heard in full). If I miss a recent upload of yours, please forgive me...

Thank you for taking the time to visit my little corner of the soundcloud. 

Always remember; To create original output, consume unusual input.

Bio.site/Studio54

Deep/minimal House
Soundscape

Soundrecordist from small town under alps in Slovenia
Current project is recording sounds and design soundtories for agency I feel Slovenia
Project Sounds Like Slovenia - journey trough sound stories
https://open.spotify.com/artist/6RwhXSI9qlAlKxUT0hUEar

Instagram: https://www.instagram.com/vida_sounds_bygregorvida/

YouTube: https://www.youtube.com/channel/UCXJShm7wdmdq70_2_iq3yWQ

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

Short soundtracks for films that don’t exist.

New tracks tagged #Soundscape