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Welcome To 2030: The Terminator Sequel - Live And In Living Colour Album
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story written and album produced by fictionalive

music, carefully used, written, arranged, played, mixed, produced, and provided by courtesy of mobygratis and its crew, licensed and curated by fictionalive //
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vocal production, arrangement, and final mix by fictionalive

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artwork photography and image editing by fictionalive

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fusion of it all -
fictionalive with the popoems series and the hyper media reports.


dropped
sunday, november 16th 2025
11:22 pm central european time zone

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The Year 2030: Welcome to the Terminator Sequel - Live and in Living Color /// 0I00II ///

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Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.

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Welcome To 2030: The Terminator Sequel - Live And In Living Colour Album

Title: My Face in the Crowd
Lyrics and arrangement by PRF Soundscapes (All rights reserved 2025)
Music style: dancehall / club dance
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In a crowded place, our eyes collide
One tiny moment… time rewind
Memories rushing, your gaze pulls me in
Praying you still feel what used to begin
I saw your face in the crowd 
Your face in the crowd. 

I hoped you’d see my face
Remember our time, our sacred place
Maybe to you it faded away
But for me it’s alive - it never decays
I hoped you’d remember my face in the crowd
My face in the crowd
My face in the crowd 

My face in the crowd
I saw your face in the crowd
We keep on searching
Faces in the crowd

A quiet smile, a hidden tear
Searching your eyes for the spark I fear
A sign that what we had was true
’Cause in my heart, it still pulls through.
I saw your face in the crowd
Your face in the crowd

I hoped you’d see my face,
I hoped it
I hoped it
I hoped you’d remember my face in the crowd,
My face in the crowd
My face in the crowd 

Time moved on, but here I stay,
Holding pieces of our yesterday.
If you could see the dreams I keep,
You’d hear your name in the nights I weep.
I saw your face in the crowd
Your face in the crowd

I hoped you’d remember my face,
My face in the crowd

Here I stand, in the echo of us,
Clinging to memories I still trust.
I hoped you’d feel the love unbound…
When you see my face
My face in the crowd 
My face in the crowd

My Face in the Crowd

Lush

ambient soundscapes exploring new ideas in science and science fiction.

SFS - A NEW HAVEN

Equals

SFS - ADRIFT BENEATH STARS

SFS - RIDING THE RADIUS

SFS - THE ICE BENEATH OUR FEET

SFS - THOUGHTS FROM AFAR.

SFS - AS NIGHT FALLS

SFS - WHEN THEY CAME

SFS - THE DYING OF THE LIGHT

SFS - JUST ANOTHER DAY

Whispering Divide

A Cover of Dark Black Coal by Logan Halstead- from the Album of the same name, 2023.

A Narrative Blending of Song and Story. This soundscape is an immersive atmospheric experience Honoring the Universal Emotions of Despair, Resilience and most Paramount of all; Hope.

Best enjoyed with Headphones.

Performed By Golden Trash People
Ben Fields- Guitar, Vocals
Ilya Rutman- Supporting guitar
iteration//:odd - Production & Sound Design


released September 28, 2025
All of the Folks at Freesound who helped to make this possible!

Morning birdsong by River Teign near Teign Gorge by Philip_Goddard -- freesound.org/s/683049/ -- License: Attribution NonCommercial 4.0

Ambience, Day Wildlife, A.wav by InspectorJ -- freesound.org/s/398980/ -- License: Attribution 4.0

Large Family Dinner Ambience OWI by WolfOWI -- freesound.org/s/588315/ -- License: Attribution NonCommercial 4.0

Squeaky office chair by HenKonen -- freesound.org/s/757241/ -- License: Creative Commons 0

Pulley_1.wav by nome_diva -- freesound.org/s/585401/ -- License: Creative Commons 0

elevator 02 by oliwoli -- freesound.org/s/548462/ -- License: Creative Commons 0

Foley_Object_Clock_Old_Ring_Stereo by Nox_Sound -- freesound.org/s/790018/ -- License: Creative Commons 0

school bus truck ext idle engine close shut off.flac by kyles -- freesound.org/s/451666/ -- License: Creative Commons 0

Car Door Open/Close (interior perspective) by iainmccurdy -- freesound.org/s/643121/ -- License: Attribution 4.0


Steam whistle 02.wav by LG -- freesound.org/s/74474/ -- License: Attribution 4.0

Mining TNT explosion from about 2 km distance.wav by jb_stems -- freesound.org/s/410414/ -- License: Attribution NonCommercial 4.0

Rockfall in mine.wav by Benboncan -- freesound.org/s/60085/ -- License: Attribution 4.0

Surroundings of a mining camp at the edge of the forest, a distant motor, birds and a rooster by felix.blume -- freesound.org/s/638844/ -- License: Creative Commons 0

Mining with Pick Axe in a group by MiraclesHappen -- freesound.org/s/457585/ -- License: Creative Commons 0
license
all rights reserved

Dark Black Coal (Theatrical)

An extended drift through evolving harmonic space — a slow, deliberate unfolding of tone shaped by quiet motion and layered resonance.

The track begins in soft focus, gathering density as immersive textures rise and intertwine. Mid-track, the soundfield opens fully, revealing a delicate interplay of shifting harmonics and spectral shimmer, before tapering into a spacious, reflective glow.

Every moment feels alive with subtle energy — waves of tone crest and dissolve with hypnotic regularity, while the stereo field expands and contracts like breath.

Meditative and expansive: a longform ambient trance journey sculpted from movement, memory, and luminous stillness.

5.5x

First Light

A different kind of vibe for this one. This is a pure ambient soundscape. For the early mornings, the late-night thoughts, or any time you need a moment of clarity. Hopeful, ethereal, and calm.

Had to put this one on the wall. Big love to my heritage with the sun inspired by the Philippine flag. 🇵🇭

Streaming now on SoundCloud. Hit the link in my bio and let this one wash over you.

Like | Share | Follow

First Light

Anahata Flow

Sounds from air to land
VINYL READY

Contact deafexchange@gmail.com for ghost producing

Ray Paul is an artist, music maker and sarcoma survivor residing in Tampa, FL. 

All music by Ray Paul and the Starry Eyes

Echoform+ModeM is a new creative chapter and collaboration heavily influenced by the innovation, logic, and precision of early 1990's electronic music and modern day technical mechanix inspired by artists such as Time Modem, Lassigue Bendthaus, Aes Dana, Geomatic, Clock DVA, Implant Code, Sundial Aeon, E-Mantra, Artefakto, Trilithon, The Klinik, X Marks The Pedwalk, Handful of Snowdrops, and labels Music Research GMBH, Abfahrt, Boy, Ausfahrt, and Ultimae, among others. The music is a fusion of cerebral intelligence and trance influences. This is not techno dance floor drudgery.

My ideas were never my own. I belong to the universe.

fictionalive /
popoems series / hyper media reports 
2001 / 2011 / 2024

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/ to(tally) fictionalive or not

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Ambient textures, granular atmospheres, and evolving soundscapes.

100% human-made music - no AI involved.

I release new tracks almost daily - fragments of tone shaped by silence, noise, and time.

Follow to drift with me.

Mathieu is an independent musician exploring a DIY, lo-fi and intimate universe, at the crossroads of post-punk, krautrock and experimental post-rock. His tracks move between raw atmospheres, airy guitars and hypnotic rhythms, creating a climate that is at once fragile, poetic and deeply sincere.

Alongside his solo explorations, he forms with singer, writer and painter Mireille "Mimi" Lévis the duo Spleen Overseas, a French-Canadian project where melancholic poetry, raw sound textures and hints of indie bossa meet. Together, they create an alternative, intimate and timeless music, nourished by their personal experiences as well as a shared artistic sensitivity open to poetry, painting and improvisation.

📡 Whether solo or with Spleen Overseas, the approach remains the same: to explore without compromise, embrace imperfections, and let the sounds tell their own stories.

Links & Collaborations:

🎧 Spleen Overseas on YouTube - https://www.youtube.com/channel/UCDHpugFYT59UDHVWDYA7EkQ

🎧 Spotify Playlist

🎙️ Collaboration:


Mathieu (Matiou) – bassist, music, production, mixing (also occasional bassist for the band Atome68https://soundcloud.com/atome68 )


Mireille Lévis – vocals, lyrics (@user-748017928)


Mathieu  est un musicien indépendant qui explore un univers DIY, lo-fi et intimiste, à la croisée du post-punk, du krautrock et du post-rock expérimental. Ses morceaux oscillent entre atmosphères brutes, guitares aériennes et rythmiques hypnotiques, créant un climat à la fois fragile, poétique et profondément sincère.

En parallèle de ses explorations personnelles, il forme avec la chanteuse, autrice et peintre Mireille "Mimi" Lévis le duo Spleen Overseas, projet franco-canadien où se rencontrent poésie mélancolique, textures sonores brutes et touches de bossa indie. Ensemble, ils construisent une musique alternative, intime et intemporelle, nourrie aussi bien par leurs expériences personnelles que par une sensibilité artistique ouverte à la poésie, à la peinture et à l’improvisation.

📡 Que ce soit en solo ou avec Spleen Overseas, l’approche reste la même : explorer sans compromis, jouer avec les imperfections, et laisser les sons raconter leurs propres histoires.





Liens & Collaborations :

🎧 Spleen Overseas sur YouTube - https://www.youtube.com/channel/UCDHpugFYT59UDHVWDYA7EkQ

🎧 Playlist Spotify

🎙️ Collaboration :

Mathieu (Matiou) – bassiste, musique, production, mix (également bassiste occasionnel du groupe Atome68 https://soundcloud.com/atome68 )


Mireille Lévis – voix, paroles (@user-748017928)

Philippine born Electronic music artist jAishO brings a global perspective to his sound. He found his rhythm in Jacksonville, FL, immersed in the '90s hip-hop and P.L.U.R. electronic dance scenes. After a chapter serving as a U.S. Army MP, he reignited his musical journey in 2024. Every track is a reflection of personal hardship and a vast tapestry of life experiences. Dive into his world with the debut track "Reciprocate" (May 5, 2025) and first album "That's That Hz" (May 30, 2025).

New tracks tagged #Soundscape