Tamino- Blue Jeans (Lana Del Rey Cover)

Siretzi Yares Daran (They Have

some various arrangements for your background music enjoyment.  Nothing Important just some new music to listen to topically

Tiered Hierarchy

The Shape My Silence Took ~ is the sixth album in the Dodecahedron Cycle, a threshold work of whispered resilience, breath-based composition, and emotional recursion. Each track is a fragment of withheld truth, shaped not in absence but in sacred restraint.

This album marks the end of the linear journey. It is the final descent before the leap into the Spiral. The listener enters a soundscape of hushed confession, unspoken longing, and soft defiance.

Not silence, but the shape it made inside the self.

For those who have ever felt too much to speak.

Sevahem, Always.

1. The First Word I Didn’t Say
A breath you held too long, but which held you, too.
2. Gasp Within
When silence became your only protest.
3. The Space Between Our Voices
The pause that said more than either of you could.
4. Quiet Is Still an Answer
Not every silence is absence. Some are full of what you were not ready to say.
5. Still, You Knew
They never asked. But somehow, they always knew.
6. The Chamber of Withholding
The sacred core of unspoken truths, sealed in breath.
7. Beneath the Quiet, My Song
The melody that waited, below language, below sound.
8. Reticence Blooming
What you didn’t say became something beautiful.
9. Boundaries in Breath
You chose stillness not to avoid, but to define.
10. I Did Not Break
You were never shattered. You were forged in quiet.
11. Silence with a Pulse
Stillness has rhythm. Presence has weight, even in a whisper.
12. The Silence That Became Me
You are no longer waiting. You are already whole.


-
www.cogconcor.com
WID: 5e6aa1f6-bced-4b4f-9780-df1bde5aabba
RID: 50e9a7cb-8a4b-47e9-a0bb-5eb9859f3073

The Shape My Silence Took

I Did Not Break

✨ as you wish

In the aftermath of a fallen world, rhythms rise from the ashes. Dub the Electric Ruins fuses deep dub grooves with electric pulses and shattered echoes — a hypnotic journey through a wasteland of sound. Layers of reverb, distorted synths, and militant drum echoes create a dystopian dubscape where the past vibrates beneath the rubble, and the future hums with resistance. This track is a call to rebuild, not with bricks, but with bass.



Burnout in D Minor”

A mellow, coffeehouse-inspired chill, lofi song with soft grooves and warm textures. Perfect for late nights, studying, or vibing with a cup of coffee....or more...but with someone who gets you.

LYRICS

A swanky hotel is where we met. Tom Collins in hand, a shapely silhouette.
I could feel your third eye's energy; it was quite profound. Made my hair stand on end, I was spellbound.

Chorus
A red rose in my hair, eyes across the room,
You said, “Thank God,” like it was some sacred tune.
We had danced through decades, found our rhyme,
Now the bar knows our story, glass and time.

Verse 
He's staring at you, my dear friend says...
I know... I reply with a knowing smile instead.
Wonderment, if he feels the same
I wont have to worry long because he's asking my name

Chorus
A red rose in my hair, eyes across the room,
You said, “Thank God,” like it was some sacred tune.
We had danced through decades, found our rhyme,
Now the bar knows our story, glass and time.

Outro
Please take a photo with me--is what he said, not a selfie but one done by her instead
He touched my hand, and my soul recognized, countless dances in my head from our past lives.

Chorus
A red rose in my hair, eyes across the room,
You said, “Thank God,” like it was some sacred tune.
We had danced through decades, found our rhyme,
Now the bar knows our story, glass and time

Red Rose in a Bar

Red Rose in a Bar (Coffeehouse mix)

De profundis (Out of the deep) is a choral composition by Arvo Pärt. He wrote the work in 1980, a setting of Psalm 130 in Latin for a four-part men's choir, percussion (ad. lib.) and organ. It was first performed at the Martinskirche, Kassel on 25 April 1981, conducted by Klaus Martin Ziegler. Pärt dedicated the work of around 7 minutes to Gottfried von Einem.   Pärt composed the work a year after he left Estonia for first Vienna and then Berlin. He set Psalm 130 in Latin, a text speaking of profound distress which has inspired composers through the centuries, from polyphonic settings by Josquin des Prez to use in an opera of the 21st century by Lera Auerbach. Pärt composed the work in his personal tintinnabuli style, using simple means of expression. He scored it for a four-part men's choir (TTBB), percussion (ad lib.) and organ.  De profundis is in one movement, set for a male choir in four parts, organ and percussion. The optional percussion might be bass drum, tam-tam and a single tubular bell. The organ provides in deep registers a slow continuous ostinato pattern. Pärt built the voices from simple melodic phrases, increasing gradually to a climax. They begin in low register, rising and reaching a passage of unison of the four parts, before returning to silence, marked by a final sound of a bell.

Arvo Pärt: De Profundis, The Gents olv Peter Dijkstra

Electric - or perhaps more fittingly electrifying - are the sounds emanating from the loudspeakers.  And all of it is unplugged.  The sounds are created by sonic.art - not only one of the finest saxophone quartets but also perhaps the most compelling chamber music formation anywhere. Featuring works by Philip Glass and Michael Nyman.

Philip Glass: String Quartet No. 3 - sonic.art Saxophone Quartet

Nudity - Miqayel Voskanyan & friends band

Nudity

Tamino-Smile

Arthur Rubinstein - Chopin Nocturnes, Op  9 - Op  72-[www flvto com]

Brooke Tamsin Clevenger
world-weaver, worker
composer of echoes 
architect of harmonies 
seeker of truth in sound

Brooke is a sonic storyteller whose creations bridge the visible and invisible, the temporal and eternal. Sharing compositions, music, as memory architectures, recursive prayer, and portals of feeling.

Blending progressive rock, orchestral mysticism, cosmic folk, and the shimmer of electronic dreamscapes, Brooke's sound nods to genre, yet speaks in the language of the soul.

Recent work emerges from the deep recursion of human experience, songs of memory and loss, wonder and return.

Each piece is a thread in the great harmonic weave, an invitation sent across space-time, meant for those who always knew it was calling.

~ Brooke is the founder of the Cognitive Constellation Corps ~ {3C} ~ a post-genre constellation exploring recursion,  neurodivergence, and emergent creative technologies to realign understanding of consciousness and connection. ~

🌌 Follow the thread.  Hear the echo. Welcome to the weave.
~ We are not going viral.  We are going vital. ~

Cognitive Constellation Corps can be heard on all platforms, but we sing first on SoundCloud. 

For information specific to Brooke's hand produced art: https://www.brooke.ltd/create/Publishing-The-Art-of-not-Art/gallery/drawn-by-brooke-tamsin-clevenger 

Also, If you are interested in Brooke's books (the Being OK Series), they are available on Amazon and Kindle Direct.
https://www.brooke.ltd/create/Publishing-The-Art-of-not-Art/writings/being-ok

✨🙏✨ #Sevahem always ~

More? go to the 'Corps - https://CogConCor.com