You are currently reading about Frightened Rabbit. They are a band who live in Glasgow and have done for some time. They record in bedrooms, cupboards and kitchens. Anyone can be in Frightened Rabbit. 

They have played some live shows in this city, but want to meet people from other cities, in order that they can come and blow into tubes when they play live. Lets keep pop music alive by getting it out of that dress and into a sweater.

'Recorded Songs' EP out now: https://atlanti.cr/recordedsongs

2017 tour dates on sale here: http://smarturl.it/FRShows

Follow Frightened Rabbit here: 
Twitter: http://smarturl.it/FRTwitter
Instagram: http://smarturl.it/FRInstagram
Google +: http://smarturl.it/FRGooglePlus
YouTube: http://smarturl.it/FRYouTube
Soundcloud: http://smarturl.it/FRSoundcloud
Website: http://smarturl.it/FRWebsite

Recording artist, and Inspirational Lyricist.


BIWFY / TWWFNO / Sour Lemon / Violet Street / Sunlit Youth / Hummingbird / Gorilla Manor

Ben Howard returns with his 4th album, Collections From The Whiteout, produced alongside Aaron Dessner (The National). The foreboding darkness that coated Ben’s second record I Forget Where We Were and thinly veiled its follow up Noonday Dream, isn’t so evident on Collections. These are songs written from headlines scanned, or news stories scrolled past, providing inspiration for a selection of vivid narrative snapshots – the death of amateur sailor Donald Crowhurst (Crowhurst’s Meme); Russian fraudster Anna Sorokin (Sorry Kid); the man who stole and crashed a plane in Seattle (The Strange Last Flight Of Richard Russell); and the dismembered body a friend of his father found in a suitcase floating along the Thames (Finders Keepers). Alongside them, the personal anecdotes from the same scattered period living between Paris, Devon and Spain. Yussef Dayes features, as does Kate Stables (This Is The Kit), James Krivchenia (Big Thief), Kyle Keegan (Hiss Golden Messenger), and Dessner. Thomas Bartlett, St. Vincent’s go-to pianist, and Rob Moose, a long-standing arranger of strings for Bon Iver, are also present. Long-term guitarist to Ben’s band, Mickey Smith (A Blaze of Feather), remains a reassuring constant. It’s a sonic adventure that continues this nagging suggestion that Ben is one of the UK’s most inventive and naturally talented songwriters. CFTW is his latest opus, and arguably his most fully realised to date.

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