Lush was written in the Winter of 2016 for Wet Ink Ensemble. This piece was conceived as a hybrid between concert music and orchestral film music. As a composer of concert music, the attempt to draw out new ideas from mainstream film music may seem unusual, however, as I began exploring the possibilities provided by commercial sound libraries, sampler instruments, and synths, I was drawn to the idea of retuning these electronic instruments to create an electroacoustic part that fills out and expands the chamber ensemble into a bigger, richer sound.

The majority, if not entirety, of new film scores are produced using samples along with the occasional sprinkling in of a few live performers to heighten a sense of realism. By creating music in this way, the ideal realization of this score may be as a recording, where the precise level between live and sampler instruments can be completely controlled.

A second impetus for using an electronic part made from sampler instruments is to facilitate the performance of precise microtones through pitch matching. This method has allowed me include unusual harmonies and chord changes since the pitches of the live instrumental parts are almost always doubled in the electronics.

Recorded live on April 29th, 2016, at St Peters Church, New York,  by Wet Ink Ensemble with Alex Mincek, conductor. David Adamcyk, recording engineer. Mixed and mastered by Taylor Brook.

www.taylorbrookmusic.com

Lush - for 11 players and electronics (Wet Ink Ensemble)

Chill out, Dub techno, Electro, Trance, Dark ambient, Space ambient, Techno, Experimental, Sound worlds and more

composer_compositrice | new music sorceress

musician - sound designer - sound artist - bassist
making music at the intersections of dark-ambient/experimental/concréte/electro-acoustic-improvisation
andrewharlan@berkeley.edu

Alan Kulpin
rus | eng | est
Character design | 2D Animation | 2D Art

Lush - for 11 players and electronics (Wet Ink Ensemble)

brookt