It seems to convey a sensation of magmatic waves, effective dynamics and harmonic scales, I would say the image chosen to represent it is very appropriate ... great musical moment!

A fabuous composition, arrangement and production.......Bravo Maestro

Quite a powerful piece of music, written and performed

Lots of tension in the organ and lightness of the piano... like a concerto for two keyboards 😉👌✌️

Impressive work. Like the dark and threatening atmosphere.

Related tracks: Somewhere Between Space and Time

Tonight

LYRIC VIDEO :https://www.youtube.com/watch?v=tKSOBiLlcYI
This is a Song I wrote a bit ago & finally recorded~~
& it's the First Song off my New Project !
To All Things Love, Light, Energy, Universal Forces & Special Beings ~
Hope Everyone Enjoys It  ~ It was Really Fun to Play !!!
© 2025 Donna Dior

LIKE THE SUN

Voyage of Saturn One

Between Time and Space

Somewhere Between Space and Time

Going Home

Collaboration
Check out Ramixjoe ♈︎ music
@josef-schweinzer

In Color -With Ramixjoe ♈︎

“Dew”
Lofi/Ambient track from my LOFI Kitchen.
Great photos like a cover pic: www.instagram.com/bergarpi

So the bones of this came from Mobygratis.com. I changed it a good bit, there were no chords, so I added some and gave it a structure. I took away some things and added 3 guitars, some synths and percussion, and a fender rhodes. I could have stripped Moby out of it completely but I didn’t so now I have a collaboration with Moby! lol. I had a lot of fun with it, I’ve already picked out our next collaboration lol.

The original file was <<1960s house 2 at Mobygratis.com>>if  you want to check it out

i’m not the one, no  i’m not the one
i’m not a child of god, i’m a son of a gun 
there ain’t no halo on my head
i go where angels fear to tread
the fate of the world ain’t in my hands
i’m just an ordinary man

i’m not the one, baby, i;m not the one
It was a twist of fate, twists like a knife to the bone
i ain’t the light that leads the way
i’m the dark where your deepest fears are made
go lay your sins on some other man
i’m not your sacrificial lamb
  
lost in the shadows i came undone
then i woke up in the blinding sun
now the veil it feels so thin
was i redeemed or was i condemned

i’m not the one, just leave me alone
i’m not the one now go on home
just let me be
baby i’m not the one just set me free
there’s nothing that i can do
let me break it down for you

Not the one

Not The One

I think I saw one in my garden the other day... ;)

Don't Be A Fred

Loosely based on the traditional song.  120 bpm. (Painting: Manuel M. Remartinez)

Loch Lomond (Interpretation)

(Dragging My Butt) Into The Sunshine

l'art pour l'art - Vertere
May 2025
Duration: 3:00
Listen to the Playlist, l'art pour l'art: soundcloud.com/bruce-klepper-1/sets/lart-pour-lart
Cover art painting: Carol Klepper
Cover art lettering: John-Marc Ventimiglia
For piano, harpsichord, organ, skiddaw stones, timpani, virtual instruments and percussion

l'art pour l'art - Vertere

"One day blooms, the next day blusters—spring keeps us guessing and growing."
this quote would perfectly describe my Lovely Niece 🪴😊
Happy birthday to my dear 'Iren'. ❤️

mix & mastering by @bahram-dashtii

Buy/Stream

Iren, the Spring Girl

Reminiscence – The Gentle Return
Sometimes the heaviest moments are the quiet ones.
When a single piano speaks louder than any voice,
not with words, but with the aching stillness left behind.

Reminiscence is the sound of looking back,
of revisiting the empty chair, the quiet room,
the laughter that once filled it – now just an echo.
It’s not a cry for comfort, but a slow exhale of memory.

This piece doesn’t try to escape the sorrow.
It walks beside it – unafraid, tender, honest.
Because some things cannot be forgotten.
They live on in sound, in silence, in the spaces between the notes.

Performed entirely on the Bechstein  –
a grand piano from EastWest, known for its haunting intimacy.
Its velvety resonance and delicate detail bring life to the sadness,
like a whispered goodbye that lingers in the air.
Every nuance was shaped by human hands – with reverence, with grief.

Part of the album Tides of Melancholy.
No AI. No shortcuts. Just soul, sorrow, and sincerity.

Composed, played, and felt by myself –
for all those who carry someone in their heart but can no longer hold them.
Thank you for listening – and for making space for this gentle return.


Reminiscence – Die leise Rückkehr
Manchmal sind es die stillsten Augenblicke, die am schwersten wiegen.
Wenn ein einziges Piano lauter spricht als jede Stimme –
nicht mit Worten, sondern mit dem Schmerz,
den nur die Abwesenheit kennt.

Reminiscence ist ein Blick zurück.
Zu dem leeren Stuhl. Dem stillen Raum.
Dem Lachen, das einmal darin lebte –
nun nur noch Erinnerung, verhallt im Nichts.
Dieses Stück sucht keinen Trost.
Es atmet die Trauer – langsam, behutsam, aufrichtig.

Denn manche Verluste verblassen nicht.
Sie bleiben – in einem Klang, in der Stille,
in dem, was zwischen den Tönen unausgesprochen bleibt.

Eingespielt auf dem Bechstein Sus Rep Lite DYN –
ein Konzertflügel aus der EastWest-Piano-Serie,
geschätzt für seine emotionale Tiefe und intime Klangcharakteristik.
Sein samtiger Ton und seine fragile Präsenz
verleihen dem Schmerz eine Stimme,
wie ein leiser Abschied, der in der Luft stehen bleibt.
Jede Note wurde mit Sorgfalt und Gefühl geformt – von echten Händen.

Teil des Albums Tides of Melancholy.
Keine KI. Kein Trick. Nur Seele. Nur Trauer. Nur Wahrheit.

Komponiert, gespielt und empfunden von mir –
für all jene, die jemanden im Herzen tragen, den sie nicht mehr in den Armen halten können.
Danke fürs Zuhören – und dafür, dieser leisen Rückkehr einen Platz zu geben.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Reminiscence

Where's My Campfire?

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Sigma acoustic guitar, Collings mandolin, Roland piano, vocals, vocal harmonies, and arrangement
TexMex Shaman– @texmex-shaman –Stephen– Gibson Earle Scruggs banjo, arrangement, production, mix, and mastering        
This song is a Phish song written by Trey, Page, Fishman, and Tom Marshall, who wrote the lyrics. Originally, on their album Hoist, it's just Trey playing and acoustic guitar and singing. Stephen and I wanted to give it our own flavor though. After I asked him to play banjo on it and produce it for me, we started spitballing ideas about how we could add something more to it. Originally, we both played every instrument, guitar, banjo, mandolin, and piano, through the whole thing, except the first and last verses. Then we decided to trickle the instruments in for maximum effect. I also sang the harmonies throughout. Finally, Stephen came up with the idea to wrap the last verse in a mono effect, giving it a detached feel. He mixed it brilliantly, too.
  This song has always had a special place deep in my heart. Sometimes you hear a song and recognize such truth in it, it feels like it was written about you. This is such a song for me. Plus, it was written by my favorite band, Phish, so it has even more meaning for me. We hope you enjoy listening to it as much as we enjoyed making it.

Dog Faced Boy by Phish (with Texmex Shaman)

Pure ethereal ambient for relaxation, meditation, focus and your enjoyment.

PURE 06 MAGNOLIA

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Mysterious, Magical, Music is Wonderful!  Thanks for visiting!  Please feel free to share my music.  Enjoy!

Bruce Klepper is a Colorado based composer with thousands of listeners worldwide. Klepper studied music composition in the 1970's and received a degree in music composition and theory.  After writing music for many years and starting a tech company based in Colorado, Klepper retired in 2014 from business so he could devote myself to his true passion, composing music. Klepper's music premiered in Carnegie Hall, September 2022.  Klepper writes music in a number of different styles, including contemporary classical music, jazz, soundscapes using field recordings, ambient music, and ballet music.  Klepper has been composing music for Danse Etoile Ballet (www.danseetoile.org) since 2016. Klepper has been collaborating with Parlando School of Musical Arts (www.parlando.org) faculty Britta De Groot and Sergei Govorov for over a year now, composing and arranging new music for the dynamic piano and saxophone duo to premier around the United States. Klepper's music can be heard on all major streaming platforms, including Spotify, Apple Music, YouTube, and SoundCloud. 

NOTE: there is no compression added to the tracks in order to preserve the full range of dynamics. You may want to listen with headphones or increase the volume on some tracks for the best listening experience.

l'art pour l'art - Vertere

Bruce Klepper | Composer

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