bird at the end - eurasian oyster catcher, recorded in Iceland 2025

Siptamiya - improvisation I

I followed the open call of the great team humanfobia: https://soundcloud.com/humanfobia

letra: Mi ataúd está solitario
Mi ataúd está solitario

El Cementerio es mi hogar
Cada noche puedo sentir el perfume de la muerte
Tu energía y sangre vital serán mías
Necesito la compañía de un cadáver
Detrás de cada lápida está escrito
el nombre de los dieron la vida por mí

Necesito la compañía de un cadáver
Mi ataúd está solitario (x5)


Be proud to be part of the compilation (download here): 
https://cianorbe2nd.bandcamp.com/album/ataud-solitario-cior-382

noxpox - Ataud Solitario Open Call Feat. Humanfobia

Like A Shadow (Embodiment EP 2020)

first of a series of experimental tracks combining  a home made instrument constructed of springs rubber bands and various metallic resonant devices processed through a Koma Elektronik field kit with some digital effects processed back through my DAW( Reason) for further effects /time stretching etc.

Hidden

© 2020 B. Merritt / J. Merritt / P. Fulham
Janice: melody, vocals and arrangement
Bud: lyric, arrangement, mix, mastering and photo
Peter: guitar solo, fills and arrangement

i was drawn to you like a moth to a flame
only to become but a pawn in your game
you served it so sweetly little did I realize
crafted as a fine wine but all in disguise

the words you said hit me like a wave
a feeling I thought to take to my grave
you had it practiced to perfection through and through 
a lovely lie    three simple words     I  love you

a few short months your veneer ran thin
you have no heart beneath your skin
i found a new road with plenty of signs 
and they all point away from your designs

the words you said hit me like a wave
a feeling I thought to take to my grave
you had it practiced to perfection through and through 
alovely lie    three simple words     I  love you

the words you said hit me like a wave
a feeling I thought to take to my grave
you had it practiced to perfection through and through 
a lovely lie    three simple words     I  love you
only three simple words  such a lovely lie

Lovely Lie

Vanessa Pettendorfer: organ -
Bruno Gussoni: shakuhachi

Vanessa Pettendorfer & Bruno Gussoni - t r o u v e r

Uploaded with AudioShare app - http://kymatica.com/audioshare

one to 341

Henry Koek - Sansula ,Jew`s harp,Soprano Sax
King Imagine -  everything else

Henry Koek & King Imagine - Lazy Morning In Old House

I enjoyed hearing this melody on soundcloud and thought to try it out on my accordion.  I had the great good fortune to interest my soundcloud friends Zach and Jore in the tune as well.   Jore added our tracks together to come up with this wonderful version.

Alan Ingall @newshoe   -  accordion
Zach Schneider @zach-schneider-1   -  tin whistle
Jorma Heikkilä  @jorma-heikkil  - arrange, mix, all other instruments

Some other versions
Two concertinas
https://soundcloud.com/concertinist/2mb-xotes-romanes-6-28-20
Two accordions
https://www.youtube.com/watch?v=lbwu-YlZ9Rc

Photo: see: https://www.auques.cat/auca.php?auca=gitanes

Xotis Romani - collab Newshoe with Zach and Jore

RADIOPHRENIA is a temporary art radio station – a two-week exploration into current trends in sound and transmission arts.

https://radiophrenia.scot/

Northfield Lenox - The Wooden Magnet
18 November 2020 @ 10:00 pm - 10:30 pm

A radio play / collage utilizing original soundscapes and music along with repurposed audio samples taken from 75-year-oldbroadcasts. The theme of these shows from the 1940s include lingering fears of the Yersinia pestis global pandemic occurring in this period. Similarities to 2020 are evident.  

https://northfield-lenox.com/

The Wooden Magnet  - A Radio Play (2020 Radiophrenia Broadcast)

Disquiet Junto Project 0465: You Thank. The Assignment: Make a piece of music for someone or something toward which you feel thankful.

The idea was to do something simple, that constantly changes between traditional and modern. It’s made with Caustic for Android (mix & fx in reaper) and some orchestral SF2 files, I think sonatina. I just liked the trombone…

And I would like to thank Marc Weidenbaum for his generosity with his time and creativity.

Follow me on Bandcamp: https://krakenkraft.bandcamp.com/

More on this 465th weekly Disquiet Junto project, You Thank (The Assignment: Make a piece of music for someone or something toward which you feel thankful), at:
https://disquiet.com/0465/
https://llllllll.co/t/disquiet-junto-project-0465-you-thank/

Thanks, Marc! [disquiet0465]

Bruno Gussoni (born in 1951) is a flute player who works in the field of free improvisation/instant compositions. He plays several flutes (C flute, alto flute, bass flute, piccolo, shakuhachi, nohkan, shinobue, ryūteki), used to create a unique and personal language producing experimental flute sounds. He is not interested in the use of the flutes as “academic instruments”, he has given up on traditional techniques in favour of extended techniques like un-pitched breaths, multiple sounds, harmonics, overtones, whispers, microtones, keys percussion, and other sounds, all combined with breath, silence, soundscapes… exploring the acoustic possibility of the flutes, in the sound space and in relation with other improvisers.
He played/plays with: Don Cherry, Frank Lowe, Wadada Leo Smith, Jeanne Lee, Peter Kowald, Michel Doneda, Tetsu Saitoh, Edoardo Ricci, Matthias Schubert, Ove Volquartz, Joshua Weitzel, Ulrike Lentz, Anja Kreysing, Jane Rigler, Henry Koek, Christophe Meulien, André Darius, Eugenio Sanna, Iao Aea, Claudio Ferrari, Marcello Magliocchi, Angelo Contini, Guy-Frank Pellerin, Jean-Michel Van Schouwburg, Matthias Boss, Lawrence Casserley, Daniel Thompson, Adrian Northover, Willy Van Buggenhout, Tom Jackson, Adam Bohman, Martin Mayes, Maresuke Okamoto, Bernadette Zeillinger, Diego Mune, Jean Demey, Vanessa Pettendorfer, Angelina Ertel, Eric Arn,  Andreas Eichorn, Elisabeth Kelvin, Herbert Lacina, Edward Reardon, Stephan Brodsky,  Phil Gibbs, Benedict Taylor, Joao Pedro Viegas,  Roberto Ottaviano, Yoram Rosilio, J.J.Duerinckx, Dan Roth, Anton Mobin, Roberto Del Piano, Nicola Guazzaloca, Donatello Pisanello, Michele Barontini, Marcio Mattos, Marilza Gouvea, and many others.
He collaborated with the videomakers Jutta Pryor, Ash Benness, Alexandra Bouge.
He partecipated as flute player on compositions of Cezary Ostrowski, and King Imagine.
He played nohkan for coreography of the japanese dancer Yukino Nono.
Actually he collaborate with Vanessa Pettendorfer in the organ/shakuhachi project, and with King Imagine online projects, including Vanessa Pettendorfer, Markus Breuss, Dararat Chemnasiri, Ana Foutel, Dirk Watchtealer and others.

https://brunogussoni.bandcamp.com/releases
https://soundcloud.com/bruno-gussoni-flutech
https://soundcloud.com/fluctuation
https://soundcloud.com/flutespace
https://soundcloud.com/disaster-area
https://whitenoisegenerator.bandcamp.com/album/clockstop-2017
https://www.youtube.com/channel/UCeoshYzgRFB1LPkmgU9T-UA?view_as=subscriber
https://www.youtube.com/channel/UCeoshYzgRFB1LPkmgU9T-UA/playlists?view_as=subscriber
http://www.plustimbre.com/releases/0922019.html?fbclid=IwAR2SvTYJjo9f53_PbQozTgTi_ye9klI0wQbt87FexIbKeri4B6Opc-DBDnY
https://gommusic2.bandcamp.com/album/natural-sources
https://archive.org/details/Petroglyph499Nos_Namajs_and_Bruno_Gussoni-THE_NATIVE_CIRCLE
https://kingimagine2.bandcamp.com/album/between-the-universes
https://kingimagine2.bandcamp.com/album/king-imagine-online-sextet-2
https://peteswinton.bandcamp.com/album/japanese-flute-improvisations
https://lessthanone.bandcamp.com/album/wei-e-rose
https://panicgrass.bandcamp.com/.../panic-grass-and-feverfew
https://dirkwachtelaer.bandcamp.com/track/for-bruno
https://brunogussoni.bandcamp.com/album/improvisations-for-organ-and-shakuhachi
https://brunogussoni.bandcamp.com/album/soundodyssee
https://brunogussoni.bandcamp.com/album/breathe
https://plustimbre.bandcamp.com/album/a-castle-of-ghosts

Vanessa Pettendorfer & Bruno Gussoni - t r o u v e r

bruno gussoni