Lasael is a four pieces band formed in Milano (Italy) in 2021. 

Their sound has been built up exploring the vaste range of possibilities offered by harsh guitar noises and howling voices displayed on top of rumbling drums and a distorted bass which confer their music a sort of antiquated industrial groove, refering to the noise rock and alternative experimentation of the late 90s and early 2000s.

multi instrumentalist of RLLRBLL. Portland Oregon.under the influence of everything.

Welcome to my bloomy vomit bucket.
Born in Rome, 1982.
Musician - Sound Artist - Performer - Field Recordist
Up for sound experiences, new ideas, playing and exploring the unrepeatable.
Dionysus seeker.

Archaeological Records is a publishing house and record label inspired by music archaeology.

What is music archaeology? What 'music' has never been recorded?
Ancient music is poorly catalogued and remains largely unknown, but with research these forgotten forms, ancient melodies and instruments can be re-imagined and reborn. ‘Archaeological record’ is a term used in archaeology to denote all archaeological evidence. It includes the physical remains of past human activities as well as contemporary artefacts.  
 
AR is a project based on the belief that research into new and existing archaeological records can be analysed and theorised in new ways. This re-evaluation will be examined by researchers and sound designers, musicians and audio explorers who will develop ideas of unheard territories and uncharted channels, creating the 'new' from the 'ancient'.  
 
AR will focus on the history of music and the apparently unknowable.  
 
Inspiration for AR also comes from timeless sound experiences. For example, consider a natural cave and its acoustic environment, a bouche d’ombre with its eau verticalle and its stillness. The cave is in a state of continuous transformation yet its primary characteristics remain the same throughout the millennia. 
 
Early sound sources still in use also provide endless inspiration. The human voice or animal 'voices', their skins reappropriated into drums or their bones hollowed into wind instruments. Certain stones that sing when beaten and others sculpted and carefully positioned that make the wind sing their songs.  
 
For AR, exploring the history of sound is a mission beyond time, through ineffable dimensions. A mission that requires original observation and thought which will document and define 'archaeological sound'.  
According to the International Study Group of Music Archaeology’s “Meaning and Goals” :  
“... ultimately what was played in ancient times must remain in the dark of the past, and much fantasy is needed by modern musicians to imagine how melodies and rhythms may have been composed. Strictly speaking, only the sound of the instruments can be revived - these are the possibilities and limits of Music Archaeology.”
Determined to find new possibilities, AR supports projects that look at (and stress) the elasticity of the epistemological limits described by ISGMA: projects curated by researchers and artists together. Believing that the blurring of the genres is the most desirable approach when planning art projects inspired by science (or vice versa).

Sathönay est un projet de Nico Poisson, membre de NED, Totale Eclipse... et fondateur de S.K Records. Depuis peu en version trio, ce projet est tourné vers la musique orientale à travers l'utilisation du saz électrique (un grand luth d'origine turque, pour faire court). D'oriental il n'y a que la saveur, les morceaux sont dans un registre pop psychédélique.
Le line-up d'équilibristes est constitué de Nico Poisson au saz et au chant, de François Virot à la batterie que l'on connaît pour Clara Clara et le projet qui porte son nom dont le nouvel album vient de sortir sur Born Bad ; au violoncelle, Léonore Grollemund apporte sa grande connaissance des modes orientaux et des Balkans, qu'elle pratique dans de nombreuses formations de musique traditionnelle dont les infâmes Sex Drugs & Rebetiko et désormais aussi au sein de l'Orchestre Tout Puissant Marcel Duchamp XXL.
Le trio a enregistré son album Lost a Home à Marseille avec le producteur anglais Daniel O'Sullivan, qui officie dans Ulver, Grumbling Fur, Mothlite et dernièrement This is not this heat. Sa production ample et céleste rajoute une dimension mystique à la rugosité des thèmes orientaux parfois mélancoliques, rageurs et primitifs.

Sathönay is a project of Nico Poisson, member of NED, Totale Eclipse and founder of the S.K. records label. Recently expanded into a trio, this project is based on oriental music through the use of an electric Saz (Saz is a type of turkish lute, to be short), cello and drums. From oriental music there is only the flavour, the songs can be more easily filed under vaguely pop psychedelia.

The album Lost a home coming out on march 31st 2017 was recorded in Marseille with british producer Daniel O'Sullivan, member ofUlver, Grumbling Fur, Mothlite and recently This is Not this heat. His wide and celestial production adds a mystical dimension to the raucousness of the oriental themes sometimes melancholic, furious and primitive. 

Sathönay is the name of a square where we used to like to hang out.

Thank you, welcome.

Musician, producer, beatmaker, sound engineer

"l'impression première, l'intuition qu'il en découlait, fut définitive"

Il progetto nasce nel 2018 dall’esigenza di sperimentare nuove soluzioni sonore e ambientazioni cinematiche, pur mantenendo un anima fortemente Punk. 
Precedentemente chitarrista e bassista di Oloferne, Chitarrista di Sister Dew,  Chitarrista e compositore di Sinking Selkis. 
Il Bisogno di evolversi e di lasciare alle spalle le vecchie esperienze muta le sonoritá delle corde amplificate in sonoritá sintetiche, lasciando tuttavia intatta la vena dark, industrial e post punk che aveva caratterizzato gli ultimi lavori. 
Sintetizzatori distorti come chitarre, dinamiche da head bangin’, atmosfere che descrivono un futuro distopico alla Blade Runner, sono le caratteristiche che definiscono questo percorso sonoro.
The future is now, il cambiamento é l’unica soluzione.
Dicono di me:
..an interesting blend of Synthwave and some sort of Trance and Goth’n’Rock. I should say it sounds really solid and gives a banging vibe.”
ULTRA VAGUE Label

Followers of Bruno Dorella