Good Classical I Found

J'écoute Re-Ex

yay songs

Orah 3 Master

genesis

Deep Blue Ocean for two pianos
Duration: 12'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=938
Online Perusal Score: https://issuu.com/robertpaterson/docs/deep_blue_ocean_-_fs-bound
For More Information: https://robertpaterson.com/deep-blue-ocean

PROGRAM NOTES
Although Deep Blue Ocean is not meant to be overtly programmatic, I thought it would be wonderful to explore the oceanic depths, so during a trip to the Gulf of Mexico I became a certified scuba diver. I was truly inspired, whether by the large rolling waves on the open sea, the delicate back and forth of beds of seaweed, the vibrant colors of fish clustering around cities of coral, or the beams of sunlight that cascade over the ocean’s surface.

I was also inspired by my four year old son Dylan: his name means ocean or god of the seas in Welsh; he is an Aquarius, which means the water bearer; he is an excellent swimmer, and he loves listening to a movement of one of my choral works entitled Infinite Oceans.

While writing this piece, I could not have known that the worst oil spill in U.S. history would occur just north of where I visited. The darker moments in this work are the result of this tragedy. It is in three connected movements: The Darkness Below, Sunbeams and Waterfalls, and Accents and Waves.

Deep Blue Ocean is written for Steven Gosling and Blair McMillen of the American Modern Ensemble and is dedicated to my son Dylan.

Powerhouse Pianists II

Deep Blue Ocean - III. Accents And Waves

This piece is written for two violins, one cello, and one double bass.

derivative

Under a Moonlit Sea is an ambient music soundscape great for studying, dreaming, background music, and stress relief. You can use it for space exploring, astronomy, writing and creating arts. Great as background for gaming, playing space games, coding, and relaxing.

Ambient Music Video: https://youtu.be/AjYFP4RkxaI

Subscribe for more videos just like this: https://www.youtube.com/channel/UCRkgBVJZp13RKZPYg9vbecA?sub_confirmation=1

About this piece:

As the submersible descended into the inky blackness of the alien ocean, I couldn't help but feel a sense of awe and trepidation. The only light came from the beams of the sub's lamps, casting eerie shadows on the strange, luminescent creatures that swam past the windows. As we ventured deeper and deeper, the pressure grew greater and the temperature dropped, but the incredible vistas outside made it all worth it. Schools of multicolored fish darted past, and towering underwater mountains loomed in the distance. The sea was alive with movement and sound, and I felt incredibly small and insignificant in the face of such grandeur. It was a humbling and unforgettable experience to explore the depths of this alien moonlit sea.

Under A Moonlit Sea

Memórias

Say Yes To No (Badgernomics Mix)

Bittersweet Goodbye out now: https://issey-cross.lnk.to/bittersweetgoodbye

My first ever headline show is happening at The Lower Third in London on 21st march and I'm soooo excited!! Sign up for pre-sale www.isseycross.com/mailing-list

Bittersweet Goodbye

Daydream

Mystic phantasmagoric voices blend with Tibetan bowls, Voice of the Dakani
By Paul Landry
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Voice Of The Dakini | Paul Landry

#FlufferEP

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Fluffer EP

You Will See

Quarterhead & SESA - You Will See (Vrancky Unique Edit) [The Fluffer EP]

"Self-belief and discipline homie, that's my only channel!"

With powerful lyrics from rising hip hop artist Mike Grand and a unique blend of dubstep and cinematic instruments, rite of passage will fuel your desire to better yourself TODAY.

TRINITIII

Link to socials! https://linktr.ee/trinitiiiofficial

Rite of Passage (ft. Mike Grand)

#effects #underground #ambientmusic #high #home #happy #heart #zonedout #vibes #soundcloudpromotion #soundcloudrepost #adlibs #singing

SLEEP TALK Prod. Ryzing (2)

Nocturnal Noise

Seq09 F    A dialogue between harpsichord and piano (Canon)

Finding Peace

Written as main theme for political video game "Desk of The Elected"

Main Title Theme for "Desk of The Elected"

For SATB A Cappella Choir and Optional Projected Images
Duration: ca. 11'
Performed by Musica Sacra, Kent Tritle, conductor
Video: https://www.youtube.com/watch?v=7r5g_3kPjU4

To read more and see the graffiti images, visit this page: http://robertpaterson.com/graffiti-canons

Commissioned by Volti, Robert A. Geary, Artistic Director. The commissioning of this work by Volti was made possible by the support of the Ann Stookey Fund for New Music.

Publisher: Bill Holab Music

PROGRAM NOTES

Although I have based many choral works on settings of poems, I also enjoy setting unusual texts. In many ways. graffiti is ideal as a source of inspiration. It is unpretentious, extremely varied and can be found almost anywhere: under bridges, in alleyways, on the sides of vans, in subway stations, and even in bathroom stalls. It may be illegal or sanctioned, artistic, text based, aphoristic, philosophical or purely graphic. It can be humorous, innocent and childlike, or very serious and meant to provoke. Graffiti may be of our time or ancient. Certain cave paintings, for example, could be considered predecessors to modern graffiti. Through graffiti, gangs, tribes or individuals can hide behind anonymity; it is the voice of the voiceless.

In Graffiti Canons , I appropriate positive aphoristic sayings, sentences and phrases found in graffiti from various parts of the world. My goal is to create a musical tapestry that flows from one thought to the next and spans time and place, using canonic technique and chorale-like transitions.

Although I found many of the graffiti images online, others I use in this piece were obtained via a Graffiti Photo Contest that I posted online. Approximately eighty images were submitted, and viewers were allowed to vote for their favorites, which played a part in which images were chosen. A handful of the most inspirational photos were used for this piece. An optional slideshow containing these images may be shown during performances of this piece.

Graffiti Canons was commissioned by Volti, Robert Geary, Artistic Director. The commissioning of this work by Volti was made possible by the support of the Ann Stookey Fund for New Music (annstookeyfund.org).

– Robert Paterson

Graffiti Canons (For Choir)

I love composing and listening to cinematic music :)

derivative

brupesh