Unofficial remix of Mount Everest by Labrinth

Labrinth - Mount Everest (Nick Bailey Remix)

Continuing with our experimental trip though custom-made instruments, we have another gem that intends to fulfill your transcendental desired in music: EverWave. After months of design and almost a year in development, our master Luthier presented us with this beautiful masterpiece.

Weighing in at over 100 pounds, EverWave is a unique instrument that required a lot of passion and preparation. It was built from the ground up and then transferred to our studio where we filled it with microphones from every angle. The result is an amazing library that sounds absolutely unique. EverWave was recorded using all sorts of techniques. Due to its complexity, we decided to sample it until it would break, and so we did!

https://soundpaint.com/products/everwave

EverWave ''Across The Waves'' (Mixed) By Troels Folmann

Their first creation, Voices in the Water, is a haunting song of lost and forgotten souls, longing to be felt, craving to be heard, and desperate to be understood. Whether voices from those who once were, those we’ve lost, those who are yet to be, or the voices that speak to us from our very soul.

Voices in the Water

A top ten hit from 1825, my own modern twist on Schubert’s Ave Maria (mainly from the perspective of how I view the current world).

Ave Maria has always been a beautiful piece of music, but I think it’s so much more than that. I wanted to reflect the beauty, the brokenness (broken beauty and beauty broken), the mystery, the synchronicities, the darkness and the threat constantly trying to extinguish light in the world… but, also the humanity that seems to somehow shine through.

As an instrumental, it’s not tied down by the specifics of language; let the music communicate the spirituality that inspired Schubert the night he wrote it.

When I was at University catching the train to-and-from, there was always that God awful sound of breaks through the tunnels as the bloody thing would pull in. But, if I had headphones on (which dulled it) and I was listening to the right music, it could actually have a broken beauty to it for a moment… that idea kind of inspired the rustic/abstract nature of the guitar melody.

I guess somewhat appropriate given Mothers Day has just passed. Also, the only time I’ve ever performed it was at my cousin’s wedding with his daughter, Jess (who we lost 11 years ago last Friday).

So… here it is for your listening (dis)pleasure ; )

Shepherds

Ave Maria - Bryce Jacobs

Bryce Jacobs is a unique and eclectic composer and music producer who writes and performs his own brand of hybrid soundtrack music. 
After completing a Bachelor of Music in Performance at the Sydney Conservatorium of Music, Bryce returned 18 months later to complete a Masters in Composition. It was during this time of study that Bryce realized his desire and infatuation with film music was to be his musical focus from this point on. 
Bryce's dedication to film music led to the development of a guitar of his own design – a guitar that was based on the range and capabilities of a piano. Through the facilitation of transcribing existing piano music faithfully onto this guitar, the instrument became a new and exciting platform to write and perform any style of music, which encouraged more of the hybrid-orientated music Bryce continually develops. 
As a session and touring musician, Bryce has worked for Australian artists such as Josh Pyke and Genevieve Maynard, as well as international artists such as Hans Zimmer, Danny Elfman, Ramin Djawadi, KT Tunstall and Sophie B. Hawkins. He was involved with the orchestration, copying, recording, and performing of such films as "Happy Feet", "Jumper", "Gabriel", "Australia" and "P.S. I Love You". Inspired by his progress, his undying ambition led him to move to Los Angeles to continue his journey. 
With his move to L.A., Bryce quickly attained a position at Hans Zimmer's Remote Control Productions where he was part of the writing and production of many hit films, video games and television shows. Through this time, he worked very closely with Grammy Nominated and Emmy Winning composer of “Game of Thrones” fame, Ramin Djawadi. This relationship led to working on projects such as Warner Brothers' "Clash of the Titans", MGM/UA's "Red Dawn", EA's "Medal of Honor" and "Need for Speed" and Activision's "Call of Duty: Modern Warfare 3" among many others. In addition to this, Bryce has also performed on the scores for "Rango", "Pirates of the Caribbean: On Stranger Tides", "Puss in Boots”, “Savages" and “Fifty Shades of Grey”, to name a few.
In early 2012, Bryce completed a unique Song/Score for the feature film "Bad Karma" starring Ray Liotta and Dominic Purcell. Bryce also worked closely with Hans as composer and featured guitarist on the Ron Howard film, "Rush", which was released to wide critical acclaim in 2013. Parallel to this was his creative guitar work on Legendary Pictures “Man of Steel”.
In 2015, Bryce collaborated with KT Tunstall on the indie film “Carried”. Shortly after this, he wrote the dark soul/funk infused score for the Sundance featured documentary “Drunk, Stoned, Brilliant, Dead: The Story of The National Lampoon”. The next year, Bryce completed a pilot for ABC Studios (U.S) that was executively produced by Reese Witherspoon (starring Anna Paquin, Blair Underwood and Penelope Ann Miller). In 2017, Bryce composed episodes of SyFy's "12 Monkeys" Season 3, and wrote and produced the score and feature song ("Best Man") to the hilarious indie comedy "Random Tropical Paradise". In 2018, Bryce composed the score for Icon Pictures’ “Yowie” series as well as writing music for Universal Pictures and Legendary Entertainment’s “Skyscraper” (starring Dwayne Johnson). He also composed music for Walt Disney Pictures’ “Christopher Robin”, which in addition featured his guitar and vocal performances. Bryce was song producer on the Netflix cult followed show, “Daybreak”, and most recently, Bryce was music producer on a project involving Five for Fighting and the Ukrainian Orchestra; a music video set in the ruins of the air hanger of what used to be the largest plane in the world (the national pride of Ukraine, and therefore, the first thing that was bombed). The footage is interjected with images of Ukraine and those affected by the devastation. It was an incredible project to be involved with (professionally and personally).
Bryce has worked with such record and publishing companies as Universal Music Group, Peer Music, Def Jam, Warner, Capitol Records and Position Music; producing, writing and cultivating their artists; infusing his cinematic sensibilities and record producing, while cultivating their own musical personalities to bring the individuality of a new project to life.

Ave Maria - Bryce Jacobs

Bryce Jacobs

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Bryce Jacobs

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