In the ever-expanding oeuvre of David Ezra Okonsar, Jacob's Ladder: Five Sonatas for Piano stands as a monumental integration of ancient biblical inspiration with a thoroughly modern compositional voice. Known for his avant-garde approach and meticulous structural craftsmanship, Okonsar has long pushed the boundaries of contemporary classical music. These sonatas, rooted in the profound symbolism of Jacob's vision, offer a deeply layered musical narrative that resonates with his artistic ethos.

The story of Jacob's Ladder, drawn from Genesis 28, is ripe with imagery: a connection between earth and heaven, angelic movements, divine promises, and spiritual transformation. Okonsar, renowned for exploring complex inner structures and unconventional forms, seizes these motifs to create a series of works that are not only meditative but also dynamically expressive.

Each sonata corresponds to a pivotal moment in the biblical narrative, with titles such as "Dream of the Stairway" and "The Dawn of Blessing." These aren't mere programmatic nods; instead, they form the backbone of a unified cycle that merges spiritual ascent with the challenges and revelations inherent in human existence.

Okonsar's earlier works, such as Sounds and Perfumes Turn in the Evening Air (for piano and electronically processed piano) and Veils of Echo and Silence (10 Pieces for Mallets, Euphonium, Bass Clarinet, and Keyboards), exhibit his penchant for blending traditional inspiration with cutting-edge techniques. Jacob's Ladder carries forward this legacy, emphasizing a harmonic language steeped in atonality while invoking archaic modalities that evoke the biblical and mystical.

In "Dream of the Stairway," Okonsar's use of suspended, sparse textures mirrors the meditative state of Jacob's vision. The angels' ascent and descent in "Angels Ascend and Descend" unfold through virtuosic passages that evoke constant motion, using contrasting registers and shimmering timbres reminiscent of his electronic music influences. "Wrestling with the Divine," the emotional heart of the cycle, showcases his mastery of dramatic tension, building tumultuous layers of dissonance and rhythmic complexity before resolving into moments of profound stillness.
A Synthesis of Form and Meaning

Okonsar's compositions have always thrived on the interplay between structure and expression. Here, his fascination with electronic music concepts, such as sound envelopes and formants, finds a fresh medium in purely acoustic piano writing. In these sonatas, the "ladder" becomes a metaphor for spiritual ascent and the evolving textures and densities within each work.

The fifth sonata, "The Dawn of Blessing," serves as the culmination of this journey. It features luminous chords and expansive phrasing that echo themes of reconciliation and transformation. While firmly modern, the music resonates with a timeless spirituality that transcends specific historical or cultural contexts.
A Legacy of Innovation

With Jacob's Ladder, Okonsar adds another keystone to his already illustrious career as a composer and performer. Like his 20 Preludes for Piano or the intricate soundscapes of Veils of Echo and Silence, this series reaffirms his place as one of the most innovative voices in contemporary classical music.

Okonsar's ability to combine intellectual rigor with emotional depth is on full display, creating works that challenge performers and move audiences in equal measure. These sonatas are not just compositions; they are journeys ascending toward a transcendent understanding of music, spirituality, and humanity itself.

Sonata IV: "Wrestling with the Divine" (Presto agitato)

Sonata III: "The Voice in Bethel" (Andante maestoso)

Sonata II: "Angels Ascend and Descend" (Allegro luminoso)

Sonata I: "Dream of the Stairway" (Lento contemplativo)

Experience the power and beauty of "Christ Comes Again - This Christmas," an acapella hymn with rich choral harmonies, delicate piano accompaniment, and soaring orchestral flourishes. This moving piece captures the spirit of Christmas while looking forward to the promised return of the Savior.

Christ comes again - this Christmas

Ross Douthat, New York Times columnist and author of "Believe: Why Everyone Should Be Religious," talks about the importance of taking faith seriously in a mortal world.

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David Ezra Okonsar, Belgian pianist, composer, conductor and musicologist was born in Istanbul, Turkey. He studied piano, composition and orchestration at the Brussels Royal Conservatory and musicology at the Istanbul Technical University. His primary teachers were J. Cl. Vanden Eynden and Alexis Weissenberg for the piano and Madame Jacqueline Fontyn for composition. He is laureate of numerous international piano competitions including the Gina Bachauer. Besides his international concert career he is a prolific composer and music writer.

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