Here is a remix of a track Jeremy and I made a while ago called "Eyes Closed".

Watch the original music video here https://www.youtube.com/watch?v=ViQvKI7qttQ

Daniel James - Eyes Closed REMIX (Hold On ft Jeremy Zucker)

UPSTAIRS is a Christmas tale about God, the Holy Spirit, and the leaders who walk in disciplined honor under divine guidance. It honors the One above all, and the men and women He appoints — those who listen, obey, and allow the Spirit to shape their steps. Nexus has always been placed on the top floor of every building the church guided him to, a physical sign of spiritual elevation, but the song opens this role to all who walk in the same disciplined love. The goal is not to exalt one man, but to clone the best man — to raise leaders who walk as he walks, hear as he hears, and serve as he serves.

“Staying outside and laying traps to fall” describes what the man upstairs sees darkness doing. The traps target the people of green — those with the green light to live freely in the Kingdom, the children raised in love, the honorable who grow, build, and uplift. Darkness seeks to corrupt them, but the man upstairs sees every scheme, warns, and protects.

The winds blow all the things of old — the evil ways and corrupted habits that cannot survive in God’s presence. These are the winds of new, sweeping away what does not belong. Outside the Kingdom, they destroy corruption, greed, and foolishness. Inside the Kingdom, they refresh and renew, revealing what must change and bringing clarity, wisdom, and direction. The man upstairs remains in the warmth of the Kingdom, watching the evils laid by darkness get scattered with ease. He teaches through the stories of those blown away by their own corruption, asking, “Why won’t they learn?” For evil is stupidity — a doomed strategy against the winds of God and the wisdom of His Kingdom.

“I am everything above and beneath” reveals divine presence as both authority and foundation. The man upstairs is not confined to height — he guides leaders from within and without. The song becomes a Christmas prayer: “This Christmas I call, I listen, I pray.” The man upstairs warns, “Don’t stray.” The path is personal, crafted by God, shaped by parents, and sealed on one’s christening day. Christmas becomes a moment of recalibration — a reminder that leadership is Spirit‑led, not self‑made.

“I’m a man, I’m a child, a woman or boy” declares that leadership is not limited by age or gender. The man upstairs teaches joy, love, and the understanding of hate without ever showing His face. He shapes fate, place, and purpose, teaching discernment: “Is it love or hate?” UPSTAIRS shows that leaders rise through obedience, not ego; that power flows from the people; that the Holy Spirit guides action; and that leadership is service, not domination. The mission is to raise more leaders — to clone the best man so all walk in honor, in a Kingdom where correction does not destroy and hierarchy does not oppress.

This Christmas, UPSTAIRS calls every listener to listen to the Holy Spirit and let Him guide each step with precision and discipline. It teaches that leadership is honored through clarity and status, because status is clarity, and clarity is clearance. Clear speech opens gates, while unclear speech can unintentionally block blessings. When you repeat the words you were taught, saying them exactly as they were meant, you honor the one who taught you and reveal that you have already risen. This protects the mission and keeps the words pure in every situation that calls you to lead. Without clarity, others may use you as a scapegoat while they intentionally perpetuate harm, but clarity protects you, protects the Kingdom, and exposes darkness. UPSTAIRS calls you to protect the green, discern wisely, and lead with humility — for power is service, clarity, and the ability to uphold the words that shaped you.

UPSTAIRS is not just a song — it is a Christmas doctrine of leadership, vigilance, and divine guidance, honoring God, honoring the leaders He appoints, and inviting every listener to rise into their calling.

Más‑X‑Gracias

UPSTAIRS

#2הקול שמתנגד לנשמה.mp3

Same Drugs (Cover) [Prod. Lake Indigo]

written & performed by DPND (sean bolton)

twitter: dpndmusic / iamseanbolton

instagram: theseanbolton

produced by LACY

twitter: ZachLacyHD

SECRETS (prod. lacy)

Produced by Ethan Andrade

Lyrics:

Oh oh oh oh
Oh oh oh oh

She said I don't know what to say you 
Sometimes 
She said I don't know what to say to you 
Or what's been on your mind 

Well you already know that I don't let go so easily 
And it's not on the low that I want you right here next to me 
We could oh oh oh oh baby can't u see 
What I been thinkin 
cause I been thinkin

She want that emotion 
Loving that devotion 
Deeper than the ocean 
The seven seas 

She want that affection 
Loving that connection 
Won't get from the next man 
What you had with me 
What you had with me 
(what you had with me oh)

Oh oh oh oh
Oh oh oh oh

She said it seems like I've got sides to me 
(Sides to me)

She said have you ever lied to me 
(Lied to me)

Well you already know that I don't let go so easily 
And it's not on the low that I want you right here next to me 
We could oh oh oh oh baby can't u see 
What I been thinkin 
cause I been thinkin

She want that emotion 
Loving that devotion 
Deeper than the ocean 
The seven seas 

She want that affection 
Loving that connection 
Won't get from the next man 
What you had with me 
What you had with me

She Said

20/20

Lyrics

She walked in think it was thursday
dont like gettin in my own way
push me back she wanna showcase
112 cupid like the old days
think i keep winning 
sinnin dont lie
shit aint been the same 
cinnamon ya whole vibe
smellin like clean sheets 
lookin like light
killin all my old girls
just with one night
u be my ashanti
whitney to the bobby
we could do this daily
fuckin is a hobby
think im not sober
feelin like im fallin
room key dont work
headed to lobby
water on my face needa needa 
get together
she a independent woman and i never wouldnt let her
drinking gatorade with gin
spillin red up on my sweater
hearin voices in my head 
that i prolly know better

and all of your girls keep calling my phone
and all of your friends keep calling my phone

now im in a beemer and radio blue
and they play lil uzi and im staring at my shoes
someone in my ear talkin bout we met before
and she kissin on my ear and we driving up the shore
and i think we goin fast kinda lost my train of thought
couple reds we went passed and my brain just wont stop
now im back alone 
and i
cant find my phone
and i 
smell like perfume
and cough syrup cologne
and i
and i woke up again
walking through a dream
instagram friends with some blood up on their teeth
feeling like the end credits rollin on my eyelids
listening to kids argue bout cole vs logic
listen to the speakers playing built for cuban linx
touching on my face sweat drippin in the sink
now the doors closing
brain is slow motion
kissing and passing potions 
kidding about emotions

And all of your girls keep callin my phone

Callin My Phone

Stream/Buy

PRODUCED BY ROCCO.
MIXED/MASTERED BY ELI STAMSTAD
WRITTEN BY GRIFFIN DICKERSON AND ZACHARY OCHOA

Special (ft. Nicky Gwiggs & Ice God The Macgyver)

BRYR