Katya CASIO & HONG KONG COUNTERFEIT 
		plus
our Side Projects, Remixes, Collaborations, etc, 
	More trax are coming soon at this address:
      	***soundcloud.com/hong-kong-counterfeit***
	

	<3

crashiN, es un artista de psytrance bonaerence
Debuto en fiestas underground por el año 2006 con el duo de djs Español "Mantra Ray", a sus 17 años donde conoce el psy
hasta llegar a las cabinas de New talents de Namaste, adonde aprendio a manejar el dancefloor y mejorar su tecnica desde ese momento hasta hoy
a pinchado en fiestas como Dancing Budhas, Namaste, Acid Party, Animal Party's, After Power, New Frequency y mas...
Hasta que en el año 2014 decidio cambiar su forma de actuar y creo su productora Saiquito, estando a cargo de mas de 50 Fiestas.
y todavia con las mismas energias de siempre.

Compartio cabina con artistas internacionales como : Atomic Pulse, Aladdin Omega, The Big Brother, Point, Dual Core, 2012 . Vegas Live, Hypnoise

Influencias: Nine inch Nails, Combichrist , Laibach, Apoptygma Berzek, Melotron, Vnv Nation

Estilos : Techno, Dark Full On, Psytrance, Progre Psy.

Detroit techno producer. From Argentina. 

A great Dj can  make music with music 
this is the goal!

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

https://www.facebook.com/nataliebar
https://www.facebook.com/ZivMatushka/
https://www.facebook.com/ReArbeiten?ref=hl
https://rearbeiten.bandcamp.com/
https://open.spotify.com/artist/0BldC5CiZg9AFbclmTT7US
https://re-arbeiten.bandcamp.com/
https://www.instagram.com/?hl=en
 https://www.youtube.com/channel/UCfkRa848GeFQjFDUjuUSz0A
https://www.mixcloud.com/natalie-bar/
Re-Arbeiten are Natalie Bar and Ziv Matushka.
Treading between Avantgarde, Music Concrete and IDM, the duo formed around 2012 in Tel Aviv (Israel). Set to clench their thirst for sonic experimentation and feeding of each others curiosity for new sonic grounds, they started producing pieces of music only for their own amusement.

 Re-Arbeiten's music can be described as a mixture of dense rhythmic textures brought by their curiousity for generative music and beats and algorithmic melodic sequences.

Unit-01 is following